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Results for "Art Blakey"
Jon Irabagon: Behind The Sky
by Budd Kopman
Simply put, Behind The Sky is a flat-out superlative recording by saxophonist Jon Irabagon. Straddling “inside" and “outside," it can be appreciated by those more comfortable with the straight-ahead (with some stretching, of course), as well as those who enjoy music which challenges the ear and mind. The “rhythm section," consisting of pianist Luis ...
Amina Figarova: Blue Whisper
by Dave Wayne
Pianist and composer Amina Figarova is truly a citizen of the world. Born and raised in Baku, Azerbaijan, she decamped to the Netherlands in the 1980s to study at the Rotterdam Conservatory, and then to Boston in 1989 to continue her studies at Berklee. Blue Whisper is her 12th recording as a leader, but her first ...
Tina Brooks: True Blue - 1960
by Marc Davis
I love finding little-known records by almost-unknown artists. There's nothing wrong with soaking in the comfortable pool of guys you know oh-so-well. I can listen to Art Blakey, Jimmy Smith and Kenny Burrell all day. But even the greats can wear you out. How many times can you listen to the Beatles' “Hey Jude" ...
Valery Ponomarev Jazz Big Band: Our Father Who Art Blakey
by Jack Bowers
Who is Russian-born trumpeter Valery Ponomarev's favorite musician? A clue may be found in the title of Ponomarev's first CD as leader of his New York City-based big band: Our Father Who Art Blakey. The first jazz recording he heard while still in Russia, Ponomarev recalls, was Blakey's Jazz Messengers with trumpeter Lee Morgan playing pianist ...
Danny Mixon: Pass It On
by Mark Sullivan
Despite his low profile, veteran pianist Danny Mixon has quite a history. His career has included stints playing with Betty Carter, Kenny Dorham, Art Blakey's Jazz Messengers, Frank Foster, Grant Green, Pharoah Sanders, Dee Dee Bridgewater, Charles Mingus, and many others. Most of Pass It On finds him alternating between solos and trios. Many of the ...
Kenny Burrell: Blue Lights – 1958
by Marc Davis
The name on the cover is Kenny Burrell, but Blue Lights isn't really a Kenny Burrell album. He may be the leader, but the stars are everyone else. This is truly a democratic 1950s jam session. I came to Blue Lights fresh from Burrell's Midnight Blue, expecting another laid-back blues guitar vehicle. Not even ...
Tubby Hayes: The Syndicate - Live At The Hopbine 1968 Vol. 1
by Roger Farbey
Out of all the Tubby Hayes archival releases over the past few years, this one should by rights generate more than passing interest for several reasons. Expertly mastered by Gearbox from the original tapes and released on vinyl and digital download, it contains four gems, but one of the chief reasons for getting hold of it ...
Benny Golson and the Philadelphians - 1958
by Marc Davis
I have hundreds of jazz CDs. I'm a huge fan of bebop, hard bop and all manner of piano playing. Yet I have blind spots in my collection and in my jazz knowledge. The big names are all accounted for. And now that I've been exploring Blue Note's back catalogue--especially the 1950s and '60s--I'm ...
Lee Morgan, Volume Three - 1957
by Marc Davis
In jazz, as in rock, there's a tendency to overlook composers. Performers get all the nods. Consider Duke Ellington. One of the greatest bandleaders and composers of all time. But Billy Strayhorn? Not as famous--even though he wrote some of Duke's best pieces: “Take the A Train" and “Lush Life" and “Chelsea Bridge."
CocoRosie, Dastan Ensemble, Arto Lindsay, Chick Corea, Béla Fleck, John Hammond, G.Love & Trio 3
by Martin Longley
CocoRosie Webster Hall September 25, 2015 The Casady sisters are one of the quirkiest teamings in... what? Rock, folk, hip-hop, reggae, electronica, performance art? All of these, and more, are present in their wildly gambolling songs, discernible as trace elements, but none fully emerging as what could be deemed ...
