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RareNoises: Berserk! and Slobber Pup
by C. Michael Bailey
RareNoise is a British label specializing in those amorphous molecules of sound floating at the razor edge of experimental music. The label hosts names like Metallic Taste of Blood and Death Cube K, band names fashionable in the 1990s if not more so now. But among these Brainkillers and Method of Defiances, there also exists Animation, ...
John O'Gallagher and Jeff Williams: In a Whirlwind
by C. Michael Bailey
Here's to avant-garde jazz. Unruly and ill-behaved, the seeds planted by saxophonists Ornette Coleman and John Coltrane, and carried forward by reed multi-instrumentalist Anthony Braxton and melded with trumpeter Miles Davis' post bop, gave rise to a brand of jazz that, while not the complete chaos of free jazz, nevertheless possessed such an inventive spirit that ...
At the Corner: Ran Blake / Sara Serpa / Christine Correa
by C. Michael Bailey
The common element between Sara Serpa's Aurora and Christine Correa's Down Here Below is obviously pianist Ran Blake. Enigmatic to a fault, Blake has made a potent name for himself among improvised music enthusiasts. Blake is an intellectual amalgam of pianists Thelonious Monk and Martial Solal distilled to a dissonant essence. A long ...
Transcription Prescription: Michele Campanella and Jon Kimura Parker
by C. Michael Bailey
Piano reductions of orchestral and vocal scores are a tradition meeting two ends. First, for the transcriber to show off his arrangement and performance abilities. Franz Liszt made a cottage industry of this. Second, to produce sheet music that could be played by the amateur in their perfectly appointed parlor before tea time (queue Beethoven's Symphony ...
Louder than Bombs: Wartime Schubert and Braunfels
by C. Michael Bailey
Not everything stopped while World War II raged. Conductor Wilhelm Furtwangler and the Berlin Philharmonic regularly performed and recorded until quite late in the war (when their concert hall was bombed), producing some of the most controversial and provocative Beethoven of the period, if not ever. Considered here is one recording of Schubert's Winterreise taped as ...
Trumpet Summit: Jeremy Pelt, Brad Goode and Terell Stafford
by C. Michael Bailey
The spirit of trumpeter Miles Davis remains very much a creative quasar furnishing a certain gravitational pull to a considerable population of bodies orbiting it. On the outer edges of this quasar's orbit are the (relatively) young trumpeters who emerged after the pedantic eclipse of Wynton Marsalis occurred. Three of these orbiting horn players have released ...
Fiddlers on the Roof: Aisslinn Nosky and Julia Wedman
by C. Michael Bailey
Violinist Lara St. John is not the only noted fiddler from the friendly climes of Canada. The past few years have seen the emergence of two exceptional violinists, Aisslinn Nosky and Julia Wedman, who intersect one another in multiple places, including: Tafelmusik, the Eybler String Quartet and the Baroque chamber group, I Furiosi. Outside of Tafelmusik, ...
Sacred Steel: Rev. Utah Smith, et al. and The Slide Brothers
by C. Michael Bailey
The Sacred Steel" tradition born in the House of God Church some 80 years ago employed the pedal steel and lap steel guitars as the centerpiece of their message. The steel guitars, long an eloquent staple of country and western music are used to a much grittier effect in this largely African-American mode of worship.
Chorus Corner: Chanticleer, Cantus and Seraphic Fire
by C. Michael Bailey
Singers singing songs. Times are good for choral music when stalwart Chanticleer and relative newcomers Cantus and Seraphic Fire produce new music in such close proximity. Chanticleer releases a collection of concert highlights while Cantus expands the choral acreage on all four sides and Seraphic Fire looks backward with an instrumentally strip-down of an old favorite. ...
Horn Soliloquy: Mort Weiss & Sam Newsome
by C. Michael Bailey
Solo horn recitals are nothing new. Both Anthony Braxton and Steve Lacy produced several each. Tenor saxophonist Sonny Rollins released a sparking The Solo Album (Milestone, 1985), while Bobby Watson's alto wailed solo on This Little Light of Mine (Red Records, 1993). No other format allows the horn player more freedom than playing solo. Here are ...


