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Stefano Bollani: Joy in Spite of Everything
by Ian Patterson
Like a kind of musical contortionist, Stefano Bollani keeps repositioning himself with eye-popping ease. The diversity and eclecticism of Bollani's projects are reflected in the sweeping breadth of his vocabulary; his output as leader on ECM alone, since his debut Piano Solo (ECM, 2006), is indicative of his adventurous spirit. That solo outing was followed by ...
Doombalaya: Dinner
by Chris M. Slawecki
Doombalaya--"Jambalaya" with “Doom" in place of “Jam"--grew out of 2009/2010 jam sessions among Tulane University (Louisiana) jazz student. Since then, they've become deeply integrated with New Orleans' musicians and musical scene, playing in clubs uptown and downtown. “Doombalaya is a New Orleans Jazz/Afrobeat/Rock band that tries to push the limits of what we can do. We ...
Musings on Jazz, Blues and the Sabbath
by Chris M. Slawecki
Margie Baker Sings With So Many Stars Consolidated Artists Productions 2014 Margie Baker didn't begin her career as a jazz and blues vocalist in the San Francisco area until she was nearly 40, but she made up for this delayed entry with endurance: She was often featured at the Monterey ...
Zbigniew Seifert International Jazz Violin Competition
by Ian Patterson
1st Zbigniew Seifert International Jazz Violin Competition Krzysztof Penderecki European Centre for Music Luslawice/Krakow Poland July 16-19, 2014 He was one of the great jazz virtuosos, right up there some would say with Django Reinhardt, Art Tatum and Charlie Parker. Most frequently, however, he was compared to John ...
Videos: Art Tatum at the Piano
Speaking of jazz piano, fans may be unaware that videos of Art Tatum in action exist and that the piano master also appeared in a couple of movies. There's also tape of Tatum's voice, which turns a name on a record label into a warm and charming guy... Here's Tatum at New York's 3 Deuces, at ...
Class Of '29 This Week On Riverwalk Jazz
This week on Riverwalk Jazz, we follow the year 1929 in music, from Harlem cabarets to Broadway shows, to Hollywood movies and jazz recordings. The program is distributed in the US by Public Radio International. You can also drop in on a continuous stream of shows at the Stanford Archive of Recorded Sound. In 1929, jazz ...
Johnny O'Neal: Live at Smalls
by Angelo Leonardi
La vicenda del pianista Johnny O'Neal ricorda quella dei molti jazzmen usciti repentinamente di scena e in qualche caso riscoperti in età avanzata. Il suo caso non ha avuto la risonanza che ebbe il ritorno di Henry Grimes un decennio fa ma ha catalizzato comunque l'attenzione degli appassionati. Gran parte del merito va a ...
Art Tatum: Trio Days
by Marc Davis
I was wrong. I like Art Tatum. But in a slightly different way. My introduction to Art Tatum, many years ago, was a series of solo piano albums. They left me cold. No question, the man was gifted beyond belief. He could play faster, more accurately and with a greater sense of ...
Jessica Williams: With Love
by Dan McClenaghan
Successful musicians play “the truth." If you want to hear some truth there are certain artists you can seek out. Thelonious Monk couldn't play anything but the truth, right from the beginning. Pianist Jessica Williams came upon the truth--a purer form of it, at least--after experiencing “the fix of Illness" that she has discussed on her ...
Gerard D'Angelo: Who's Kidding Who?
by DanMichael Reyes
The old adage about those who can do and those who can't teach doesn't fit nicely into any music tradition. If this fallacy were to hold true, then it would be best for music history books to write off Joseph Haydn for taking on pupils--Beethoven being one of the more famous ones. That old idiom penned ...
