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About Oytun Ersan
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Oytun Ersan
Born:
Oytun Ersan is a Turkish Cypriot bassist, composer, recording artist and a member of the Recording Academy. He is best known for his soulful grooves, technique and melodic Jazz Fusion compositions. Oytun holds a degree in Music and a Masters Degree in Special Education. At the early age of 15, he joined the International Nicosia Municipality Orchestra as a saxophone and later as a bass player, making him the youngest professional musician to join an internationally recognised orchestra in Cyprus island. His passion for music lead Oytun to attended an Instrumental Conducting Course Masterclass run by the world famous conductor Prof
About Phillip Luna
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About Pol Belardi
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Pol Belardi
Born:
From the moment Pol played his first note on an instrument, sometime in the 90’s in a small town in Luxembourg called Tétange, his curiosity was awakened to create music. After extensive tutelage at local schools in classical percussion, piano, drums and theory, a fair amount of classical orchestra as well as rock band experience and a good first imprint in the local scene, he set sails to study in Brussels and Amsterdam, earning a master’s degree “cum laude” in bass guitar in 2014. He has forged himself a strong credo consisting of two main ingredients: polyvalence and creativity. His numerous projects vary in both conception of style and the instrument(s) he plays, and since the first childhood composition try-outs (which were mainly transcribing and rearranging video-game music), he has grown to a prolific composer who is not afraid of taking advantage of his diverse musical background. Now back in Luxembourg, in the heart of Europe, Pol leads his own bands Force (a modern jazz quartet/quintet) and Urban Voyage, an 11-piece crossover mammoth project based in Amsterdam
About Adrian Norton
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Adrian Norton
Born:
I began my musical journey by playing the trumpet in Elementary and Jr. High School. By the seventh grade I switched over to the Tuba, due to the fact that everyone else played the trumpet and there was a need for someone to play the Tuba. That is where I started and learned to love the foundation of the bass and how very important it was to music in general. I started playing the electric bass when I was 14 years old. I continued my musical journey at Suitland Sr. High School and at Prince Georges Community College. I am also one of the founding fathers of the popular 80’s Go-Go band Ayre Rayde
About Patrick Scales
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Patrick Scales
Born:
Patrick was born in Garmisch-Partenkirchen. At the age of 11 he was taking up classical guitar lessons with his teacher Jeffrey Ashton. For his 14th birthday he got an electric bass and because of the recommendations of his teacher Wayne Martin, half a year later he started playing gigs regularly in American Army clubs with musicians twice his age. After finishing school he and his brother Martin Scales (guitar) decided to go to the U.S.A. to study for a period of time. 1989 Patrick moved to Munich, where he started gigging with bands in all kinds of musical fields. He was touring with the New York blues guitar player Jonathan Kalb, the avant-garde jazz band Brother Virus (" Live at the Knitting Factory-New York"; Enja/1991), the Brazilian band Coisa Nostra and others. 1993 Patrick and his brother Martin recorded their debut album SCALSENDERS together with their old friend Johannes Enders. 1994 Patrick joined the band Passport, where he is playing since and has recorded 9 CDs with. 1996 Patrick started teaching at the Music University of Mannheim
About Jeff Foland
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Jeff Foland
Born:
Jeff is a product of the school music programs in his hometown of Wilmington, Ohio, and Ohio Northern University, in Ada, Ohio, with diverse influences of rock, jazz, country, marching, and orchestral. He's played drums or bass in several groups, including Black Moon, Old Gold Country, John Street Garage, the Country Classic Opry, the WHS Reunion Band, and now the Reload band. Jeff enjoys playing live, as well as in the studio for contributions to various projects. He also plays latin percussion, and a bit of harmonica and flute. "There's incredible talent in the Reload band, with a huge variety of background and influence
About Lars Winberg
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Lars Winberg
Born:
Bass-player and composer. Main influence: Johs. Seb. Bach - because of his logic, Stockhausen - because of his courage, Monk - because of his crookedness, Davis - because of his electricity. Have throughout the years played with different bands and a countless number of musicians - among others: Kold som Kiks, Marilyn Mazur, John Tchicai.
About Mitchell Coleman Jr
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Mitchell Coleman Jr
About Mitchell Coleman Jr. Fans of slammin’ yet radio-ready Jazz-Funk Fusion will rejoice upon the discovery of bassist/composer Mitchell Coleman Jr., a disciple of the Stanley Clarke, Larry Graham, Louis Johnson and Marcus Miller schools of The Throwdown. The 2015 release of his debut CD, Soul Searching - a musical journey of self-exploration - fulfilled Mitchell’s lifelong dream of expressing the music that’s been on his heart since he began thumpin’ basses at the tender age of 10. His highly anticipated forthcoming LP Perception is available April 2016 and will be independently released on Mitchell’s own Soul Revelation Records label
About Andre Darius
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Andre Darius
Born:
Self-taught musician, I occasionally compose, frequently improvise, constantly experiment. With my acoustic and electric basses, whether or not prepared, I question and explore the entire realm of possible in the search of the right note, that "note" of music able to unify time and space. Since 2011, both in groups and solo situations, I seek to express and capture the present moment without any pretence and artifice. Obviously, I fail, from time to time in this quest... But it doesn't matter, because even if it's less flattering and gratifying for the ego, I do prefer the naked truth to the vain beauty. biography at http://andredarius-biography.blogspot.fr/
About Casey
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Casey
Born:
“This is a natural state for me” says O’Brien, sitting in his kitchen, casually playing bass. “For me the road was always leading to music.” O’Brien started playing bass when he was 19. He grew up St. Paul, in a house filled with an eclectic collection of music. O’Brien’s father, an avant-garde leaning trumpet player, provided a varied foundation. “My dad was way off into free jazz, listening to Bill Dixon, Cecil Taylor, Kenny Wheeler, and of course Coltrane and Miles Davis, so there was that,” says O’Brien, ticking off influential jazz heavyweights as though they’re old pals


