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Results for "Art Blakey"
Omer Avital Quintet al Teatro Manzoni di Milano
by Paolo Peviani
Omer Avital Quintet Aperitivo in Concerto Teatro Manzoni Milano 05.02.2017 Dopo qualche anno di assenza, torna a Milano il contrabbassista Omer Avital, tra i maggiori esponenti di quella scena musicale israeliana -con forte presenza/residenza a New York -che negli ultimi anni si sta rivelando tra le più attive ed interessanti ...
Rick Mandyck: The Return From Now
by Paul Rauch
It was a cold Tuesday evening the last week of December. 2016 was mercifully coming to a close, this evening, a final chorus of a long blues blown soulfully, and mournfully into the night. I sat at the bar at Seattle's storied jazz spot, Tula's, in eager anticipation of the evening's performance of a quartet led ...
Lee Morgan: The Sidewinder – 1964
by Marc Davis
What's left to say about Lee Morgan's most popular album, The Sidewinder? How about this: It is one FUN record. That's capital F, capital U, capital N. Anything wrong with that? Sometimes it feels like all the fun has gone out of jazz. As if nothing can be Good unless it is ...
Howard Johnson Celebrates His 75th With New CD And Concert At The Jazz Museum In Harlem on Sunday, January 29th at 2:30pm
Sun, January 29, 2017 2:30 PM- 5:00 PM EST The National Jazz Museum in Harlem 58 West 129th Street New York, NY 10027 Featuring: Howard Johnson: baritone saxophone, tuba, penny whistle; Yayoi Ikawa: piano; Melissa Slocum: bass; Newman Taylor Baker: drums. Testimony includes eight tunes ranging from soulful to funky ...
Sabu Martinez: Palo Congo – 1957
by Marc Davis
1957 was a banner year for hard bop and Blue Note. In one year, the label released 40 albums, including classics from John Coltrane, Sonny Rollins, Horace Silver, Bud Powell, Lou Donaldson, Hank Mobley, Johnny Griffin and eight by Jimmy Smith alone. In the midst of all that hard bop, Blue Note released two percussion-based albums ...
As Dizzy's World Turns
by Michael Bourne
Master raconteur, award winning jazz broadcaster and Downbeat contributor, Michael Bourne recounts a series of remarkable stories about Dizzy Gillespie based on experiences that stretch over a couple of decades. Embodying Bobop I happened to be at home in St. Louis when Dizzy Gillespie was playing at this new jazz joint near ...
The Early Years of Sonny Stitt in Saginaw, Michigan
by Dustin Mallory
As one of most recorded saxophonists of his generation, Sonny Stitt made more than 100 albums under his own name. He also performed as a sideman with the likes of Miles Davis, Dizzy Gillespie, and Art Blakey. Despite the breadth of recorded work he left behind, Sonny Stitt's upbringing in Saginaw, Michigan is less well-documented. The ...
Marco Pesatori, sotto le stelle del jazz
by Rosarita Crisafi
Marco Pesatori è un noto astrologo italiano e un intellettuale eclettico. Scrittore, laureato in Storia della critica d'arte con una tesi sul movimento Dada, è stato collaboratore di Gianni Sassi nella Cooperativa Intrapresa, un laboratorio che influenzò profondamente la cultura e l'industria discografica italiana ed europea a cavallo tra gli anni '70 e '80. Nel suo ...
D'Vonne Lewis: It's About the Love
by Paul Rauch
On the Seattle jazz scene, no musician is more visible than drummer D'Vonne Lewis. Whether he is touring and playing with his band Industrial Revelation, leading his flexible and innovative combo, D'Vonne Lewis Limited Edition, or playing as a sideman on multiple projects around town, Lewis brings to the bandstand a remarkable versatility, and musical identity ...
Wayne Shorter: Speak No Evil – 1964
by Marc Davis
It's hard to imagine a jazz musician who has had more success with more bands than Wayne Shorter. His tenor sax was an essential part of three landmark combos: Art Blakey and the Jazz Messengers (1959-1964), Miles Davis' classic quintet (1964-70) and Weather Report (1971-86)--27 consecutive years of uninterrupted magnificence. In other words, if ...
