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71

Article: Album Review

Meeco: Beauty of the Night

Read "Beauty of the Night" reviewed by Edward Blanco


Paris-based composer/producer Michael Christian Maier, alias Meeco, has never truly delivered a standard jazz album, preferring instead to craft musical projects that are creative, innovative and different from the rest, described as “neither classical nor jazz" (Jaques Morelenbaum). A follow-up to Perfume e Caricias (Connector, 2010), Beauty of the Night is Meeco's third disc and his ...

104

Article: Extended Analysis

Meeco: Beauty of the Night

Read "Meeco: Beauty of the Night" reviewed by Chris May


Anyone unfamiliar with Paris-based composer/producer Meeco and his gorgeous, sophisticated jazz can get approximate bearings from two other artists. One is Antônio Carlos Jobim, partly for the influence of bossa nova on Meeco's writing, partly for the heart-on-sleeve romanticism his songwriting shares with Jobim. The second is Astrud Gilberto, who is suggested by the Brazilian vocalist ...

99

News: Recording

The Bennie Maupin Ensemble - Penumbra (2006)

The Bennie Maupin Ensemble - Penumbra (2006)

By Mark Saleski Back in the dark ages (read: before the Internet) I spent a fair amount of time searching out new music by paying very close attention to the listings of my local public and classical radio stations. On any given week night there might be broadcasts of solo works, string quartets, and all manner ...

211

Article: Extended Analysis

Ricardo Villalobos / Max Loderbauer: Re: ECM

Read "Ricardo Villalobos / Max Loderbauer: Re: ECM" reviewed by John Kelman


The concept of remix-- using studio technology to deconstruct, reshape and reconstruct extant recordings--is far from new, but the past decade has seen a considerable expansion of purview. Once more closely aligned with the club scene, remixes are no longer solely about relentless beats for dancing; instead, as Norway's Punkt Festival has been demonstrating for seven ...

63

News: Performance / Tour

Forgotten Series: Bennie Maupin - The Jewel in the Lotus (1974)

Forgotten Series: Bennie Maupin - The Jewel in the Lotus (1974)

By Mark Saleski Part of the genius of Miles Davis (aside from the incredible compositions, insanely great trumpet work, and spooky ability to play just the right notes) was his amazing talent for selecting band members. The list is seemingly endless and the branches extend over an impressive subsection of modern jazz: John Coltrane, Chick Corea, ...

658

Article: Interview

Marcus Miller: The Perfect Balance

Read "Marcus Miller: The Perfect Balance" reviewed by Esther Berlanga-Ryan


Marcus Miller is a master musician of calm wisdom and impeccable taste, whose talent has been exposed to the elements under different kinds of light through the years, only to magnify the evident supremacy he so gently seems to hold over the bass guitar in recent years. As a multi-instrumentalist of deep musical curiosity, he has ...

261

Article: Album Review

Iron Kim Style: Iron Kim Style

Read "Iron Kim Style" reviewed by Mark Redlefsen


On Iron Kim Style, guitarist Dennis Rea has created a CD of entirely improvised music, set against themes mostly about North Korea and it's nefarious ruler, Kim Jong-Il. Rea might not have possibly foreseen just how much the tension between North and South Korea would escalate as it has in recent times. The art work on ...

987

Article: Interview

Lenny White: Jazz/Rock Collides Again

Read "Lenny White: Jazz/Rock Collides Again" reviewed by Carl L. Hager


When that cool, overcast dawn arrived in Bethel, New York, neither the Woodstock Music and Arts Fair's expired permit, nor the rain, mud, and technical problems could have kept Jimi Hendrix and his Band of Gypsys from playing. It was destiny. Believe it. A hundred miles south on that same morning of August ...

397

Article: Film Review

Mulatu Astatke: February 1, 2009

Read "Mulatu Astatke: February 1, 2009" reviewed by Chris May


Mulatu AstatkeFebruary 1, 2009Mochilla2010 For the first 40 years of his professional life, composer and vibraphonist Mulatu Astatke, the father of Ethio-jazz, remained practically unknown outside his own country. That changed in 2005, when his atmosphere-laden recordings were featured extensively on the soundtrack to the Jim Jarmusch-directed movie ...


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