Results for "band/orchestra"

Harley White Jr.

Active since: September 11, 1965

Since 1991, Harley White Jr. has been a prominent figure on the Sacramento music scene in a wide array of roles from pop recording artist with “Papa’s Culture”, as a creative force with “Blackalicious”, “Original Heads” and “Dr. Echo”, as an award winning bassist, and as an impresario presenting the WhiteNoise™ festival.

Now, with the Harley White Jr. (HWJO) Jazz Orchestra, White returns to his musical roots as the son of prominent Bay Area Educator,Bassist, Harley White Sr. Performing Groups 1991- 1996 "Papa’s Culture" (Funk/Pop/World Beat) 1995 to present "Original Heads"(Funk/Jazz/Hip Hop) 2005 "Harley White Jr

Big Band Alumni

Active since: 2000

The Big Band Alumni is a 17-piece big band that features some musicians that are graduates of the greatest big bands of all time like Benny Goodman, Harry James, Stan Kenton, Woody Herman, Count Basie, Jimmy & Tommy Dorsey, and many others from the Big Band Era.

The Big Band Alumni is in its 25th year of existence. The band was created by musicians who were members of the big bands (largely) of the 1940’s who were responsible for the swing era. Over the 21 years there have been replacements. Like many big bands of the 40’s we also have vocalists who have always been younger than the original band members.

Hank Levy Legacy Band

ABOUT HANK LEVY Hank came of age in the 1940s, when big bands crisscrossed the country playing one-nighters, and when people in Baltimore and other cities regularly went out dancing in nightclubs and ballrooms. There were many excellent bands in the area staffed by musicians in the armed forces and musicians and ideas circulated freely among these groups. Levy was part of this milieu (he attended the Navy School of Music during his three-year hitch) and took full advantage of it in his later career as a teacher, composer, and bandleader. A Baltimore native, Hank graduated from Baltimore City College, where he led his first band, then attended several colleges, including an unhappy year at the Peabody Conservatory

Mohammad Basereh

Born: August 20, 1996

Mohammad Basereh | Composer, psychologist

محمد باسره | آهنگساز،روانشناس

Mohammad Basereh (born August 20, 1996, in Ilam, Iran) is an Iranian composer, music producer, sound engineer, sound designer, and psychologist. He holds an advanced degree in Psychology and has a history of publishing scientific articles in this field. He began his professional music career in 2011, completing specialized courses with renowned professors such as Fereydoon Shahbazyan (composition), Mohammad Reza Azadehfar (art and music therapy), and Nader Mashayekhi (film soundtrack). As a composer and producer of fusion music, he uses interactive technologies in his creative works. His compositions include soundtracks for films and theater productions that have been featured in national and international festivals. In his research and artistic works, he has integrated the scientific principles of psychology with the art of music.

Sandia

Active since: 2018

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Sandia offers original modern young spirit, innovative music, which incorporates Jazz, Ethnic, World, Fusion, that can touch a large variety of audiences through a special mix of groove, fascinating melodies, and complexity. The band is consisting of saxophone, piano, bass, drums.

Roberto Zechini

Born: July 23, 1968

Roberto Spadoni

Born: December 10, 1963

I feel lucky. I fell in love with music and she took me by hand and guides me on the paths of life, the difficult one and the easy ones. Lights and shadows, joys and sorrows: there is no day that music does not resonate within me. Thanks to her I have been able to work with many musicians and many orchestras in precious collaborations and to play in many festivals, I have been able to carry out ambitious projects and I could perform teaching in conservatories and private institutions seeing many young people grow day by day. Thanks to her, I recorded CDs, wrote books and translated others in Italian. Quoting Duke Ellington, I can say that "Music is my Mistress". Between 2007 and 2012 I graduated in I and II level in Jazz at the Conservatorio di Musica di Benevento, where I am now a professor in Jazz Composition. My training initially was mainly self-taught, working on the records and the few scores that could be found in the years of my youth

Tatvamasi

A Polish quartet performing instrumental rock music enhanced by the tenderness of jazz,dimmed with psychedelic mist, distored with tensions of underground. Music built on twisted riffs, seducing pulsations, intriguing improvisations, fictitious images, magical stories. The third ear music.

Igor Kogan

Born: July 29

Igor Kogan is a jazz artist, bassist, composer and bandleader. He has performed at prestigious venues and festivals in U.S., Canada and Europe, including Jazz at Lincoln Center and Steinway Hall (New York), Bern Jazz Festival (Switzerland), Toronto Music Festival (Canada), Red Sea Jazz Festival (Israel); and appeared at renowned jazz clubs Smalls, Zinc, Fat Cat (New York); Herb Alpert’s Vibrato, Blue Whale, Vitellos, The Lighthouse (Los Angeles) among other venues.

Born in Nizhniy Novgorod, Russia, he started to play violin at age 7. He immigrated to Israel at the age of 15 where he simultaneously pursued his interest in music and science, and started to play bass and compose music

The Toots Project

When accordionist Toots Thielemans turned his attention to the chromatic harmonica, in occupied Belgium in the 1940s, he picked a chameleon of an instrument which was to lead to a musical career without boundaries. Was it something about this unique and rarely-heard instrument which took him into the worlds of bebop bands, electric funk, brazilian jazz and film & TV scores? Or was it the highly-personal voice of this soft-spoken North European gentleman which endeared him to the vanguard of American musicians and composers, from Charlie Parker to Quincy Jones, Benny Goodman to Jaco Pastorius? In a concert programme endorsed by Thielemans himself shortly before his death in 2016, harmonica maestro Phil Hopkins joins some of the UK’s most inventive jazz musicians to explore the eclectic repertoire of Toots