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Guitar Gods & Goddesses: An Alternative Top Ten Albums
by Chris May
Although it has been present in jazz since the 1920s, when it was routinely used in rhythm sections, as a solo instrument the guitar struggled to make itself heard--literally--until the second half of the 1930s, when reliable pick-ups and portable amplifiers became available. Foremost among the pioneers of the electrified instrument was Charlie Christian, a member ...
Emmet Cohen: Future Stride
by Mike Jurkovic
As proven onstage as well as on such percolating, locomotive recordings as 2018's self released Dirty In Detroit, Masters Legacy Series Vol 1 with Jimmy Cobb (Cellar Live, 2016), 2018's Masters Legacy Series Vol 2 with Ron Carter (Cellar Live), and his regular Monday Night Quarantine Jams on Facebook, pianist Emmet Cohen makes his music with ...
Mike Jones: All By Myself
by Dan Bilawsky
While jazz is a social music through and through, solitude has always spurred creation too. And in the age of COVID-19, when safety often stands in the way of musical gatherings, solo efforts seem to be the way to go. For pianist Mike Jones, the idea of playing solo piano is far from ...
Tom Kennedy: Stories From Behind and Beyond The Bass
by Jim Worsley
Tom Kennedy has never considered himself a prospector, but surely has tapped into a goldmine. As if releasing a hotshot new record wasn't enough, the world class jazz and fusion bassist is in compositional bliss with a bevy of new material yet to be recorded. Kennedy and I talk at length about his new writing technique ...
This Is Bop: Jon Hendricks And The Art Of Vocal Jazz
by Ian Patterson
This Is Bop: Jon Hendricks And The Art Of Vocal Jazz Peter Jones 263 Pages ISBN: 978 1 78179 874 4 Equinox Publishing 2020 Few are the jazz singers accorded the fanfare usually reserved for the music's great instrumentalists. Jon Hendricks was one, taking scat and vocalese to unprecedented ...
Charles Mingus: @ Bremen 1964 & 1975
by Chris May
Four hours of previously unissued, premier-league music by Charles Mingus is something to shout about, and @ Bremen 1964 & 1975 is about as good as the bassist and composer's posthumously released live albums get. Four CDs chronicle two extended, intense performances recorded in Germany by Radio Bremen. Both gigs featured all-star bands and both are ...
Johanna Burnheart: Techno Jazz Shines A Light: New Directions In Music
by Chris May
A relatively new name on London's alternative jazz scene, the German-born violinist, vocalist and composer Johanna Burnheart has made a rapid ascent since leaving the city's Guildhall School of Music & Drama in 2018. She has played on three of the scene's benchmark albums--spiritual-jazz band Maisha's There Is A Place (Brownswood, 2018), trombonist Rosie Turton's 5ive ...
Alexander von Schlippenbach: Slow Pieces For Aki: Piano Solo
by Dan McClenaghan
Pianist Alexander von Schlippenbach began recording in the 1950s. Twenty years into the new millennium, he continues to do so prolifically, with twenty-five albums under his own name listed on Wikipedia--a seeming short shrift; his three solo albums on the Intakt Records label from 2005 and 2012 somehow didn't make the list, suggesting there are more. ...
Listeners’ Favorites
by Marc Cohn
This week (drum roll....), it's listeners' favorites from shows 431 to 440. From classic jazz to today's music, our listeners have discerning and eclectic taste—never forgetting the blues and funk. Enjoy the show! Playlist Don Braden, Karl Latham “Grover Miles" from Big Funk Live (Creative Perspective) 00:00 Grant Green “Let The Music Take ...
John Blum and Jackson Krall: Duplexity
by Troy Dostert
A pianist of undeniable virtuosity and uncompromising intensity, John Blum has impressed free-jazz aficionados since the early 2000s with his uniquely potent approach to his instrument. One can easily hear the influence of Cecil Taylor in his ferocious, jaw-dropping power; but just as important are his ties to earlier pianists. There is just as much Art ...
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