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Wadada Leo Smith: Ten Freedom Summers
by Mark Redlefsen
Wadada Leo SmithTen Freedom SummersCuneiform Records2012Jazz music and the Civil Rights Movement in America have moved on parallel tracks from the 20th century up until the present. Freedom Suite (Riverside, 1958) by saxophonist Sonny Rollins, We Insist! Max Roach's Freedom Now Suite (Candid, 1960) by drummer Max Roach ...
Jazz Musician of the Day: Archie Shepp
All About Jazz is celebrating Archie Shepp's birthday today! Archie Shepp is a New York City native and alumnus of Goddard College. Archie started playing jazz in the early 60\'s and continues to dazzle audiences around the world playing tenor saxophone and piano, accompanied by his soulful voice. Currently residing in Massachusetts, he teaches music history ...
Mina Agossi: Red Eyes
by C. Michael Bailey
The French Classical Naive label continues its campaign into jazz with Mina Agossi's Red Eyes. Her second recording for the label after 2010's Just Like A Lady, Red Eyes finds the French singer staking out her rightful claim on what only can be described as the furthest molecule on the cutting edge of jazz vocals, before ...
The Beginnings of Free Form
by Sammy Stein
"Free form" is a term used to encompass a whole genre--or genres--outside mainstream jazz. Jazz has its roots in spiritual music, Dixieland, New Orleans, blues and ragtime, and after the 1940s these became fused into a catch-all assignation of genre. Jazz took on a predictability that was largely influenced not by the limitations of the players, ...
Joe McPhee: Artistic Sacrifice from a Musical Prophet
by Lloyd N. Peterson Jr.
He could have easily chosen a different path: a more successful one or, perhaps we should say, a more commercial one. But that has never been the style or the character of multi-instrumentalist Joe McPhee. His saint-like humility reflects a gentle and wise creative spirit; his music and poetry are a mirror into the human condition. ...
Marcus Miller: Casablanca, Morocco, April 24, 2012
By Mehdi El Mouden A number of great American jazzmen have visited Morocco to play in the numerous jazz festivals organized throughout the year, to name Archie Shepp,Randy Weston,Roy Hargroove,Peter Cincotti and many other American figures who made their stamp on Jazz History. This time was Marcus Miller's turn to tread Jazzablanca's stage on a memorable ...
Marion Brown: The Freshness after the Rain
by Nic Jones
[Editor's Note: For the inaugural installment of his new column, in which he monkeys around on the margins of jazz and improvised music, Nic Jones takes a look at the often overlooked and undervalued multi-instrumentalist, Marion Brown.]Reed player and percussionist Marion Brown's music is a singular thing. Through his associations in the 1960s--not the ...
Talkin' Blues with the Groovemaster, Jerry Jemmott
by Alan Bryson
Jerry Jemmott's groove is the bedrock of guitarist B.B. King's career defining hit, “The Thrill is Gone." He was in the studio with Duane Allman and singer Wilson Pickett recording “Hey Jude," a track that was instrumental in launching the late Allman Brothers Band guitarist's musical career; and they were together again for flautist Herbie Mann's ...
Kate McGarry: Girl Talk
by C. Michael Bailey
At a time when it seems that everyone is a jazz singer releasing new music in a male-female distribution of 1 to 10, what is it exactly that separates the merely good singers from the truly great ones. Because of the sheer number of singers and relative high quality of jazz singing today, it is brutally ...
Georg Breinschmid: Fire
by Larry Taylor
A mixture of outrageous humor and subtle beauty make up Fire, from Austrian bassist Georg Breinschmid. Such a conflicting opinion needs explaining. The 14 mostly originals (plus a bonus disc of four additional tracks) combine live and studio recordings using two different groupings. There is Brein's Café--a piano/violin/bass trio; and a duo with ...
