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Steve Swell: Unlimited Musical Possibilities
by Victor L. Schermer
"Free Jazz" and Avant-Garde Jazz" are catch phrases often associated with musical pioneers such as Ornette Coleman and Cecil Taylor but more broadly refer to music that goes outside of the mainstream of melody, harmony, rhythm, and structure. When that happens, opinions and emotions abound. Reactions vary from disgust to excitement and enthusiasm, and it is ...
Rodrigo Amado's Motion Trio and Peter Evans
by John Sharpe
Ever since the 2009 debut of the Motion Trio, Portuguese saxophonist Rodrigo Amado has sought to broaden the options available through the addition of more fire power. On both Burning Live (Jazz Ao Centro, 2012) and The Flame Alphabet (Not Two, 2012), Chicago trombonist Jeb Bishop occupied that berth, his garrulous melodicism proving a winning match ...
Jazz Liège Festival 2014
by Jean-Pierre Goffin
Jazz Liège Festival Brussels, Belgium May 8-10, 2014 The International Jazz Festival in Liège was created twenty-four years ago. The city was known for decades as the Belgian capital of jazz, with musicians such as Bobby Jaspar ( who played with Miles Davis,J.J. Johnson, Donald Byrd and many others), René ...
Bathed In Lightning: John McLaughlin, the 60s and the Emerald Beyond by Colin Harper
by Colin Harper
Exclusive extract adapted from Bathed In Lightning: John McLaughlin, the 60s and the Emerald Beyond By Colin Harper. Published (UK and US) March 26, 2014 by Jawbone Press British jazz is awash with young talent which, given a healthy set of circumstances and a fair share of work, could produce a generation of ...
Jazz Musician of the Day: Archie Shepp
All About Jazz is celebrating Archie Shepp's birthday today! Archie Shepp was born in 1937 in Fort Lauderdale in Florida. He grew up in Philadelphia, studied piano and saxophone and attended high school in Germantown; he went to college, became involved with theatre, met writers and poets, among them, Leroy Jones and wrote: «The Communist», an ...
Black Top: No. 1
by Karl Ackermann
No. 1--the energetically contrapuntal debut album by the duo Black Top--is, in reality, a trio endeavor. UK based multi-instrumentalists Orphy Robinson and Pat Thomas have been a frequent presence in the London club scene, sharing their live performances with a host of up and coming UK artists. Among them, saxophonist Steve Williamson is the most well ...
Getting To Know Ras Moshe
by Dom Minasi
Ras Moshe is not a name most people are familiar with. If you listen to straight ahead jazz you probably wouldn't know Ras. Now if you go to some of the 'downtown' performances in New York City and Brooklyn you probably have seen him play. I heard him ten years ago playing Tenor Sax at the ...
Archie Shepp Attica Blues Orchestra: I Hear the Sound
by Vincenzo Roggero
Nel 1972 Archie Shepp usciva con Attica Blues album accolto con favore dal pubblico ma liquidato senza tanti complimenti dalla critica che rimproverò a Shepp la virata verso una commercializzazione e semplificazione eccessiva della sua proposta musicale, salvo poi negli anni successivi rivalutarlo ampiamente e consideralo un significativo manifesto dei cambiamenti in corso nella black music ...
Raising Vision and Voice
by Chris M. Slawecki
Decades ago, Archie Shepp and Sun Ra were among the first musicians to expand their vision for the human voice beyond the traditional verse-chorus-verse song structure. Today, through digital sampling and other technology, musicians incorporate and manipulate the human voice in ways that even these two iconoclasts might not recognize. At the same time, the profound ...
Jonas Kullhammar Old and New Ways
by Eyal Hareuveni
Swedish great saxophonist Jonas Kullhammar always knew to position his musical activities in a rich historical, musical and artistic context, often with a sharp sense of humor. His tenor playing owes much to such great American post-bop sax players as John Coltrane (and his quartet covered recently Coltrane seminal A Love Supreme), but also to iconic ...


