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The Branford Marsalis Quartet: The Secret Between the Shadow and the Soul
by Mike Jurkovic
It was back in 2012 when the last quartet-only recording Four MFs Playin' Tunes (Marsalis Music) was released. So give more room on the floor to the evil toys dancing their pants off to the pure, wild, free-styling surge of “Dance of the Evil Toys," the killer, lead-off track to the Branford Marsalis Quartet's first full ...
The Branford Marsalis Quartet: The Secret Between the Shadow and the Soul
by Doug Collette
Anyone who's seen the Branford Marsalis Quartet in concert is well aware of what high-flying improvisations the group can embark upon. But the foursome's abandoned approach hardly precludes due emphasis on structure---how better to highlight it than leave it behind?--which is also why this band makes studio albums as trenchant as The Secret Between the Shadow ...
The Branford Marsalis Quartet at Jazz Standard
by Peter Jurew
Branford Marsalis Quartet Jazz Standard New York, NY February 20, 2019 The Branford Marsalis Quartet came into New York's Jazz Standard in late February to showcase The Secret Between The Shadow And The Soul, their first new album release in seven years and, in marking the special occasion, ...
Blue Note's Tone Poet Series
by Patrick Burnette
With CD-quality streaming a reality for those with butch internet and money to burn, and vanilla streaming the reality for almost everyone else, digital music has never seemed less collectable. Why clutter your Marie Kondo-approved home with jewel boxes when much (though heaven knows not all) of the digital catalogue is available on tap? While compact ...
Richard Pellegrin: Down
by Dan McClenaghan
In an All About Jazz review of pianist/bandleader Rich Pellegrin's Episodes IV-V (OA2 Records, 2015), the author states that Pellegrin's style lies “somewhere in the middle of the spectrum between jazz and 21st century classical music." That also holds true with Down, the third quintet offering from the Assistant Professor at Florida State University.
Meeting of the Minds and Sounds: The Clarinet and The Oud
by Doug Collette
The clarinet is hardly as an exotic instrument as the oud, but both instruments have their places in modern jazz and it's always fascinating to hear how each sounds within those contexts they're placed. As a point of comparison, the music on these two releases is at once haunting and comforting, mesmerizing and intoxicating, ultimately luring ...
Ron Carter: Still Searching for the Right Notes
by Rob Garratt
"People from newspapers and magazines always ask me two things," Ron Carter tells a reverent crowd from a stage in suburban Hong Kong. “What was it like playing with Miles Davis? And why am I still doing this?" He answers the latter enquiry by pointing left and right simultaneously at his two diligent sidemen, pianist Donald ...
Big in Japan, Part 2: Osaka & the Eri Yamamoto Connection
by Karl Ackermann
Part 1 | Part 2 In Part 1 of Big in Japan we looked at the early history of jazz music in that country--a history that dates back to the same time frame as the Jazz Age in the United States. The influence of American dance music was indisputable but it came to Japan ...
Troy Dostert's Best Releases of 2018
by Troy Dostert
2018 was a terrific year for imaginative, well-executed recordings that cover the spectrum of instrumental configurations in creative jazz and freely improvised music. From Susana Santos Silva's mesmerizing solo trumpet to Ingrid Laubrock's formidable orchestra (and everything in between), the following choices are a cross-section of some of the best the year had to offer. Something ...
10³²K: The Law of Vibration
by Karl Ackermann
This is where the laws of physics meet the laws of the universe. The imaginative dynamism that marked 10³²K's debut That Which is Planted (Passin' Thru Records, 2014) is taken to another level on their new release The Law of Vibration. The trio of trombonist/trumpeter Frank Lacy, bassist Kevin Ray and percussionist Andrew Drury are joined ...
