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Article: Album Review

Bob Downes Open Music: A Blast From The Past

Read "A Blast From The Past" reviewed by Roger Farbey


The only (slight) problem with this album is its rather whimsical title which considerably undersells its significance. In his long career, Bob Downes has made some substantial contributions to jazz and improvised music, and this album is an important addition to his discography. Comprised of previously-unreleased archival pieces dating back to the 1970s, Downes can be ...

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Article: Album Review

Jeff Cosgrove / Scott Robinson / Ken Filiano: Hunters & Scavengers

Read "Hunters & Scavengers" reviewed by Mark Corroto


In the 1980s, artist Jenny Holzer created short, pithy statements projected by LED lights in museums and onto Times Square. Her now famous “Abuse of Power Comes As No Surprise" text sums up not only the #MeToo movement and the #BlackLivesMatter cry, but also to some extent, the music industry. The vertical construction of many jazz ...

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Article: Album Review

Evan Parker / Barry Guy / Paul Lytton: Music For David Mossman / Live At Vortex London

Read "Music For David Mossman / Live At Vortex London" reviewed by Mark Corroto


Spinning the latest release by the trio of Evan Parker, Barry Guy, and Paul Lytton brings to mind The Rolling Stones. Like the Stones, these musicians have been performing together since the 1960s, and seemingly every time they perform, they conjure a crossfire hurricane. This 2016 live performance at London's Club Vortex is no exception.

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Article: Under the Radar

Culture Clubs: Part IV: When Jazz Met Europe

Read "Culture Clubs: Part IV: When Jazz Met Europe" reviewed by Karl Ackermann


The Geography of Jazz--When Jazz Met Europe In 2004 Maureen Anderson, a researcher at Illinois State University contributed a dissertation to the journal, African American Review, titled The White Reception of Jazz in America. Ostensibly, her article deals with stories published in high profile periodicals and journals from 1917 and into the 1930s, written by white ...

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Article: Album Review

Liudas Mockūnas / Arnas Mikalkenas / Håkon Berre: Plunged

Read "Plunged" reviewed by John Sharpe


Recorded at the 2014 Vilnius Jazz Festival by a band comprising two Lithuanians and a Norwegian, which was one of the standouts of the 2017 Vilnius Mama Jazz Festival, Plunged proves an unexpected delight. Of the three participants, reedman Liudas Mockūnas is likely best known, having recorded with bassist Barry Guy, drummer William Hooker and saxophonist ...

Album

Deep Memory

Label: Intakt Records
Released: 2017
Track listing: Scent; Fallen Angel; Sleeper; Blue Horizon; Return of Ulysses; Silenced Music; Dark Days.

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Article: Live Review

BAN BAM: Music Talking

Read "BAN BAM: Music Talking" reviewed by Ian Patterson


BAN BAM The Complex Dublin, Ireland November 25, 2017 BAN BAM is a new, one-day festival by Improvised Music Company--an initiative to address the gender imbalance in jazz/improvised music. A related All About Jazz article covered the conversations by industry professionals around the gender issue that took place in the ...

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Article: Profile

Mike Osborne: Force Of Nature - Part 1-2

Read "Mike Osborne: Force Of Nature - Part 1-2" reviewed by Barry Witherden


Part 1 | Part 2 Some three-and-a-half minutes into Release, the Deram recording of Mike Westbrook's seminal suite mixing Swing classics with Westbrook originals, after a scorching solo by John Surman on “The Few," an alto saxophone cadenza emerged from a free ensemble passage: the tone was penetrating, incisive, severe, the phrasing intense, passionate ...

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Article: Album Review

Atlantic Bridge: Atlantic Bridge

Read "Atlantic Bridge" reviewed by Roger Farbey


Pianist Mike McNaught already had form as an evangelist of pop-inspired jazz, as witnessed on his previous group The London Jazz Four's 1967 Polydor release Take A New Look At The Beatles. However, on this eponymously titled idiosyncratic marriage of jazz and pop, Atlantic Bridge has a stab at two Beatles numbers and three Jim Webb ...

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Article: Building a Jazz Library

Evan Parker

Read "Evan Parker" reviewed by John Eyles


In his biography of Robert Wyatt, Different Every Time (Serpent's Tail, 2015), author Marcus O'Dair describes Evan Parker as “perhaps the finest British free-jazz saxophonist of his generation." The only words in that phrase that seasoned Parker followers might take issue with are “perhaps," “British" and “free-jazz," preferring just to describe him as the finest improvising ...


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