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Christian Winther & Christian Meaas Svendsen: W / M
by Eyal Hareuveni
W/ M is a double album that feature two debuts as solo artists of two young and promising Norwegian improvisers, both spinning out of the creative environment around the Music Academy in Oslo. Guitarist Christian Winther, a member of the punk-jazz trio Ich Bin N!ntendo, genre-bending trio Monkey Plot and the free improvisers collective Mummu, and ...
Various Brits: Just Not Cricket!
by Mark Corroto
In the 1972 Monty Python Flying Circus skit “Are You Embarrassed," the announcer reads the lines, “Are you embarrassed easily? I am. But it's nothing to worry about; it's all part of growing up and being British." The announcer goes on to describe embarrassing words like “Shoe" ..... “Megaphone" ..... “Grunties," to test the listener's discomfort ...
Wadada Leo Smith: Occupy the World
by Eyal Hareuveni
Great trumpeter and composer Wadada Leo Smith's five epic extended compositions collected on the double album Occupy The World mark him as a major American composer with a musical language and artistic vision that transcends the boundaries of the Afro-American heritage of jazz. Smith wrote complex orchestral works before, most notably on the masterful, extensive 4-discs ...
Evan Parker/Barry Guy/ Paul Lytton: Live At Maya Recordings Festival
by John Sharpe
After twenty one recordings there may not be too much more to say about the superlative English threesome of saxophonist Evan Parker, bassist Barry Guy and drummer Paul Lytton. Some 30 years on since their debut Tracks (Incus, 1983), they converse in a language entirely of their own making, which relies on a staggering density of ...
Lotte Anker/ Rodrigo Pinhero/ Hernâni Faustino: Birthmark
by Mark Corroto
After releasing a trio of stellar recordings with pianist Craig Taborn, and drummer Gerald Cleaver, the last being Floating Islands (ILK, 2009), Danish saxophonist Lotte Anker returns with a new trio. She teams up with the Portuguese players Rodrigo Pinhero (piano) and Hernâni Faustino (double bass), best known as members of RED Trio with drummer Gabriel ...
Fredrik Ljungkvist / Yun Kan 10: Ten
by Eyal Hareuveni
Acclaimed Swedish reed player Fredrik Ljungkvist's key solo outfit is the Yun Kan band. This band, in its incarnation as a quintet, released two remarkable albums, Yun Kan 12345 and Badaling (Caprice, 2004 and 2007) and in recent years operated in a slimmed down version as Yun Kan 3 and as an ambitious outgrowth of the ...
Meet Maxim Micheliov
by AAJ Staff
I currently live in: Vilnius, LithuaniaI joined All About Jazz in: 2010What made you decide to contribute to All About Jazz? My professional background is in web marketing, and I connected with Michael Ricci through Chris Rich, who encouraged me to submit my first article “Howard Riley: Five Decades in Music." High ...
Maya Homburger - Barry Guy: Tales of Enchantment
by AAJ Italy Staff
The sound! Come per l'estetica propugnata dalla ECM di Manfred Eicher, così per l'inossidabile duo Homburger-Guy appare quasi scontato individuare nella sonorità la preoccupazione/caratteristica prioritaria. Un suono pieno, ineccepibile nell'intonazione, imperioso, modulato nella più ampia gamma delle possibilità timbriche e dinamiche. A questo si aggiunge poi la loro attenzione/sensibilità per le strutture e il timing, che ...
Liudas Mockunas & Barry Guy: Lava
by John Sharpe
Iconoclastic saxophonists Mats Gustafsson and Evan Parker furnish the most customary duo outlets for master bassist Barry Guy, so Lithuanian reedman Liudas Mockunas' situation on Lava is an exposed one. However, he acquits himself well in a voice entirely his own. Co-founder of the No Business imprint, Mockūnas weighs in as one of the country's premier ...
Alexander Hawkins: Retaining The Sense of Discovery
by John Sharpe
One of the fastest-rising stars of the UK jazz scene, pianist Alexander Hawkins is remarkable in that he shines equally in both the further reaches of free improvisation and the creation of ingeniously crafted charts. Indeed, Hawkins' particular talent might be in bringing the two so close that it's hard to distinguish between them. At times ...
