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Why the World Should Remember Wardell Gray
by Victor L. Schermer
Part 1 | Part 2 | Part 3 [This article is a commentary to accompany All About Jazz interviews about Wardell Gray with filmmaker Abraham Ravett and biographer Richard Carter, all of which are intended to bring readers' attention to this outstanding but under-recognized tenor saxophonist whose brief career spanned the transition from swing ...
Art Pepper: Art Pepper Live at Fat Tuesday’s
by C. Michael Bailey
The discovery and release of Art Pepper Live at Fat Tuesday's is a surprising and welcome event that has some precedence in jazz reportage. “Art Pepper, 1926-1982" is a much anthologized obituary on Pepper by jazz writer Gary Giddins, originally published in his book Rhythm-a-ning (Da Capo Press, 1985) written shortly after the saxophonist's death. In ...
Lara St. John: Shiksa
by C. Michael Bailey
..."all this music from different countries and cultures pulled together and recorded by a random Canadian chick." And that is the charm of Lara St. John. One-time enfant terrible violinist Lara St. John has morphed into a beautifully iconoclastic and enigmatic cultural presence in the staid world of classical music. ...
Jazz Musician of the Day: Art Pepper
All About Jazz is celebrating Art Pepper's birthday today! Alto Saxophonist Art Pepper, a native of Gardena California, played in the overtly emotional manner that came to define the West Coast style. His solo approach was always passionate, from early recordings made with Stan Kenton\'s orchestra during his years with the band (1943 and 1946-52) and ...
Joe Albany and Low Down
by C. Michael Bailey
Joseph Albani (1924-1988), better known as Joe Albany, is a footnote in jazz history. A monumentally talented pianist with an exceptionally fragile constitution, Albany, like the late Chet Baker pianist Dick Twardzik, was hampered by a self-doubt relieved by heroin. Albany differed from Twardzik in that, like Baker, he lived well beyond the average junkie lifespan ...
Elisabeth Lohninger & Walter Fischbacher: Ballads in Blue
by C. Michael Bailey
Often art results from the most difficult of circumstances. I suppose it has something to do with that cliché, ..."when life gives one lemons...make lemonade." It would be naïve to believe that just anyone could make lemonade. It takes guts, talent, thought, and often, not just a little luck. Such are the conditions surrounding the recording ...
Jeff Denson Trio/Lee Konitz: Jeff Denson + Lee Konitz
by Mark Corroto
Let us celebrate the life of 87-year old jazz master Lee Konitz. The alto saxophonist has been recording music for seven decades now. While his tone is not as strong these days, his music is arguably more expressive now than ever. Heard here as a guest with bassist Jeff Denson's trio, he adds a new dimension ...
Allison Neale: I Wished on the Moon
by Jack Bowers
There was a time, roughly half a century ago, when West Coast jazz was seen as the hippest music on the planet, its leading lights known and praised far and wide for espousing a brand of “cool jazz" that stood in stark contrast to its more heated East Coast counterpart. Much like any other trend, the ...
Art Pepper: Neon Art: Volume 3
by C. Michael Bailey
This concludes the Neon Art series, whose life began as three vinyl LP releases in 2012. Wisely, Pepper's widow, Laurie Pepper and co-producer Cheryl Pawelski decided to re-issue these performances on CD. Neon Art, Volume 1 and Neon Art, Volume 2 preceded Volume 3 in as many months. The Neon Art performances are ...
Who Was Jane Fielding?
Back in 2012, I posted on Jane Fielding, a husky-voiced vocalist who recorded just two albums—Introducing Jane Fielding (1955) and Embers Glow (1956)—along with two songs performed on Bobby Troup's Stars of Jazz in 1957. Then she disappeared. At the end of the post, I originally asked Ms. Fielding to reach out to me. In February ...
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