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Clifford Brown’s Trumpet and One Summer in Atlantic City
by Arthur R George
Part 1 | Part 2 For 22-year-old trumpeter Clifford Brown, the summer of 1953 in Atlantic City, New Jersey, was transformative. Playing with bebop elders, he cumulatively opened the door for what came next: a groove-oriented swinging style, in which small groups used structured arrangements like big bands, with room for improvisation, but less ...
Carlos Vega: Art of the Messenger
by Jack Bowers
In case you didn't quite catch the “message" subtly embedded in the title of Chicago-based tenor saxophonist Carlos Vega's new recording, Art of the Messenger, here is a brief reminder that it was drummer Art Blakey who formed the Jazz Messengers in the mid-1950s and led the celebrated hard-bop ensemble until his death in 1990. The ...
Marty Sheller: The Name Behind The Sound You All Know, Part 1
by Skip Heller
There are certain musicians who embody eras, even if they're not the player with their picture on the cover. In our contemporary musical climate, Greg Leisz comes to mind. Since 1991, he has popped up on hundreds of acclaimed albums, and without ever really changing his style, he has become centrifugal beyond the considerations of genre ...
Gary Bartz NTU Troop: Live In Bremen
by Chris May
In the early 1970s there was fusion and there was NTU Troop. After paying his dues in bands led by Charles Mingus, Max Roach and Art Blakey, Bartz made a splash in 1969 with his sophomore album, Another Earth (Milestone), a genius blend of spiritual jazz, space jazz and down and dirty blues. On it, Bartz ...
2 Debuts = 2 Quartets
by Friedrich Kunzmann
Bebop idioms prove far from extinct on these debut albums from two hungry cats, leading vigorous quartets with the mission to carry the bop torch of a young jazz generation. Nathan Francis Nathan Francis Quartet Ajabu! Records 2021 American bassist Nathan Francis has been based out of Helsinki, ...
Giant Steps: Diverse Journeys in British Jazz
by David Burke
The following is a revised excerpt from “Chapter 3: Full Force Gail" of Giant Steps: Diverse Journeys in British Jazz by David Burke (Desert Hearts, 2021). In the 1980s, a new generation of black British musicians began to reconfigure the country's jazz scene, changing the face -and sound-of what had previously been a ...
On the Road con Idris Ackamoor & The Pyramids
by Gioele Pagliaccia
La prima volta che vidi Idris Ackamoor fu al Centro Stabile di Cultura una domenica nel novembre 2018. Gli organizzatori di questo storico locale a San Vito di Leguzzano, un piccolo paese a mezz'ora da Vicenza circondato da fonderie e campi di grano, mi avevano chiesto se potevo prestare la mia Ludwig al batterista dei Pyramids, ...
Noah Haidu: Slowly: Song For Keith Jarrett
by Dan McClenaghan
American poet Walt Whitman said it. Nobel Prize winner Bob Dylan said it, too, on his Rough and Rowdy Ways (Columbia Records, 2020). They said: “I Contain Multitudes." Pianist Keith Jarrett also contains multitudes—though it has never been reported that he has said so. Those multitudes include early work with the groups of drummer Art Blakey, ...
John Patitucci: The Quintessence of Acoustic and Electric
by Jim Worsley
John Patitucci had his life's work in mind at age twelve, At a time when most of us were worried about junior high school and pimples, Patitucci concluded that he was to be a professional musician. This was no typical young boy fantasy of playing center field for the Yankees, being an astronaut, or even being ...
Gary Bartz At 80: On Jazz Is Dead, Miles Davis And Why Improvisation Is A Dirty Word
by Rob Garratt
It's hard to talk to Gary Bartz about music. Not because he's a difficult or reluctant interviewee—quite the opposite. In fact, the 80-year-old saxophonist is refreshingly unguarded and garrulous when looking back over his formidable six-decade musical career. It's just finding the right words that's the tricky part. Like many musicians, jazz isn't one ...
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