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Jazz Ambassadors: Representing A Segregated America During The Cold War
by Victor L. Schermer
Jazz Ambassadors THIRTEEN Productions 2018 Here, long overdue, is a comprehensive documentary about the legendary jazz musicians in the 1950s who served as “cultural ambassadors" under the aegis of the U.S. State Department, touring Europe, Asia, Africa, and the Soviet Union. The film comes sixty years after the fact. As Americans continue ...
State and Mainstream: The Jazz Ambassadors and the U.S. State Department
by Karl Ackermann
The Cold War that began in 1947 and ran for forty-four years, had jazz music as its primary deterrent to global tensions, and it did more to foster good will between the U.S. and global citizens than any previous program launched by the U.S. Department of State. Jazz music, even in its Golden Age, was seldom ...
Roger Kellaway Trio: New Standards Vol. 3
by Dan Bilawsky
Trumpeter Carl Saunders is best known for his contributions to jazz orchestras, having put his mighty horn to good use for Stan Kenton, Bill Holman, Maynard Ferguson, Benny Goodman, Gerald Wilson, and numerous other big band leaders of note over the past half-century. Yet his work as a composer may end up being his lasting legacy. ...
Results for pages tagged "Benny Goodman"...
Andy Firth
Born:
Andy Firth started his performance career at the age of 14 when he appeared around South Australia featuring in small groups and big bands. By 17 Andy had moved to Adelaide and co-founded his first band The BBC Trio and later the BBC Quartet, Andy Firth’s reputation as one of Australia’s most outstanding jazz talents was further endorsed with his appearances on ABC, channel 7,9 and 10 television shows, The Burrows Collection, Sunday, Hey, Hey it’s Saturday, Clive Robertson’s News World and The Midday Show with Ray Martin. Today, Andy Firth is widely regarded as one of the most outstanding clarinet players in the world, having played internationally with some of the greatest performers, bands and orchestras in both classical and jazz music
Seven woMEN 2018 – Part III
by C. Michael Bailey
Look what creeped into my monthly column... and herein exist end-of-the-year-recordings...(you decide which ones). Ben Paterson That Old Feeling Cellar Live Records 2018 Everything about pianist/vocalist Ben Paterson's Cellar Live release, That Old Feeling is delightful. This recording is a beautiful throwback, with just a touch of ...
Culture Clubs: Part IV: When Jazz Met Europe
by Karl Ackermann
The Geography of Jazz--When Jazz Met Europe In 2004 Maureen Anderson, a researcher at Illinois State University contributed a dissertation to the journal, African American Review, titled The White Reception of Jazz in America. Ostensibly, her article deals with stories published in high profile periodicals and journals from 1917 and into the 1930s, written by white ...
Branford Marsalis and Jean-Willy Kunz at the Kimmel Center
by Victor L. Schermer
Branford Marsalis, Saxophone, and Jean-Willy Kunz, Organ: From Classical to Jazz Kimmel Center for Performing Arts Philadelphia, PA February 16, 2018 This concert of mostly classical works for saxophone and large scale pipe organ turned out to be somewhat of a surprise to the audience of jazz ...
Seven Women 2018 – Part II
by C. Michael Bailey
Hey, this is starting to become a habit. Nina Simone Mood Indigo: The Complete Bethlehem Singles Bethlehem Records 2018 Mood Indigo: The Complete Bethlehem Singles is a tidy summation of the first recordings made by vocalist/pianist Nina Simone. According to the liner notes, these selections, the singles releases ...
Culture Clubs: A History of the U.S. Jazz Clubs, Part III: Kansas City, Philadelphia, Los Angeles & Beyond
by Karl Ackermann
Beyond the Hubs While New Orleans, Chicago, Kansas City and New York City were the incubators of modern jazz, they were by no means the only locations with an appetite for live music. Jazz artists whose point of origin could not sustain multiple venues ventured to locations near and far to practice their trade. ...
How the Other Half Swings
by Jeff Fitzgerald, Genius
If there has been a frequent criticism of the Genius Guide, besides the fact that it's hard to tell what the hell I'm going on about most of the time, it would be that I have largely ignored the contributions of women to Our Music. One would think, from the body of my work to this ...
