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Ivan Bodley
Ivan "Funkboy " Bodley is bass player and musical director to the stars. He has performed with 24 Rock and Roll Hall of Fame™ inductees and counting. He is musical director for Sam Moore, Martha Reeves & the Vandellas, The Shirelles, The Crystals, The Tokens and has performed with: Sting, Elvis Costello, The Temptations, Solomon Burke, Ben E. King, Percy Sledge, Eddie Floyd, Rufus & Carla Thomas, Bo Diddley, Buster Poindexter, The Uptown Horns, Paul Rodgers, Wynonna Judd, and David Foster. Appearances include: Late Night with Conan O'Brien, Late Late Show with Craig Ferguson, The Today Show, Emeril Live, Imus in the Morning, Charlie Rose Show, Live with Regis & Kelly, Creative Coalition Obama Inaugural Ball, Kennedy Center Mark Twain Prize, New Orleans Jazz & Heritage Festival, Istanbul State Symphony Orchestra, and Israel Symphony Orchestra. Ivan is a Magna Cum Laude graduate of the Berklee College of Music
Results for pages tagged "bass, electric"...
Justin Schornstein

Justin Schornstein is a bassist and composer living in Boston, MA. Justin graduated with honors from Berklee College of Music, with Degrees in Performance and Film Scoring and minors in Orchestral Conducting and Video Game Scoring. As an artist, Justin is interested in advancing the role of the bassist as a composer and producer. His current work attempts to reconcile technology and organic music, in the form of his upcoming solo record and quartet record. In addition to his work as a composer, Justin has performed and/or recorded with David Fiuczynski, Kenwood Dennard, Rudresh Mahanthappa, Lalah Hathaway, Paula Cole, Don Was, Nona Hendryx, The Doubleclicks, Joe Travers (Zappa Plays Zappa, Duran Duran) and Bill King (Janis Joplin).
Results for pages tagged "bass, electric"...
Red Redmond
"Smooth grooves punctuated with deep trance and jazz fusion textures" is how Red's bass style has been described. With a mind for always playing complimentary textures and accents, Red has taken his 25 years of live and studio experience and distilled a style incorporating such World styles as Afrobeat and Cuban/ Latin with European modern rock and jazz.
Results for pages tagged "bass, electric"...
Edamir Costa
Born:
Studied bass guitar in Petrópolis in Oficina de Musica de Petrópolis with André Lu�-s, ear training and theory with Paulo Trocolli, Flávio Pantoja and harmony with Victor Santos. Sudied at CIGAM �" RJ (Centro Ian Guest de Aperfeiçoamento Musical) ear training Wilhams Pereira and harmony with Ian Guest. Private bass lessons with Ronaldo Diamante (Terezópolis). Attended workshops whit many musicians like: Marco Pereira, Adriano Giffoni, Yuri Daniel, Pedro Barreiros, Dod�' Ferreira, Rui Mota, Hugo Danin, Claudio Infante, Alberto Jorge, T.M Stevens... Worked as teacher at Oficina de Música de Petrópolis in Brazil
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Leonardo Lucini

Born in Rio de Janeiro and currently living near Washington, DC, bassist Leonardo Lucini has been bringing the sounds of Brazilian jazz to American audiences for over a decade. Lucini is a virtuoso performer on electric and acoustic bass. Trained in both classical and jazz styles, he holds a master’s degree in music performance from University of Maryland. He is knowledgeable about many world music styles, including a vast range of Latin music. His own compositions are often based on unique Brazilian rhythmic styles, going far beyond the expected samba and bossa nova to Maracatu and Afoxe
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Dwight Mabe
Born:
My college major was double bass. My teacher was a lady named Lynn Peters, a veteran of the Detroit and Milwaulkee symphony orchestras, as well as the bass teacher at the North Carolina School of the Arts (now known as the UNC School of the Arts) and UNC-Greensboro, where I earned Batchelor of Music, Performance and Batchelor of Music Education degrees. Lynn had an amazing amount of knowledge of the physiology of playing the double bass. I was privilged to share a stand with her in two different local symphonies. Much of the physiology of the MaxTone method is a result of what I learned from her. I was fortunate to be able to perform with several major jazz artists during this time period, mostly due to the connections of UNCG jazz ensemble director Ray Gariglio
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Kaveh Rastegar

Kaveh Rastegar is a Grammy nominated Electric and Upright bassist. In the years since moving to Los Angeles, California from Rochester New York where he graduated from the Eastman School of Music, Kaveh has enjoyed success playing, writing and recording music for a wide array of artists, projects and films. Kaveh is a founding member of the Grammy Nominated Jazz quintet Kneebody. Kneebody has toured the world and recorded a number of albums. Most recently they have signed to Concord records and have toured Australia, Japan, Europe and the States in support of their new album “The Line”
Results for pages tagged "bass, electric"...
Results for pages tagged "bass, electric"...
Donald Nicks

For the past 15 or more years, Donald has been the bassist with Roy Ayers and has toured extensively with him as well as: Jorge Sylvester, Orlando Aviles, Luther Thomas, Nora McCarthy, Nancy Wilson, Henry Threadgill, Charles Earland, Ray Mantilla and records and performs all over New York and the U.S. and well as Europe. Other Professional Engagements Zachary Breaux, Tom Brown, Jean Carne, Ronnie Laws, Ray Mantilla, Toru Oki, Los Pleneros de la 21, Bobby Sanabria, Tito Puente, Bobby Watson, Sam Wooding, Charles Earland, Roy Ayers, Mario Rivera, Lonnie Liston Smith, Bill Saxton, Johnny Colon. Recordings Toru Oki :"Manhattn Midnight" "Broadway Shuffle" "Toru Oki & Albert King" Pepe Castillo: "Bananaland" Bobby Sanabria: "New York City ACHE" Roy Ayers: "Naste" "Hot" "Good Vibrations" Zachary Breaux: "Groovin" "Time & Space" "Crazy Love Songs" Jorge Sylvester:"In The Ear of the Beholder"
Results for pages tagged "bass, electric"...
Ken Seeley

Born:
Ken is currently active in the Ottawa-Hull Canada region as a free-lance electric bass player and teacher. He has been a professional musician for well over thirty years, and a music educator for over 15 years. Ken has developed a deep-pocketed groove in his bass playing that took shape within a formal education in jazz, funk, rock, aftro-cuban, brazilian, and other odd-meter styles, but probably started when he first picked up the bass at the age of 13. Ken has many years of “real world” performance and music business experience, has directed numerous music programs, and produced many projects and musical groups