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Album

The Red Quartets

Label: Arabesque Jazz
Released: 1999
Track listing: 1. Always Hope 2. Time After Time 3. Monk's Rec Room 4. Tell Me Your Diamonds 5. Jax Calypso 6. Chagall/How Deep Is Your Ocean 7. Five Full Fathoms 8. It's a Corrugated World 9. Climb Inside Her Eyes 10. Emergency 11. Einstein's Red/Blue Universe

228

Article: Album Review

Myra Melford: Above Blue / The Same River, Twice

Read "Above Blue / The Same River, Twice" reviewed by Robert Spencer


Myra Melford's piano is a welter of extraordinary activity, although unlike some other players with her power, even when her playing is at its most furious it always seems to be melodically, not percussively, rooted. She is once again surrounded on this disc by cutting-edge modern jazz players, especially trumpeter Dave Douglas and reedman Chris Speed. ...

181

Article: Album Review

Ted Nash Double Quartet: Rhyme & Reason

Read "Rhyme & Reason" reviewed by Glenn Astarita


A charter member of New York’sJazz Composers Collectivewoodwind specialist Ted Nash steps out on his own and following suit with fellow JCC members, shines as a composer and arranger while displaying a keen ear for nuance, melody and lyricism. Along with a string quartet and assistance on two tracks from trumpeter-composer and sometimes employer Wynton Marsalis, ...

204

Article: Album Review

Ted Nash: Rhyme & Reason

Read "Rhyme & Reason" reviewed by John Sharpe


At a time when the marketplace seems to be dominated by the sounds of “smooth jazz," it's encouraging to know that recordings such as these are still being produced. Saxophonist Ted Nash, who grew up in a very musical family, composed and arranged the entire CD and it's an ambitious, challenging piece of work. With the ...

308

Article: Album Review

Ted Nash Double Quartet: Rhyme & Reason

Read "Rhyme & Reason" reviewed by Douglas Payne


Rhyme and Reason seems strikingly serious. Even the combination of reed player Ted Nash's quartet, featuring pianist Frank Kimbrough and bassist Ben Allison, with a string quartet signals a certain seriousness.But reading Nash's notes reveals the disc's inspiration is the naturally creative marvel of children, specifically his own daughters. With this, Nash has attempted ...

258

Article: Album Review

Jane Ira Bloom: The Red Quartets

Read "The Red Quartets" reviewed by Glenn Astarita


Undeniably one of jazz’ foremost soprano saxophonists, Jane Ira Bloom is known for her willingness to take chances, or at times taking the lesser known path while skirting the fringes of modern mainstream jazz. On The Red Quartets Ms. Bloom performs with all the graceful majesty which has become her trademark while working with an ensemble ...

162

Article: Album Review

Myra Melford & The Same River,Twice: Above Blue

Read "Above Blue" reviewed by Glenn Astarita


Myra Melford returns, this time on Arabesque Records featuring her long time associates who are among the creme-de-la-creme of modern jazz. On Above Blue, Ms. Melford’s impressive track record of performing with top-notch musicians and churning out enticingly complex compositions remain intact. Myra Melford’s brand of modern jazz is unique mainly due to her approach through ...

158

Article: Album Review

Norman Hedman's Tropique: One Step Closer

Read "One Step Closer" reviewed by Glenn Astarita


The celebrated percussionist and conga maestro Norman Hedman has performed on numerous hit recordings as his diverse resume includes session work with Nancy Wilson, Arthur Blythe, Luther Vandross, Daryl Hall and Earth, Wind & Fire among others. “One Step Closer” represents Mr. Hedman’s second stint as a leader, which includes wonderful support from his band “Tropique”, ...

186

Article: Album Review

Ray Drummond: 1-2-3-4

Read "1-2-3-4" reviewed by AAJ Staff


Despite a lengthy (though low profile) career in jazz, this recording marks the first time 52 years young bassist Ray Drummond has recorded as leader of a quartet. 1-2-3-4 is his fourth recording for Arabesque and as such exemplifies the label’s continued documentation of Drummond’s honest, unpretentious musical style. This style is best understood by considering ...


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