Home » Jazz Articles » Album Review » Norman Hedman's Tropique: One Step Closer
Norman Hedman's Tropique: One Step Closer
The Hedman/ Machlav Chan composition “Gypsy Caravan” sets the pace for Latin induced rhythms yet surfaces with a jazzy feel as the talented soprano saxophonist Talib Kibwe creates dreamlike, multi-colored textures through melodic invention. Percussionist Willie Martinez’ “Shades of Magenta”, features the gifted Latin-Jazz pianist Hilton Ruiz who adds dazzle and excitement over a steady cha-cha beat. Here, Talib Kibwe picks up the alto sax and displays star qualities through gorgeous phrasing, effective use of vibrato and an overall sense of warmth and sparkling tonal color. Hedman’s “Flight of the Spirit” is a good vehicle for vibraphonist A.J Mantas to stretch out as this tune evokes memories of the late Cal Tjader. Here, the recurring theme or melody is pleasantly understated.
Hedman and his rhythmic accomplices are on target as the sense of professionalism and intuitive interplay become obvious from the onset. Flutist Andrienne Wilson penned “I Don’t Know” which is cheerful and loaded with melodic choruses that just reach out and grab you. “I Don’t Know You” also features an intense yet lavishly textured piano solo by Glenn Pearson and invigorating alto sax work from Kibwe.
No frills, no jive. Hedman and “Tropique” sidestep convention by efficiently melding cross-cultural rhythmic structures with unruffled elegance and verve, as the compositions are generally memorable and first rate. A breath of fresh air indeed. *** ½
Personnel
Norman Hedman; Percussion, Conga: Willie Martinez; Timbales: Glenn Pearson; Piano: Ron Monroe; Bass: Robert Aron; Piano: A.J. Mantas; Vibes: Talib Kibwe; Alto & Soprano Sax: Craig Rivers; Flute: Adrienne Wilson; Flute: Joe Gonzalez; Bongos & Guirro:
Special Guest: Hilton Ruiz; Piano
Web: [email protected]
Album information
Title: One Step Closer | Year Released: 1999 | Record Label: Arabesque Jazz
About Norman Hedman's Tropique
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






