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Bill Chase
Born:
William Edward Chiaiese was born on October 20, 1934 to John and Emily Chiaiese(key-ah-tze) in Dorchester , Massachusetts . The family later moved to Squantum , Mass. John changed the family name to Chase, understanding that the Italian name Chiaiese was both hard to spell and pronounce. While Bill was growing up his parents felt that he needed to broaden his horizons and arranged for him to take violin lessons. Bill did not even touch the trumpet, until the middle of his high school years. A newspaper clipping dated 1956 pictures Bill listed as a Corporal in the 26th Yankee Infantry Division Band holding a bass drum
About Dennis Keith Johnson
Instrument: Piano
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Dennis Keith Johnson
Dennis Keith Johnson, bassist, has performed and/or recorded with bands and artists such as: Chase (Epic Records), Survivor (Scotti Brothers Records), Software (Head First Records), Dennis DeYoung (A & M Records), Jerry Butler (Motown Records), Jim Peterick (Epic Records), Rick Danko (Breeze Hill), Bruce Bolin, Kofi Baker, Cottonwood South, Larry Carlton, Paul Wertico, B.B. King, Sweetening, and more at venues that include the Tonight Show, Newport Jazz Festival, Carnegie Hall, Hollywood Bowl, Budokan (Tokyo), Chicagofest, Summerfest (Milwaukee), Holiday Star Theater, Arcada Theatre, Liberty Hall (Philadelphia), Santa Monica Civic Auditorium, Radio City Music Hall & more
Eric Goletz: A New Light
by Richard J Salvucci
Eric Goletz is a virtuoso trombonist who also writes and arranges. On first hearing, his core band may put some in mind of Chase, Bill Chase's high-flying group that featured both vocals and technically demanding trumpet. Goletz has something similar going on. The music opens with Prelude: Before the Light" and A New Light," with a ...
Los Angeles Jazz Institute Festival - Woodchopper's Ball: Part 3-4
by Simon Pilbrow
Los Angeles Jazz Institute Festival Woodchoppers' Ball" Four Points by Sheraton at LAX Los Angeles, CA May 23-27, 2018 Part 1 | Part 2 | Part 3 | Part 4 Concert 8: The Herdsmen -Bobby Shew meets Larry McKenna Trumpeter Bobby Shew is a well- known ...
Los Angeles Jazz Institute Festival - Woodchopper's Ball: Part 2-4
by Simon Pilbrow
Los Angeles Jazz Institute Festival Woodchoppers' Ball" Four Points by Sheraton at LAX Los Angeles, CA May 23-27, 2018 Part 1 | Part 2 | Part 3 | Part 4 Concert 4: Keen and Peachy: Music of the Woody Herman Second Herd -Directed by Michael Berkowitz ...
BGO Records: Excellence in Jazz Reissues
by Jakob Baekgaard
In the digital age we live in, there is no doubt that the business of reissuing music is booming. It has never been easier to get music, old and new, in digital or physical form. However, one thing is to re-release a record; another thing is to do it the right way. BGO Records, run by ...
Jim Manley: Funk Factory
by Nicholas F. Mondello
When the great Renaissance sculptor and artist Michelangelo assumed the commission to create his giant, David, he knew he was working with a piece of marble that not only had significant taroli, i.e., imperfections, but also that had been abandoned by two prior artisans. While trumpeter Jim Manley's Funk Factory might not wind up in the ...
Woody Herman: Blue Flame - Portrait Of A Jazz Legend
by Dan Bilawsky
Woody HermanBlue Flame: Portrait Of A Jazz LegendJazzed Media2012 Innovation and boundary pushing is often seen as a young man's game, so the obvious question is, how did clarinetist/saxophonist/vocalist/bandleader extraordinaire Woody Herman manage to keep things fresh for virtually his entire half-century run? The answer is so ...
Jim Manley: Brass Poison Too
by Nicholas F. Mondello
Trumpet players who dwell in the altissimo range of the instrument face multiple dilemmas: they must maneuver the purely physical demands of playing in that extreme register (challenging), perform impeccably (difficult) and display musical grace and ease in doing so (incredibly difficult). Complicating matters, there are always the ghosts of Maynard Ferguson, Bill Chase and others ...
These Are a Few of My Favorite....Charts
by Jack Bowers
Whenever the topic of desert islands arises among jazz fans, the focus is invariably on which albums (discs) one would choose to cram into a suitcase if one were ever stranded on an otherwise barren island. While the consideration of particular arrangements seldom governs the debate, I really think it should. After all, few albums, however ...