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Results for "Antonio Carlos Jobim"
Halie Loren: Stages
by Dan Bilawsky
The studio is a safe place for musicians looking to birth an album in a controlled environment, but the stage is the real proving ground for performers. These people make their mark when lights are low, nerves are tested and safety nets are removed. This is where the real deal musicians get separated from the great ...
Chick Corea & Gary Burton: Chick Corea & Gary Burton: Hot House
by Doug Collette
The creative connection upon which vibraphonist Gary Burton ruminates to such length, in his essay for Hot House, is evident from the first instrumental exchanges with longtime collaborator, pianist Chick Corea. Burton and Corea complete each others' thoughts throughout “Can't We Be Friends," sounding as effortless and natural--arguably more so--as the seamless improvisations that earmarked their ...
Trio Da Paz at Dizzy's Club Coca-Cola
by Nick Catalano
Very often writers ignore popular jazz artists and groups on the theory that they have sufficient exposure and don't need further praise. As a result, some of the subtler, finer points of the aesthetics go unnoticed. In addition, popularity and high success can be a curse, bestowing certain problems lesser performers don't have. ...
Riedel / Svensson / Skokic: Perfectly Still
by James Pearse
Swedish Grammy-nominated vocalist Sarah Riedel has quickly established herself as an accomplished performer of lyrical jazz with indie-pop sensibilities. Her jazz roots come from her father, bassist and composer Georg Riedel, who composed for television and accompanied pianist Jan Johansson on Jazz på svenska (Megafon, 1964)--a collection of jazz arrangements of Swedish folk songs. Like her ...
Jazz Middelheim: Antwerp, Belgium, August 16-19, 2012
by Martin Longley
Jazz Middelheim 2012 Park Den Brandt Antwerp Belgium August 16-19, 2012 The Jazz Middelheim festival is a weekender that hasn't relinquished its fondness for adventure over the last four decades. Nuzzling up against stellar bookings are acts, Belgian and otherwise, who seek to jolt the expectations ...
Manner Effect: Abundance
by C. Michael Bailey
Manner Effect knits together the jazz aesthetics of The Bad Plus to Kneebody to pianist Robert Glasper and bassist Esperanza Spalding, while forging its own unique and progressive sound. With music, particularly jazz, so highly atomized, it is a hard market in which to distinguish oneself. This quintet's approach is one of total assimilation and immersion ...
Just Music Trio: Standpoint
by Ian Patterson
Cross-pollination of music is as old as the hills, but the increasing frequency of such experimentation--the result of evermore sophisticated home recording technologies and file sharing--has obliterated the lines of latitude and longitude that traditionally separated musicians living in different countries/continents. This is leading to an ever greater number of sub-genres in all styles of music, ...
Anat Cohen: Claroscuro
by Ernest Barteldes
Reed multi-instrumentalist Anat Cohen seems equally comfortable performing Brazilian jazz with Duduka Da Fonseca's quintet, contemporary jazz with her two brothers in the Three Cohens, or Afro-Cuban and more straight-ahead material with the countless ensembles with which she has worked over the years. Claroscuro reflects Cohen's unique ability to tackle multiple genres with the same dexterity. ...
Duduka Da Fonseca Quintet: Samba Jazz
by Ernest Barteldes
Throughout his four decade-plus career, drummer/percussionist/composer Duduka Da Fonseca has successfully bridged the gap between the samba of his native Brazil and jazz, either when performing as the co-leader of Trio da Paz or as a sideman with the likes of pianist Kenny Barron, guitarist/vocalist Antonio Carlos Jobim and bassist Rufus Reid. On this ...
Veronneau: Jazz Samba Project
by Dan Bilawsky
Musical revisionists often view the outstanding Getz/Gilberto (Verve, 1963) as the point of ignition for the stateside bossa nova explosion of the early '60s, but those in the know are fully aware that Jazz Samba (Verve, 1962) is the album that actually lit the fuse. While saxophonist Stan Getz's classic recordings with Antonio Carlos Jobim, Joao ...
