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Article: Top Ten List

Top Ten Jazz Songs of My Childhood

Read "Top Ten Jazz Songs of My Childhood" reviewed by Richard J Salvucci


For some reason, listening to the Great American Songbook was a big part of my Italian immigrant-boomer generation's experience. We learned the values, the rules, the moves and the customs of the folks we wanted to be like. And added a couple of distinctive touches of our own. We liked big bands too. But it wasn't ...

6

Article: Profile

We Three Kings: The Heath Brothers

Read "We Three Kings: The Heath Brothers" reviewed by AAJ Staff


This article was originally published at All About Jazz in 2002. Bundle these three brothers' experiences and associations through their individual and collective careers, and anyone with even the slightest notion of jazz appreciation will indubitably realize the significance of the Heath triumvirate--bassist Percy, saxophonist Jimmy, and drummer Albert “Tootie." What an ...

3

News: Obituary

Orrin Keepnews (1923-2015)

Orrin Keepnews (1923-2015)

Orrin Keepnews, a jazz record producer whose taste in music, integrity and respect for artists resulted in a vast body of legacy recordings by Thelonious Monk, Cannonball Adderley, Wes Montgomery and Bill Evans as well as dozens of other artists, died on March 1. He was 91. His Riverside label operated from 1953 to 1964. What ...

1

Article: Album Review

John Brown: Quiet Time

Read "Quiet Time" reviewed by Angelo Leonardi


"Le donne odiavano il jazz, non si capisce il motivo" cantava Paolo Conte in un celebre tema, ricordando l'Italia degli anni cinquanta. Oggi il quadro è mutato ma se avete qualche amica o amico (non esiste una specificità femminile in questo) che giudica il jazz “poco melodico" regalategli Quiet Time e cambierà idea. ...

1

Article: Multiple Reviews

Novità dalla Intakt

Read "Novità dalla Intakt" reviewed by Maurizio Zerbo


Dalla label svizzera Intakt provengono sempre proposte interessanti, che ci forniscono un significativo spaccato della ricerca jazzistica europea. Pur facendo i conti con i clichè di riferimento (l'avanguardia degli anni '70), si impongono modalità di grande spessore espressivo. Irène Schweizer-Jürg Wickihalder Spring Valutazione: * * * ½ Intakt Records (2014) ...

11

Article: Extended Analysis

Danish Radio Big Band: A Good Time Was Had By All

Read "Danish Radio Big Band: A Good Time Was Had By All" reviewed by Chris Mosey


To paraphrase Shakespeare, there is something rockin' in the state of Denmark. It's the Danish Radio Big Band, best of its kind in Europe, indeed--depending on who is conducting and the mood of the players--on occasion best in the world. Against all the odds in these cash-strapped times, the DRBB, as it is universally known, is ...

2

Article: Album Review

InterStatic: Arise

Read "Arise" reviewed by Vincenzo Roggero


Interstatic è una sorta di power trio formato da virtuosi strumentisti quali il tastierista Roy Powell (Anthony Braxton, Art Farmer, Terje Rypdal), il batterista Jarle Vespestad (Supersilent, Tord Gustavsen) e il chitarrista Jacob Young (Karin Krog, Nils Petter Molvaer, Christian Wallumrod). Trio che ha trovato ragioni comuni solide e importanti visto che è alla terza incisione ...

10

Article: Extended Analysis

Nate Birkey: Just a Closer Walk

Read "Nate Birkey: Just a Closer Walk" reviewed by Victor L. Schermer


Nate Birkey is a fine New York-based trumpeter who traveled a biographical route from childhood in Colorado to Boston's Berklee School of Music, then to various parts of the West Coast, living and working in the Los Angeles area for a while, and finally settling into the big-time jazz scene in NYC a few years ago. ...

72

Article: Jazzin' Around Europe

Bimhuis at 40: Older, Better, Business as Usual

Read "Bimhuis at 40: Older, Better, Business as Usual" reviewed by Joan Gannij


The Bimhuis is turning 40 and is still very much in its prime. Beginning October 1, Amsterdam's venerable jazz club will celebrate this milestone with a variety of concerts, activities and special events. The Bimhuis opened in 1974 after a lengthy search for a suitable venue for improvising musicians. Over the next decades it would become ...

7

Article: Live Review

The Swallow-Talmor-Nussbaum Trio at the Douglas Beach House

Read "The Swallow-Talmor-Nussbaum Trio at the Douglas Beach House" reviewed by Bill Leikam


Swallow-Talmor-Nussbaum TrioDouglas Beach House Bach Dancing & Dynamite Society Half Moon Bay, California August 10, 2014 A rare U.S. performance by the highly sophisticated and seasoned jazz trio of Steve Swallow, electric bass; Ohad Talmor, tenor saxophone; and Adam Nussbaum on drums, set the stage for a two-set performance. Before ...


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