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Satoko Fujii / Joe Fonda with Natsuki Tamura: Duet
by Karl Ackermann
Two of creative music's most inventive forces come together on Duet. Musical restiveness is at the core of pianist/accordionist and composer Satoko Fujii. With a catalogue three-score deep, she has covered formations from large orchestra to solo where the common denominator is her wide and daring exploration of improvisational spaces. Her adroit aptitude for moving through--and ...
I nuovi percorsi del Polish Jazz
by Angelo Leonardi
Una nuova generazione si fa avanti con determinazione sulla scena del Jazz polacco e molti trovano accoglienza nel catalogo della For-Tune. L'etichetta si propone ambiziosamente di salvare dall'oblio i fenomeni musicali di natura eterna." Non si rivolge esclusivamente al jazz o agli artisti polacchi e il suo catalogo ospita anche lavori di William Parker, Mary Halvorson, ...
Nate Wooley/Hugo Antunes/Jorge Queijo/Mário Costa/Chris Corsano: Purple Patio
by Mark Corroto
If I had to do it all over again, I would not have judged Purple Patio as soon as I dropped the needle onto the LP. Yes, this is a vinyl-only release, and yes, it is only an edition of 300 copies. Instead, I should have listened to both sides all the way through. But that ...
SLM Ensemble: Source
by Eyal Hareuveni
SLM is an acronym for Source Liminal Music as well as a tri-consonantal root of of the Hebrew and Arabic words for peace, shalom and salam. It is also the name of a composition of master double bassist Mark Dresser and composer-conductor Sarah Weaver, written for the Deep Tones for Peace" event in April 2009, a ...
Peter Brötzmann / Heather Leigh: Ears Are Filled With Wonder
by John Sharpe
Iconoclastic German reedman Peter Brötzmann has appeared in almost every conceivable combination and circumstance over the years, from the maelstrom of Last Exit to the austere horn choir of Sonore, via hook ups with almost everyone in between, counting such free jazz luminaries as Cecil Taylor, Anthony Braxton and Evan Parker. However on Ears Are Filled ...
The Inner Spectrum of Variables
by Enrico Bettinello
Ok, proviamoci. Proviamo a parlare di questo disco uscendo dalle convenzioni che di solito si adottano quando ci si pone di fronte a un percorso musicale come quello di Tyshawn Sorey. Sorey non dovrebbe avere bisogno di troppe presentazioni. Oddio, magari in un'Italia del jazz mediamente poco curiosa di quello che sta oltre ...
Generations Quartet: Oliver Lake/Joe Fonda/Michael Jefrys Stevens/Emil Gross: Flow
by Karl Ackermann
As the name would imply, the Generations Quartet spans the ages of its personnel. An off-shoot (of sorts) from the Trio Generations group, it's a semantic difference as saxophone legend Oliver Lake was a guest in the lineup that performed in 2015. From that same tour, we get Flow, a festive exercise of freedom and comradery ...
Miles Davis: In Time, All Changes
by Mark Werlin
Considered the most influential small jazz group of the middle 1960s, the Miles Davis Second Great Quintet" has often been imitated but never equaled. Critical consensus holds that the revival of jazz in the 1980s was inspired by the six albums the Quintet recorded from 1965-1968. But a set of particular cultural and personal dynamics shaped ...
Jean-Brice Godet Quartet: Mujo
by John Sharpe
Young French reedman Jean-Brice Godet enlists a seasoned cast for his debut leadership album, recruited during one of his frequent visits to NYC. Downtown stalwart Michael Attias completes the two horn front line, while bassist Pascal Niggenkemper and drummer Carlo Costa man the engine room. Godet works regularly with celebrated bassist Joelle Leandre, appearing on Can ...
Nate Wooley: Seven Storey Mountain V
by Karl Ackermann
Nate Wooley has a fairly traditional early background having played trumpet in his father's big band as a teenager. His departure from convention was quite radical as he went on to work with the likes of John Zorn, Anthony Braxton, Ken Vandermark and Evan Parker. Wooley is one of an innovative strain of trumpeters who view ...





