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Results for "Art Hirahara"
NYJAZZ Initiative: Mad About Thad
by Edward Blanco
Before moving to Copenhagen, Denmark in 1978, iconic jazz trumpeter Thad Jones was an established New York City jazz legend best known for his co-leadership of the Thad Jones/Mel Lewis Orchestra, which enjoyed a twelve-year residency at the renowned Village Vanguard. Mad About Thad is the debut from the NYJAZZ Initiative--a non-profit organization founded in 2008 ...
Nick Hempton: The Business
by Bruce Lindsay
Saxophonist Nick Hempton's decision to call his second album The Business might be a comment on the commercial nature of jazz, or it might be a rather hubristic statement about the nature of his own music. Big, fat grooves, a real sense of swing, strong melodies and even stronger rhythms suggest that Hempton is right to ...
Nick Hempton: The Business
by Dan Bilawsky
The workaday details of the business world don't really relate to jazz very much. Boring meetings, piles of paperwork, and endless conference calls have little to do with the in-the-moment magic that surrounds this music, but that doesn't mean that jazz musicians don't know how to get down to business when the tape is rolling.
Hetty Kate New EP Release "Kissing Bug"
Australian/English Jazz Vocalist, Hetty Kate has released her gorgeous new five track EP—available for download on iTunes, CDBaby and Amazon. Recorded on a snowy winter afternoon in December 2009 and released this Summer, “Kissing Bug" showcases five romantic songs from The Great American Songbook. Featuring the songwriting talents of Harold Arlen, Cole Porter, Johnny Richards and ...
Art Hirahara: Noble Path
by Dan Bilawsky
Art Hirahara has gained the most notice for his work on saxophonist Fred Ho's adventurous outings, but the pianist's own music, while occasionally outward bound, often has a more immediately accessible sound to it. Featuring eight pieces from Hirahara's pen and four newly arranged classics, Noble Path is a piano trio record that's both commonplace and ...
New Voices: Sarah Manning, John Escreet, Kneebody
by J Hunter
Jazz is like the human body. It needs fresh air, constant activity and a steady stream of nutrients to stay hale and hearty. Conversely, if all the genre does is sit in a comfy chair and try to live on what came before, it becomes sedentary, incurious and--ultimately--self destructive. Fortunately, the young keep jazz active and ...
Sarah Manning: Shattering The Glass Ceiling
by David A. Orthmann
Listening to Sarah Manning speak at length is nearly as absorbing as her music. She's intelligent, direct, witty, and serious-minded. As Manning waxes eloquent on topics ranging from the impact of three special mentors, to the benefits of being a well-rounded person, to issues surrounding woman's empowerment, you realize that she relishes every aspect of her ...
Sarah Manning: Dandelion Clock
by Raul d'Gama Rose
It takes a long time for the delightful shock of first hearing Sarah Manning's emphatic, almost blasé, voice--rich, tunefully accented and almost bronzed, as full as a sudden blast of sunshine. The first sounds of her alto saxophone are so indelibly burned in the memory that virtually everything else becomes a blur except undulating glissandos of ...
Sarah Manning: Dandelion Clock
by Woodrow Wilkins
It may take years of listening before a music enthusiast can identify the sound of a musician, distinct and separate from others who play the same instrument. David Sanborn, Bob Mintzer and Jay Beckenstein are just a few examples of saxophonists whose voices are easily distinguished. Sarah Manning hopes to join their ranks. Manning ...
Sarah Manning: Dandelion Clock
by Bruce Lindsay
The cover of Dandelion Clock, Sarah Manning's third album as leader, shows the saxophonist in soft focus, lying on a bed of fallen autumn leaves and lightly cradling her alto. It's standard smooth jazz cover art--but appearances can be deceptive, for Manning is one of the hardest-blowing and intense of musicians while her talents as a ...
