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Anna Estrada: Volando
by Jeff Dayton-Johnson
Vocalist Anna Estrada's Volando can be comfortably shelved in the Latin Jazz section of your record library, but Estrada herself more fancifully--and more accurately-- describes it as an exercise in crossing borders. Given the record's title ("volando" means “flying"), it's perhaps more a matter of flying over those boundaries. There are at least four such frontiers ...
Allan Holdsworth: Hard Hat Area and None Too Soon
by John Kelman
Few artists alive in 2012 can be both as awe-inspiring and frustrating as guitarist Allan Holdsworth. Since emerging in the early 1970s--his solo on “Hector's House," from trumpeter Ian Carr's Belladonna (Vertigo, 1972), an early and rough-hewn but still staggering preface to advances made in leaps in bounds in the ensuing half decade--Holdsworth has emerged as ...
Concepts of Pain: The Stuff of the Sixties
by Gordon Marshall
This chapter is an excerpt from Naked Mind: On Music and Power, a work in progress by All About Jazz contributor Gordon Marshall. It is said that the '60s ended in 1974, with Richard Nixon's resignation. On the one hand, there was nothing left to believe in. On the other, there was ...
Brad Mehldau: The Art of the Trio - Recordings 1996-2001
by John Kelman
Brad Mehldau Trio The Art of the Trio: Recordings 1996-2001 Nonesuch Records 2011 It's hard to believe that it's only been fifteen years since Brad Mehldau emerged on the scene, so prevalent and influential has the pianist become since then. At the same time as he was gaining some significant ...
Chris Connor: Chris Connor Sings Gentle Bossa Nova
by David Rickert
If you were a jazz singer in the mid-sixties, chances are you recorded a bossa nova album. It might have been great, it might have been terrible, but it most likely fell somewhere in-between. You may not have wanted to record one, but bossa nova was too popular a fad to resist, and not many people ...
Levin Torn White: Levin Torn White
by John Kelman
Pity poor Alan White. The British drummer had racked up plenty of street cred playing on projects by then-ex-Beatles John Lennon and George Harrison, Joe Cocker and Free's Paul Kossoff, when progressive rockers Yes came knocking in 1973, looking to replace Bill Bruford, who'd departed, on the cusp of massive commercial success, to join up with ...
Bill Frisell: All We Are Saying...
by John Kelman
If there's any sign that Bill Frisell's move to Savoy was a good one, it's the release of All We Are Saying..., which makes three albums from the veteran guitarist in just thirteen months. Frisell left two decades at Nonesuch to be able to release more than one album a year, in order to keep up ...
Patrick Brennan: Rhythms of Passion
by Ludwig vanTrikt
Since moving to New York City in 1975, one-time bassist/painter Patrick Brennan has crafted a musical path that is open in its candor and indebtedness to all facets of black music. Much like trumpeter Wadada Leo Smith, the alto saxophonist brews a thicket of his own distinct musical language that “unlike much contemporaneous vanguard music is ...
Jason Reolon: Raising the Bar
by Seton Hawkins
South Africa may well be in the midst of its third jazz renaissance. While the late 1950s saw the rise of legendary artists such as Kippie Moeketsi, Abdullah Ibrahim, and Philip Tabane, the early 1990s marked the emergence of trailblazers Moses Taiwa Molelekwa and Zim Ngqawana. The past five years have born witness to a surge ...
South African Pianist Jason Reolon Interviewed at All About Jazz...And More!
South Africa may well be in the midst of its third jazz renaissance. While the late 1950s saw the rise of legendary artists such as Kippie Moeketsi, Abdullah Ibrahim, and Philip Tabane, the early 1990s marked the emergence of trailblazers Moses Taiwa Molelekwa and Zim Ngqawana. The past five years have born witness to a surge ...
