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Article: Radio & Podcasts

A Wayne Shorter Tribute

by Jerome Wilson
March 22, 2023

This show is a tribute to Wayne Shorter and touches on his work with Art Blakey, Miles Davis, and Weather Report as well as his recordings as a leader. It also includes interpretations of Shorter compositions by other musicians, including Fred Hersch and Terence Blanchard. Playlist The Henry Threadgill Sextett “I Can't Wait Till ...

Article: Liner Notes

Steve Davis: Correlations

by C. Andrew Hovan
March 21, 2023

Surely it must be considered a milestone to chalk up Correlations as Steve Davis' 20th session as a leader. Just contemplate how much the world has changed since the trombonist started turning heads as a member of Art Blakey's Jazz Messengers back at the start of the '90s. The record business in particular occupies a vastly ...

Article: Liner Notes

Gard Nilssen's Acoustic Unity: To Whom Who Buys A Record

by Chris May
March 17, 2023

In July 2019, Gard Nilssen will be Artist-in-Residence at the prestigious, future-facing Molde Jazz Festival. It will be a busy week for the Norwegian drummer, composer and sonic adventurer. As well as guest appearances, he will perform with several of his bands--SpaceMonkey, an electronica/dance music mash-up he co-founded five years ago; Bushman's Revenge, which may be ...

Article: New York Beat

Eric Reed Quartet at Smoke

by Nick Catalano
March 14, 2023

A garrulous Eric Reed traveled from his teaching gig at the University of Tennessee to lead a quartet at Smoke on March 9, 2023. Before the first set began Reed delivered lengthy commentary on Miles Davis, Benny Golson and the recently deceased Wayne Shorter, and included compositions by the latter two in the opening set. His ...

Article: Big Band in the Sky

Wayne Shorter remembered as Jazz's Shaman Of Musical Influence

by Doug Hall
March 9, 2023

The voice, tone, phrasing--in effect, the signature sound of the saxophone has distinguished a number of artists. The late Wayne Shorter, having just passed away at 89, has been a profound force of interpretation on the tenor, and on the soprano--there is no greater master. He remained at the forefront of influence with his instrument and ...

Article: Building a Jazz Library

Ron Miles: The Best Of The Denver Jazz Doyen

by Ian Patterson
March 8, 2023

Ron Miles left the planet all too soon, but the Denver cornetist and trumpeter has left a lasting mark, both in terms of the music he made and in the people whose lives he touched. This list, a guide to ten of Miles' most significant recordings as both leader and as a sideman, reflects his playing ...

Article: Festivals Talking

Moers Festival Interviews: Kenny Garrett

by Martin Longley
March 4, 2023

The release of Kenny Garrett's Sounds From The Ancestors album (Mack Avenue, 2021) has reinvigorated his live performances, as the saxophonist tours heartily with an expanded band that's heavy on the Afro-Latin percussion. In recent times, multi-instrumentalist Garrett has been gigging with this dedicated Sounds From The Ancestors line-up, heavily devoted to the album, but not ...

Article: In Pictures

Robin Eubanks with the John Toomey Trio at the Attucks Jazz Club

by Mark Robbins
February 28, 2023

Robin Eubanks was scheduled to play The Attucks Jazz Club in Norfolk 2 years ago but was upended by the Covid shutdown. He was finally able to appear with John Toomey on piano, Jimmy Masters on bass and Brian Jones on drums, and the wait was well worth it. Eubanks brother Kevin Eubanks was the musical ...

Article: Liner Notes

Mike DiRubbo: Human Spirit

by C. Andrew Hovan
February 26, 2023

In an era that seems to more fully embrace the idea of the 'tough young tenor,' alto saxophonist Mike DiRubbo puts forth a singular voice that stands apart from the crowd. With exceptions such as Kenny Garrett, Steve Wilson, and Vincent Herring, DiRubbo is one of the few musicians of this generation to choose the alto ...

Article: Liner Notes

Steve Davis: Systems Blue

by C. Andrew Hovan
February 25, 2023

From Kid Ory to Roswell Rudd, the role of the trombone has changed dramatically over the brief span of jazz history, as we know it. Whether it be keeping a beat via the style of “tailgating," exploring a multitude of textural possibilities through the challenges of the avant-garde, or working somewhere in that middle ground that ...