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217

Article: Profile

Manfred Eicher: Through the Lens

Read "Manfred Eicher: Through the Lens" reviewed by John Kelman


It begins in silence, always silence. Since the 1990s, all ECM recordings begin with five seconds of silence, and so, too, do directors Norbert Wiedmer and Peter Guyer open their feature film on the heralded German record label and its enigmatic founder, Sounds and Silence: Travels with Manfred Eicher. As longtime ECM recording artist Keith Jarrett's ...

112

Article: Album Review

Dino Saluzzi / Anja Lechner / Felix Saluzzi: Navidad de los Andes

Read "Navidad de los Andes" reviewed by John Kelman


Most musicians work with a wide range of other collaborators over time, but only a precious few become so empathically close as to engender ongoing relationships. It's no surprise that Argentinean bandoneonist Dino Saluzzi has continued to work with his brother, saxophonist/clarinetist Felix, their genetic bond clearly apparent on Dino Saluzzi Group recordings like Juan Condori ...

338

Article: Film Review

Sounds and Silence: Travels with Manfred Eicher

Read "Sounds and Silence: Travels with Manfred Eicher" reviewed by Nenad Georgievski


Norbert Wiedmer and Peter Guyer Sounds and Silence: Travels with Manfred Eicher ECM Records2011 Some people have invented products and concepts that have revolutionized the world. Some have devoted their lives to helping others, while some have conquered mountains and have built business empires. Others have given us ...

281

Article: Album Review

Francois Couturier: Tarkovsky Quartet

Read "Tarkovsky Quartet" reviewed by John Kelman


He may have passed away a quarter century ago, but the spirit of Russian film director Andrey Tarkovsky continues to loom large, and not just in the world of cinema. The connection between film and music has long been an intimate one, dating back to the early silent days, when pianists provided a live (and often ...

266

Article: Album Review

Dino Saluzzi: El Encuentro

Read "El Encuentro" reviewed by Dan McClenaghan


On El Ecuentro, Argentine bandoneon master Dino Saluzzi teams with saxophonist brother Felix Saluzzi and cellist Anja Lechner in a meeting with Holland's Metropole Orchestra. It is Saluzzi's first recorded encounter with an orchestra, and his first ever live recording. More familiar ground for Saluzzi is his work with Lechner, on Ojos Negros (ECM, 2007), and ...

1,054

Article: Live Review

Norwegian Road Trip, Part 6: Molde Jazz, Days 3-4

Read "Norwegian Road Trip, Part 6: Molde Jazz, Days 3-4" reviewed by John Kelman


Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 [Editors Note: From July 6 to July 26, 2010, All About Jazz Managing Editor John Kelman will travel throughout Norway to cover both the Kongsberg Jazz Festival (also participating in Silver City Sounds) and Molde ...

Album

IXXU

Label: ECM Records
Released: 2006
Track listing: 01.-03. Ixxu (1998-2004); 04.-09. My Illness Is The Medicine I Need (2002); 10.-12. Mumien (2001-2002); 13.-16. Cold Farmer (1990)

1

Article: Album Review

Thomas Larcher – Rosamunde Quartett: IXXU

Read "IXXU" reviewed by AAJ Italy Staff


Comporre musica per quartetto d’archi è cosa ardua e faticosa, non tanto perché la letteratura su e per questa formazione è davvero tanta, quanto piuttosto per il fatto che è difficile uscire dagli schemi dei grandi maestri (che inevitabilmente condizionano il comporre e poi anche l'interpretare, facendosi sentire come ingombranti simulacri), e proporre nel panorama contemporaneo ...

Album

Chants, Hymns and Dances

Label: ECM Records
Released: 2004
Track listing: Chant from a Holy Book; Bayaty; Prayer; Duduki; Interlude I; Trois Morceaux Apres Des Hymnes Byzantine: I; II; III; Dance; Chant; Interlude II; Assyrian Women Mourners; Armenian Song; No. 11; Woman's Prayer; Chant from a Holy Book, var. 1

693

Article: Album Review

Anja Lechner/Vassilis Tsaboropoulos: Chants, Hymns and Dances

Read "Chants, Hymns and Dances" reviewed by John Kelman


While it is a lesser-known fact that many great classical compositions stemmed from improvisation, performance of most classical work is much more literal, with interpretation being relegated to more subtle inflection, nuance and manner of phrasing. Rarely does such work not only expect a more active degree of improvisation from the performer, but actually demand it. ...


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