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Marvin Sewell: Stepping Up to the Plate
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]Marvin Sewell might be the greatest guitarist you've never heard of. I first met Sewell at a recording session in 1995. (Sewell, saxophonist Gary Thomas, and I improvised over hip-hop tracks for two days; these sessions were edited into what become Thomas' ...
Chris Schlarb: Psychic Temples
by Ian Patterson
Truck driver, husband, father, and law-abiding citizen by day, Chris Schlarb presumably dons a cape at other moments that transforms him, if not quite into the savior of creative music, at the very least into the creator of other-worldly sounds of singular vision and exceptional beauty. Guitarist, composer, and founder of independent record label Sounds Are ...
2013 Montreal Jazz Festival: June 28-July 2, 2013
by John Kelman
Festival International de Jazz de MontréalMontréal, CanadaJune 28-July 7, 2013After taking a year off to curate an All About Jazz Presents: Doing It Norway at Norway's 2012 Kongsberg Jazz Festival, it was great to return to the city that hosts what must surely be the largest jazz festival in the world. Where else ...
Allan Holdsworth: FLATTire: Music For a Non-Existent Movie
by Glenn Astarita
FLATTire was released in 2001 and highlights Allan Holdsworth's use of the MIDI-controller, guitar-like Synthaxe, and is based on a soundtrack for a non-existent movie, marking a period of reflection in the artist's life. However, the album did not receive much attention amid a sparse print run. Here, the guitarist integrates the broad tonal aspects of ...
Allan Holdsworth's "FLATTire: Music for a Non-Existent Movie" on CD & Digital Download
MoonJune Records is once again proud to re-release another classic Allan Holdsworth album, FLATTire. The album is subtitled Music From A Non-Existent Movie, and easily qualifies as one of his most mysterious, yet introspective works. Originally released in 2001, the album had a small print run, received little notice and no fanfare. Comprised predominantly of performances ...
Gilad Hekselman: This Just In
by Mark F. Turner
If Gilad Hekselman's previous releases caused a few ripples then his fourth album, This Just In should make a splash. The Israeli-born, New York-based guitarist has garnered attention as a rising fret-board wizard from the wellspring of notable peers such as Lage Lund and Miles Okazaki; fresh voices with plenty of technique but of equal importance ...
Steven Wilson at Club Soda
by John Kelman
Steven WilsonClub SodaMontreal, Canada April 25, 2013 When currently ex-Porcupine Tree founder/front man last played Montreal in November, 2011--touring in support of his second solo recording, Grace for Drowning (Kscope, 2011)--it was clear by the end of the performance that the next time he came to the Canadian city, the ...
Soft Machine Legacy: Burden of Proof
by Dave Wayne
Over the course of three albums released between 1968 and 1970, the British band Soft Machine transformed from one of the trippiest and mind-bendingly inventive rock bands of the psychedelic era into a raging musical torrent of free jazz, thunderous prog rock, and high- concept minimalist-inspired avant-garde stylings. With the dizzying changes in musical direction came ...
Marbin Releases "Last Chapter of Dreaming"
MARBIN is one of the hardest-working, most promising new bands in all of progressive music: Danny Markovitch saxophones • Dani Rabin guitar • Justyn Lawrence drums • Jae Gentile bass • with special guests Paul Wertico, Steve Rodby, Jamey Haddad • Performed over 450 shows in the last 2-and-a-half years as very few or no other ...
John McLaughlin: Risk, Magic And Mystery
by Ian Patterson
Shortly after completing a successful European tour with the 4th Dimension, guitarist John McLaughlin has some time to put his well-traveled feet up at his home in Monaco and reflect on the evolution of this band, its second CD, Now Here This (Abstract Logix, 2012), and the mysteries of live performance. Yet, just two days before ...
