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Seven Storey Mountain VI

Label: Pyroclastic Records
Released: 2020
Track listing: Seven Storey Mountain VI.

Studio Sessions Vol. 4

Label: Gaucimusic
Released: 2020
Track listing: Improvisation 1; Improvisation 2; Improvisation 3; Improvisation 4; Improvisation 5; Improvisation 6; Improvisation 7; Improvisation 8; Improvisation 9; Improvisation 10; Improvisation 11; Improvisation 12.

ARTICLE: ALBUM REVIEW

Nate Wooley: Seven Storey Mountain VI

Read "Seven Storey Mountain VI" reviewed by Karl Ackermann

From 2010 onwards, composer-trumpeter Nate Wooley has explored creative music as a solo artist and through a spectrum of collaborators such as Ingebrigt Håker Flaten, Mary Halvorson, Ken Vandermark, and Matthew Shipp. These projects have been offset by Wooley's Seven Storey Mountain succession of releases; Seven Storey Mountain VI is a masterwork of expressionist passion and ...

ARTICLE: ALBUM REVIEW

I Don't Hear Nothin' But The Blues: I Don't Hear Nothin' But The Blues Volume 3: Anatomical Snuffbox

Read "I Don't Hear Nothin' But The Blues Volume 3: Anatomical Snuffbox" reviewed by Karl Ackermann

The prolific and eclectic saxophonist/composer Jon Irabagon finds his most uninhibited side with his I Donʼt Hear Nothinʼ but the Blues (IDHNBTB) group, one he aptly describes as his “brutal ensemble." I Don't Hear Nothin' but the Blues Volume 3: Anatomical Snuffbox expands the group that debuted as a duo, then became a trio on Volume ...

ARTICLE: ALBUM REVIEW

Nate Wooley: Seven Storey Mountain VI

Read "Seven Storey Mountain VI" reviewed by Troy Dostert

Long considered one of the most innovative and idiosyncratic trumpeters in the improvised music community, Nate Wooley has for many years astonished listeners with his formidable technique and broad-minded vision. Nowhere is this more evident than in his Seven Storey Mountain series, a sequence of recordings going back to 2007 that is now in its sixth ...

ARTICLE: ALBUM REVIEW

Throttle Elevator Music: Emergency Exit

Read "Emergency Exit" reviewed by Karl Ackermann

The sub-genre of “punk jazz" has existed—on paper— since the 1970s when Patti Smith proposed a collaboration with Ornette Coleman. That partnership did not materialize. When all the moving pieces are pulled together there is little substance to suggest that the category ever shared specific practices or conventions. Then, in 2012, Throttle Elevator Music emerged with ...

ARTICLE: ALBUM REVIEW

Mendoza / Anderson / Gauci: Studio Sessions Vol. 4

Read "Studio Sessions Vol. 4" reviewed by John Sharpe

If you want to avoid compromise, then starting your own label appears a sound strategy. That's the road traveled by NYC-native saxophonist Stephen Gauci with his eponymous imprint. Since its inception in 2019, releases have been split between live recordings from the Bushwick Improvisers Series which Gauci runs and studio sessions, all of which so far ...

ARTICLE: IN PICTURES

New York's 24th Annual Vision Festival

Read "New York's 24th Annual Vision Festival" reviewed by Frank Rubolino

Although Europe has a plethora of creative improvised music festivals throughout the year, drawing on a large audience base of appreciative fans, one festival in the USA stands out as the beacon of hope and encouragement for this music in its native land. Now in its 24th year, New York's Vision Festival, presented by Arts for ...

ARTICLE: ALBUM REVIEW

Moppa Elliott: Jazz Band/Rock Band/Dance Band

Read "Jazz Band/Rock Band/Dance Band" reviewed by Jerome Wilson

Bassist Moppa Elliott is best known as the leader of the surrealistic jazz group, Mostly Other People Do The Killing, but his musical universe, encompassing work with symphony orchestras and new music ensembles, stretches much farther than that band's frantic music. This is reflected in this 2 CD set of Elliott leading three different types of ...


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