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Cory Weeds Little Big Band: Explosion
by C. Michael Bailey
Renaissance Man Cory Weeds has the Midas Touch. Since attaining Vancouver-local escape velocity with his Cellar Jazz Club and then his record label with the same imprint, the musical entrepreneur has parlayed his notice worldwide with excellent recordings of himself and other noted artists. Weeds' Cellar Jazz focus is what would be defined as an “Arbors ...
Ron Korb: Pan-Global Flutist
by Rob Caldwell
In a 20-year career, Grammy nominated flutist Ron Korb has experienced the lows and highs of a touring musician. He's been stuck in the Panamanian jungle when the bus transporting he and his band to their show broke down, leaving them teetering on the top of a hillside for hours in the blazing sun while repairs ...
The Bach's Beach Vision Of Jazz Heaven
by Arthur R George
Heaven for some is a baseball diamond in an Iowa cornfield. For Pete Douglas, it was a house on a beach with a jazz club in his living room, a would-be heaven also for anyone who dropped in. Douglas passed on, in 2014 at age 85, sitting at his desk overlooking the Pacific Ocean. But his ...
Basic Beauty: Arthur Blythe on Columbia
by Jakob Baekgaard
Back in 2016, BGO Records started reissuing the complete works of alto saxophonist Arthur Blythe (1940-2017) on Columbia. The first volume containing Lenox Avenue Breakdown (1979), In the Tradition (1980), Illusions and Blythe Spirit (1981) has already been reviewed on AAJ. The following two volumes complete the project of putting an important body of work from ...
Six on Cellar Live
by C. Michael Bailey
Cory Weeds' record label Cellar Live has become a welcome home to straight-ahead mainstream jazz in the same way that Arbors Records has been the beacon for traditional jazz and swing. Think Norman Granz's Pablo label tele-transported deep into the 21st Century. Six recent releases illuminate Cellar Live's importance to jazz as a whole and to ...
Culture Clubs: Part IV: When Jazz Met Europe
by Karl Ackermann
The Geography of Jazz--When Jazz Met Europe In 2004 Maureen Anderson, a researcher at Illinois State University contributed a dissertation to the journal, African American Review, titled The White Reception of Jazz in America. Ostensibly, her article deals with stories published in high profile periodicals and journals from 1917 and into the 1930s, written by white ...
Vinny Golia Wind Quartet: Live At The Century City Playhouse – Los Angeles, 1979
by Mark Corroto
If you were born yesterday, you can be forgiven for believing the West Coast jazz scene begins with Kamasi Washington. As with most things related to jazz, New York is the focus, with slight consideration of Chicago. The rich history of Los Angeles' creative community, including the early Ornette Coleman ensembles, Dexter Gordon, Horace Tapscott, Frank ...
Culture Clubs: A History of the U.S. Jazz Clubs, Part III: Kansas City, Philadelphia, Los Angeles & Beyond
by Karl Ackermann
Beyond the Hubs While New Orleans, Chicago, Kansas City and New York City were the incubators of modern jazz, they were by no means the only locations with an appetite for live music. Jazz artists whose point of origin could not sustain multiple venues ventured to locations near and far to practice their trade. ...
The Art Pepper Quartet
By Art Pepper
Label: Omnivore Recordings
Released: 2017
Track listing: Art’s Opus; I Surrender Dear; Diane; Pepper Pot; Besame Mucho; Blues at Twilight; Val’s Pal; Pepper Pot (alternate); Blues at Twilight (alternate); Val’s Pal (Take 1); Val’s Pal (take 2,3,4); Val’s Pal (Takes 5,6).
C. Michael Bailey’s Best Recordings of 2017
by C. Michael Bailey
This year marks my 20th contributing to AAJ. Twenty years ago, I was 38 years old looking for an outlet for my music writing that had somehow avoided me until I came across an opportunity disguised as a call for articles from one Michael Ricci in Philadelphia. I emailed my review of Art Pepper's San Francisco ...
