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14

Article: Interview

Jack Chambers: Rethinking Duke Ellington

Read "Jack Chambers: Rethinking Duke Ellington" reviewed by Jack Kenny

by Jack Kenny

Jack Chambers is professor at the University of Toronto and teacher of music and language. His jazz writings include the prize winning biography Milestones: The Music and Times of Miles Davis (Da Capo Press, 1998) and Bouncin' with Bartok: The Incomplete Works of Richard Twardzik (Mercury PR, 2008). Sweet Thunder: Duke Ellington's Music In Nine Themes ...

3

Article: Liner Notes

Jordan VanHemert: Survival of the Fittest

Read "Jordan VanHemert: Survival of the Fittest" reviewed by Gary Fukushima

by Gary Fukushima

For most of his life, Jordan VanHemert has been on a quest of growth and mastery as a saxophonist, composer and musician. But equally important have been his efforts to contextualize some of the difficulties of his life experiences within the deeper themes of his DNA, discovering in the process resilience, optimism and joy. Jordan's music ...

3

Article: Album Review

Dave Monsch: Struttin' at the Winedale

Read "Struttin' at the Winedale" reviewed by Dean Nardi

by Dean Nardi

Dallas-based saxophonist and flautist Dave Monsch wants his debut album to catch listeners' attention. “I don't feel that it is a predictable album," he stated through an email exchange with AAJ. “There are so many different types of songs and styles, I would hope that something will grab them, if not all of it."

4

Article: Book Review

Don Byas: Sax Expat

Read "Don Byas: Sax Expat" reviewed by Richard J Salvucci

by Richard J Salvucci

Don Byas: Sax Expat Con Chapman 233 Pages ISBN: 9781496856081 University Press of Mississippi2025 Don Byas, a tenor saxophonist, who was regarded with great respect in his day, is, unfortunately, now not much more than a name. In part, it is because he has been gone for half a ...

1

Article: Album Review

Noah Preminger: Ballads

Read "Ballads" reviewed by Pierre Giroux

by Pierre Giroux

Noah Preminger has long been an artist who thrives at the intersection of tradition and innovation. On Ballads, the tenor saxophonist delves into the depths of lyricism with a quartet that exudes understated intensity: pianist Julian Shore, bassist Kim Cass, and drummer Allan Mednard. This release communicates in whispers rather than shouts, yet it never loses ...

13

Article: Building a Jazz Library

Ten Terrific Sax Plus Organ Combinations

Read "Ten Terrific Sax Plus Organ Combinations" reviewed by Artur Moral

by Artur Moral

OK, maybe the electric guitar was its first and most celebrated love affair, but the organ's alliances with the saxophone's family members are undoubtedly among the richest musical combinations, both in terms of sound and the intense interrelationships that typically develop in such encounters. Whether it be a tenor with a Hammond, a soprano with an ...

18

Article: History of Jazz

Gravity and Resurgence: The Many Dimensions of Dexter Gordon

Read "Gravity and Resurgence: The Many Dimensions of Dexter Gordon" reviewed by Arthur R George

by Arthur R George

Long Tall Dexter; swinger, bebopper, saxophone balladeer; acting the dissipated genius expatriate who was not unlike himself in the movie Round Midnight; his dressed-up persona “Society Red;" the laconic elder statesman of his later years. Dexter Gordon is all those things, but more than a kaleidoscope of caricatures. Those who trace their lineages through ...

News: Video / DVD

Soundless Footage From Norman Granz Sessions

Soundless Footage From Norman Granz Sessions

Wow, what a find! Loren Schoenberg is senior scholar of the National Jazz Museum in Harlem and on the faculty at Juilliard. He has taught at the Manhattan School of Music and the New School and played tenor saxophone in Benny Goodman's band in the 1980s. Last week, he posted to YouTube two silent black-and-white clips ...

11

Article: Album Review

Ben Webster: At The Renaissance

Read "At The Renaissance" reviewed by Richard J Salvucci

by Richard J Salvucci

When tenor saxophonist Scott Hamilton first came up in the 1980s, his style was so, well, unusual, that a live audience would sometimes tentatively ask “Ben Webster?" Whether Hamilton regarded that as a compliment--it was--or the musicological equivalent of “Play Melancholy Baby for me" only Hamilton could have said. But the comment also acknowledged that the ...

36

Article: Chats with Cats

The Label Head: Nils Winther

Read "The Label Head: Nils Winther" reviewed by B.D. Lenz

by B.D. Lenz

Talk to anyone from around the jazz business and they'll all tell you the same thing, there is no shortage of it. There is plenty of great music being made by plenty of great musicians. In fact, the supply is probably outpacing the demand. And yet independent jazz labels are having a tough time. Do they ...


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