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ARTICLE: LIVE REVIEW

Festival International de Jazz de Montréal 2020

Read "Festival International de Jazz de Montréal  2020" reviewed by Mark Sullivan

2020 Festival International de Jazz de Montréal Various Venues Montréal, Canada June 27-30, 2020 Above all else the Festival International de Jazz de Montréal is a spectacular ten-day event: with around 2 million visitors and 500 concerts on 20 stages, it is ranked as the world's largest jazz ...

ARTICLE: ALBUM REVIEW

The Three Sounds: Groovin' Hard: Live at the Penthouse 1964-1968

Read "Groovin' Hard: Live at the Penthouse 1964-1968" reviewed by Chris M. Slawecki

In the five years spanning 1958 to '62, not only a time of great consolidation and experimentation in jazz but a glorious age for the label, who would you guess was Blue Note Records' best-selling act? Thanks to their nine albums and nearly two dozen more jukebox singles, it was The Three Sounds. Led ...

Groovin’ Hard In Every Style

Read "Groovin’ Hard In Every Style" reviewed by Chris M. Slawecki

Big Mean Sound Machine Runnin' for the Ghost Peace & Rhythm | Blank Slate Records 2017 On Runnin' for the Ghost, Big Mean Sound Machine sounds intent on obliterating every imaginable musical border: the lines between regional or geographic styles, the divide between acoustic and electronic instruments, the ...

ARTICLE: ALBUM REVIEW

The Three Sounds: Groovin' Hard: Live At The Penthouse 1964-1968

Read "Groovin' Hard: Live At The Penthouse 1964-1968" reviewed by Stefano Merighi

Nell'alveo turbolento della musica afroamericana, scorre sottotraccia da più di mezzo secolo la corrente rapida e ridente del soul-jazz--che chiamiamo così solo per comodità -, di cui The Three Sounds sono stati alfieri indefessi per almeno tre lustri, vantando successi popolari da far invidia a colleghi ben più dotati nella sostanza musicale. Esce per ...

ARTICLE: INTERVIEW

Ramsey Lewis: Life is Good

Read "Ramsey Lewis: Life is Good" reviewed by Jacob Blickenstaff

Some jazz aficionados might characterize pianist Ramsey Lewis' music as a gateway into more serious jazz, as if popular Lewis albums like The In Crowd (Verve, 1965) were meant to lead novice listeners to saxophonist Ornette Coleman's The Shape of Jazz to Come(Atlantic, 1959). But Lewis' commercial successes should not be viewed as a liability to ...


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