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TOTEM>: Voices of Grain
by Glenn Astarita
The trio returns with a vengeance on its second album, where they delve into a boundary-less avant-garde foray, proffering an extension of sorts, to Solar Forge (ESP, 2008). And the musicians hop right into the thick of things on the opener Genosong," where electric guitarist Bruce Eisenbeil saws, slices, and seemingly hacks his way through a ...
TOTEM>: Voices of Grain
by Eyal Hareuveni
It took five years for the New York-based trio ">TOTEM> to release its sophomore album (after Solar Forge ESP, 2008) but the waiting paid off. This leaderless trio--comprised of guitarist Bruce Eisenbeil, double bassist Tom Blancarte and drummer Andrew Drury--is more than the sum of its parts and stronger than ever. The ...
Introducing Polish Trumpeter Tomasz Dabrowski
by Eyal Hareuveni
Polish trumpeter Tomasz Dąbrowski, now based in Denmark, is a rising and promising force in the European scene. He has a strong, instantly recognizable sound and expressive tone. His versatile musical language references the American fiery free jazz, Eastern European and Balkan folk music, the Scandinavian contemplative jazz and contemporary, avant-garde music. Dąbrowski already released eleven ...
Change Of The Century - New Jazz For The 21st, to Present Cutting-Edge Contemporary Jazz Artists Monthly at The Howland Cultural Center in Beacon, NY
Beginning in March and continuing into the summer, the Howland Cultural Center in Beacon, NY will present a monthly series, “Change of the Century – New Jazz for the 21st”, featuring some of the most exciting figures in contemporary music. Organized by local musician, writer and multimedia artist James Keepnews, “Change of the Century” intends to ...
Arts For Art Opens March With Evolving Music
Evolving Music in March from Arts for Art and Vision Festival opens the lion and lamb month and unfolds over the course of four days from March first to the fourth. involving Friday & Saturday nights, a Sunday afternoon family friendly adventure to let the kids do live action drawing and a concluding Monday evening Evolution. ...
Jason Kao Hwang: Burning Bridge
by Glenn Astarita
Featuring the members of his quartet EDGE, violinist Jason Kao Hwang slashes through preconceived perimeters and bridges a cultural gap via his thoroughly modern vision on this concentrated effort, sparking innovation from a 360-degree stance. The complex premise for these intersecting works emanates from the passing of his mother, his Chinese heritage and life's experiences, all ...
Maroney / Ilgenfritz / Niescier / Drury: Mind Games
by Eyal Hareuveni
This quartet blurs the borders between orthodox and unorthodox forms of playing, between cerebral, intriguing music making and playful, harmonic articulations, and between sonic explorations of timbral variations, colors and shades, and organic, fluid textures. All these contradictions are blended into a mysterious kaleidoscope of nuanced details, a musical universe of a unique quartet with a ...
Vision Festival, NYC, Days 6-7: June 16-17, 2012
by John Sharpe
Days 1-2 | Days 3-5 | Days 6-717th Annual Vision FestivalRouletteBrooklyn, NYJune 16-17, 2012 Chapter Index June 16: Steve Swell Quintet / Trio 3 / Jason Kao Hwang Burning Bridge June 17: Ingrid Laubrock's Anti-House / Burnt Sugar Holy Ghost & Fire / Rob Brown/Daniel ...
Jason Kao Hwang / EDGE: Crossroads Unseen
by Troy Collins
Crossroads Unseen is violinist Jason Kao Hwang's third release with his all-star ensemble, EDGE, following Stories Before Within (Innova, 2007) and its 2006 self-titled debut (Asian Improv). Exploring uncharted territory between chamber music, jazz improvisation and traditional East Asian forms, EDGE boasts some of New York City's finest improvisers, including stalwart contrabassist Ken Filiano, rising cornetist ...
Jason Kao Hwang / EDGE: Crossroads Unseen
by Karl Ackermann
Composer/violinist, Jason Kao Hwang has been firmly establishing his credentials in free jazz since his quartet, EDGE, released its self-titled debut (Asian Improv, 2006). His résumé includes work with genre luminaries William Parker, Anthony Braxton, and Henry Threadgill. There are inevitable comparisons to Billy Bang, with whom Hwang has also played, but the two masters typically ...





