Home » Search Center » Results: Asaf Sirkis
Results for "Asaf Sirkis"
Yuri Goloubev: Two Chevrons Apart
by Ian Patterson
In recent years double bassist Yuri Goloubev has lent his rich sound to multiple projects, including the co-led Duonomics (Caligola, 2018) with Michele Di Toro. It was 2011's Titanic for a Bike (Caligola), however, that marked Goloubev's last recording as outright leader. This welcome returnhis headlining debut on Basho Recordssees him align with frequent musical partners ...
Sirkis/Bialas IQ: Our New Earth
by Ian Patterson
A lament for our damaged earth, a prayer for a better future, Sirkis/Bialas IQ's second recording, after its well-received debut Come To Me (Stonebird Productions, 2015), is an ambitious, far-reaching work. Contemporary jazz with a world view, Our New Earth draws from Middle Eastern, Southern Indian carnatic, Eastern European folk and contemporary classical traditions. That it ...
Markus Reuter: Truce
by Mark Sullivan
German touch-guitarist Markus Reuter has been heard in a variety of contexts: with Stick Men, providing bass, lead and soundscaping as on Panamerica (MoonJune Records, 2019); and with guitarist Mark Wingfield on The Stone House (MoonJune Records, 2017) and Lighthouse (MoonJune Records, 2017). His eight-string touch guitar covers both bass and guitar ranges, often making it ...
Pat Metheny: From This Place
by John Kelman
It's been a full six years since Pat Metheny last released a studio recording. This, despite the guitarist who has become, in a career now in the midst of its fifth decade, one of the most famous and influential jazz guitarists of his (or, some would argue, any) generation, reportedly having enough material in the can ...
About Asaf Sirkis
Results for pages tagged "Asaf Sirkis"...
Asaf Sirkis
Born:
Born in 1969 in Petah-Tikva, Israel, Asaf later moved to the town of Rehovot, where he spent his teens and early twenties. This was an influential move for Asaf, as it was here amongst the diverse cultural influences he found in Rehovot that Asaf began to show an interest in music and rhythm. In Rehovot he lived amongst people from North Africa, east and central Europe, and the Middle East. Living in Shaarayim, the Yemenite neighbourhood in Rehovot, Asaf was particularly drawn to Yemenite culture, music, and rhythms. At the age of 12 Asaf began drum lessons, while also having a strong interest in playing electric bass
Jimmy Haslip: Amperes Beyond The BASSics, Part 1
by Jim Worsley
The name Jimmy Haslip needs no introduction. So, he doesn't get one. Seriously, we had a lot of ground to cover and he had so many great stories and interesting asides to share that we are breaking the interview into two parts as it is. So, without further ado... All About Jazz: I ...
Our New Earth
Label: MoonJune Records
Released: 2019
Track listing: If Pegasus Had One Wing (He Would Fly In Spirals); Land Of Oblivion; Letter To A.; Reminiscence; Chiaroscuro; Rooting; Our New Earth; Message From The Blue Bird; Spooky Action At The Distance; Nocturnity; Picture From A Polish Wood.
Mark Sullivan’s Best Releases of 2019
by Mark Sullivan
Another year, another diverse group of releases. There were an unusual percentage of albums outside of jazz for me this year, for whatever reason. Although I opted not to review any albums by pianist/composer Satoko Fujii, she released five diverse projectseven after her 2018 marathon of an album a month to celebrate her 60th birthdayso I ...
Sirkis/Bialas IQ: Our New Earth
by Mark Sullivan
Established in 2014, when this band released its first album Come To Me (Stonebird Productions, 2015; limited distribution by MoonJune Records) it called itself The Sirkis/Bialas International Quartet. It has shortened the name to Sirkis/Bialas IQ, but it's still international: Asaf Sirkis (drums) is an Israeli living in England; Sylwia Bialas (vocals) is a Pole living ...
Ambleside Days Contemporary Jazz Festival 2019
by Mike Collins
Ambleside Days Contemporary Jazz Festival Ambleside, UK August 29-September 1, 2019 'Music that requires a different kind of listening' were the words Derek Hook used, to describe the essence of the Ambleside Days Festival programme at the start of the third edition of this small but top quality festival.


