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11

Article: Album Review

Lakecia Benjamin: Pursuance: The Coltranes

Read "Pursuance: The Coltranes" reviewed by Jerome Wilson


Over the years, there have been many recorded tributes to John Coltrane but saxophonist Lakecia Benjamin takes the concept farther by paying homage to the work of both John and his wife, Alice Coltrane. Benjamin plays their compositions in a wide range of settings with a large cast of musicians, including a couple who actually worked ...

25

Article: Building a Jazz Library

Bob Thiele's Flying Dutchman Records: Ten High Altitude Albums

Read "Bob Thiele's Flying Dutchman Records: Ten High Altitude Albums" reviewed by Chris May


Bob Thiele is best remembered for his years as the artistic director and house producer of Impulse!. He took over from founder producer Creed Taylor in 1961 and stayed with the label until 1969, when he left to run his own Flying Dutchman Records. Thiele's tenure at Impulse! was its most glorious period, when Thiele curated ...

11

Article: Building a Jazz Library

Drummers as Bandleaders: An Alternative Top Ten Albums

Read "Drummers as Bandleaders: An Alternative Top Ten Albums" reviewed by Chris May


Drummers have been key members of every band which has changed the course of jazz history, from Max Roach with Charlie Parker to Elvin Jones with John Coltrane and onwards. Yet drummers have been the leaders of a surprisingly small proportion of landmark bands themselves. Chick Webb in the 1920s was the first of the few. ...

22

Article: Album Review

Gary Bartz & Maisha: Night Dreamer Direct-To-Disc Sessions

Read "Night Dreamer Direct-To-Disc Sessions" reviewed by Chris May


This international spiritual-jazz jam promises much and delivers most of it. On the one hand, Gary Bartz, who is among the movement's American elder statesmen. On the other, Maisha, six young Londoners. The backstory: The wedding planner who brought the parties together is the London DJ and founder of Brownswood Recordings, Gilles Peterson. ...

1

Article: Radio & Podcasts

A Jazz Immuno-Booster: Part 5

Read "A Jazz Immuno-Booster: Part 5" reviewed by Ludovico Granvassu


Back to popular demand! Here's some more musical therapy for these trying times, the fifth installment of this popular mix-tape series, featuring selections by Tim Berne, Theo Bleckmann, Stefano Bollani, Tommaso Cappellato, Taylor Ho Bynum, Dominique Fils-Aimé, Mats Gustaffson, Maya Keren, Brad Mehldau, Aaron Parks, Rosa Brunello and Ben Wendel. Happy listening! Stay safe ...

42

Article: Building a Jazz Library

Hard Bop: An Alternative Top Ten

Read "Hard Bop: An Alternative Top Ten" reviewed by Chris May


Hard bop was the jazz centre of the world from the mid 1950s to the mid 1960s, producing many hundreds of immortal albums. Trying to whittle these down to a definitive Top Ten is fun--but it is a subjective and ultimately impossible exercise. In an attempt to dodge those hurdles, the list which ...

13

Article: Album Review

Chip Wickham: Blue To Red

Read "Blue To Red" reviewed by Bruce Lindsay


It's not always easy to feel uplifted and optimistic these days, when reasons to be downhearted seem to overwhelm the reasons to be cheerful. When an album's title refers to a planet's descent from life-giving blue to the deadness of red (Mars, in this context, but British flautist Chris Wickham fears that Earth may be heading ...

5

Article: Album Review

Chip Wickham: Blue To Red

Read "Blue To Red" reviewed by Chris May


The marketing thrust accompanying Chip Wickham's third album emphasises an affinity between the disc and the late 1960s / early 1970s work of Yusef Lateef and Alice Coltrane. Certainly, Blue To Red ticks two boxes: Wickham puts aside his saxophone to play only flute and alto flute, whose seraphic tones were favoured by Lateef and Coltrane; ...

27

Article: Building a Jazz Library

Strata-East: Seizing the Time

Read "Strata-East: Seizing the Time" reviewed by Chris May


Operating on minimum finance and maximum passion, Brooklyn's Strata-East label was a pivotal platform for the spiritual-jazz movement that emerged during the Civil Rights struggle of the 1970s. Its closest contemporary comparator was Chicago's Association for the Advancement of Creative Musicians. Both were non-profit organisations. The AACM was non-profit by design. With Strata-East, co-founder Charles Tolliver ...

32

Article: Album Review

Roberto Magris: Suite!

Read "Suite!" reviewed by Dan McClenaghan


Italian pianist Roberto Magris began his jazz career in the late 1970s, releasing a handful of excellent albums on Soul Note Records. He picked up steam in his collaboration with Kansas City's JMood Records in 2008 on Kansas City Outbound. As a pianist and a bandleader, Magris seems to have soaked up numerous influences--mid-sixties Blue Note ...


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