The breathy Ellingtonian swinger had a gruffer sound than Prez but was more romantic and seductive than Hawk. And while Webster didn't have many followers who imitated his approach, he was still a vibrant force, influencing players such as Lucky Thompson and Jimmy Forrest.
A great entry point for Webster is an album he recorded for Verve in 1953 with assorted players. Known originally as The Consummate Artistry of Ben Webster when released in 1954, the album was reissued in 1957 as King of the Tenors.
Here's the complete King of the Tenors without ad interruptions...
This story appears courtesy of JazzWax by Marc Myers.
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