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Ornette Coleman: An Outsider Cracks the Egg
by S.G Provizer
Part 1 | Part 2 There are two ways a musician can make a significant impact on jazz. One is to mobilize virtuosity and knowledge to push the current boundaries of the music. There are a number who fall in this category, but unassailable examples are Louis Armstrong, Art Tatum and Charlie Parker. The ...
Into the ‘Now’s The Time’ Warp & Much More
by Marc Cohn
Oh, what a show for you! We start with twenty-first century New-Orleans-centric sounds from Charlie Dennard on the B-3, Billy Martin's Wicked Knee, Binker Golding, and a sexy song from Herlin Riley. We celebrate the life of Sonny Rollins with tracks from his Jazz Contrasts sideman gig with Kenny Dorham. And then there are two really ...
Tom Lawton: Not Less Than Everything
by Victor L. Schermer
Not known, because not looked for But heard, half-heard, in the stillness Between two waves of the sea. Quick now, here, now, always-- A condition of complete simplicity (Costing not less than everything) --T.S. Eliot, Four Quartets; “Little Gidding" This poetic quotation ...
Marie Kruttli Trio: The Kind of Happy One
by Mike Jurkovic
A gracious yet adventurous air of then and now hovers over, under, sideways, and down on The Kind of Happy One, Swiss pianist/composer Marie Kruttli's fourth disc. It's an expanding calm, a welcoming sense of command and form from a young artist finding her place in the music and its long heritage. Yet “Back ...
Daniel Carter, Matthew Shipp. William Parker, Gerald Cleaver: Welcome Adventure Vol. 1
by Mike Jurkovic
It takes all of fifty-seven seconds for Welcome Adventure Vol. 1 to move from what starts as of one of those gnarled but exquisite, corpse-like Matthew Shipp solo mind-opuses into exactly that but with some friends. Friends who want want to swing but in a just-out, avant way. It's where their heads are at the moment ...
New Faces - New Sounds
by C. Michael Bailey
Jazz is littered with musicians like Elmo Hope: young, talented and, ultimately, doomed because of racism, poverty, and chemical dependency. Born in New York City, the son of immigrants from the Caribbean, Hope managed to release more than a baker's dozen of studio recordings in as many years, before dying of drug addiction-related health problems in ...
Joshua Espinoza: Journey Into Night
by Angelo Leonardi
"Sento che la mia arte abita lo spazio tra jazz e musica classica. Sono innamorato di compositori come Debussy, Ravel, Chopin ma cerco la libertà di Art Tatum e Bill Evans." Con queste parole il giovane pianista di Baltimora, Joshua Espinoza, si presenta in occasione del debutto in trio con Mikel Combs al contrabbasso e Jaron ...
Daniel Erdmann's Velvet Revolution Featuring Théo Ceccaldi & Jim Hart: Won't Put No Flag Out
by Ian Patterson
Chance meetings, in a French café with Théo Ceccaldi, and on the London-to-Paris Eurostar with Jim Hart, prompted Daniel Erdmann to found one of contemporary jazz's more unusual trios. The convergence of violin/viola, vibraphone and tenor saxophone is, perhaps, unique in the jazz firmament but, as the trio's fine debut A Short Moment of Zero G ...
The Touch of Your Lips, Part 3: The Essential Touch in Jazz Piano
by Kurt Ellenberger
Part 1 | Part 2 | Part 3 It would be nice and tidy if the development of tone color as a primary in jazz piano matched its development in the other instruments, but that is not the case. From early on in jazz's history, composers and bandleaders like Duke Ellington, Count Basie, Cab ...
The Touch of Your Lips, Part 2: Touch and Tone Color in Jazz Piano
by Kurt Ellenberger
Part 1 | Part 2 | Part 3 As mentioned in Part 1, tone color took on a prominent role in classical music in the 19C. The Romantic composers like Wagner, Strauss, Berlioz, Chopin and many others were, I think it is fair to say, somewhat obsessed with it. The composers before them were ...
