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Article: Album Review

Paul Jones Quartet: The Process

Read "The Process" reviewed by Dan Bilawsky


On the surface it can be viewed as somewhat ironic that an album dubbed The Process is actually saxophonist-composer Paul Jones' least process-driven recording. His debut, Short History (Blujazz Productions, 2014), and its brilliant follow up, Clean (Outside In Music, 2017), are, after all, far more focused on procedural formulations and architectural specificity than this quartet ...

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Article: Album Review

Charu Suri: Lollipops for Breakfast

Read "Lollipops for Breakfast" reviewed by Dan McClenaghan


It is a funny word, “lollipop." A melodious roll of the tongue terminated by two percussive “P" sounds separated by one puff of air, ended by another. A musical word, occasionally showing up as an integral part of a song: “Sunshine, Lollipops and Rainbows," Leslie Gore's 1963 pop hit; 1958's “Lollipop" by the Chordettes; 1956's “My ...

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Article: Album Review

Timeless All Stars: At Onkel Po's Carnegie Hall: Hamburg 1982

Read "At Onkel Po's Carnegie Hall: Hamburg 1982" reviewed by Chris May


They were timeless and they were all stars. Bobby Hutcherson, Harold Land, Curtis Fuller, Cedar Walton, Buster Williams and Billy Higgins got together in the early 1980s to play post-hard-bop jazz in the studio and on the US and European performance circuits. The band recorded three fine albums between 1982 and 1986. At Onkel Po's Carnegie ...

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Article: Album Review

Michael Rossetto: Intermodal Blues

Read "Intermodal Blues" reviewed by Friedrich Kunzmann


In search of the roots and the limits of where a banjo comes from and how far the instrument can go, Minneapolis-based Michael Rossetto makes a journey from cinematic soundscapes to traditional western folklore with a jazzy spin to it. On Intermodal Blues Michael Rossetto is joined by upright bassist Chris Bates and drummer ...

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Article: Album Review

Bryan McAllister: Very Stable Genius

Read "Very Stable Genius" reviewed by Paul Naser


In case you haven't been reminded within the last five minutes, Donald Trump is the president of the United States of America. Also, on the inconceivable chance that he has not tweeted or otherwise been at the center of news coverage lately, he is known to misspell words, utter non-truths, and generally polarize the political landscape ...

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Article: Album Review

Carlos Henriquez: Dizzy Con Clave

Read "Dizzy Con Clave" reviewed by Dan Bilawsky


In closing out the liner essay to this savory set recorded live at Dizzy's Club Coca-Cola, bassist Carlos Henriquez succinctly summarizes one of many important points worth noting about the legendary honoree: “Dizzy Gillespie is and always will be the American bridge to Afro-Cuban music," he states. But it need be noted that he doesn't just ...

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Article: Album Review

LEAGUS: Naimaka

Read "Naimaka" reviewed by Mark Sullivan


The Norwegian duo LEAGUS is made up of pianist Herborg Rundberg and guitarist Kristian Svalestad Olstad. The pair's first album Lea Áigi (CAMO, 2016) was entirely played and sung by the two of them. Naimaka finds them joined by two drummers, Wetle Holte and Christer Jørgensen. The music is still based on a free approach featuring ...

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Article: Album Review

Peter Evans / Sam Pluta: Two Live Sets

Read "Two Live Sets" reviewed by Mark Corroto


The most extraordinary music ever presented has elicited the same time-honored “what the f@#k was that?" response. From Elvis (both Presley and Costello) to Grandmaster Flash, Igor Stravinsky, and Charlie Parker, the “shock of the new'" (to borrow a phrase from art critic Robert Hughes) adjusts listeners' criteria for judging a composition or performance, and often ...

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Article: Album Review

Eric Dolphy: Musical Prophet: The Expanded 1963 New York Sessions

Read "Musical Prophet: The Expanded 1963 New York Sessions" reviewed by Mike Jurkovic


2018 was a spectacular year for archival jazz. Just a quick glance at last year's releases includes John Coltrane's Both Directions At Once: The Lost Album (Verve), Coltrane's further adventures on Miles Davis & John Coltrane The Final Tour: The Bootleg Series, Vol. 6 (Legacy), and Erroll Garner's revelatory Nightconcert (Mack Avenue Records) quickly taking its ...

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Article: Album Review

Kenny Carr: Departure

Read "Departure" reviewed by Geannine Reid


Guitarist Kenny Carr attended Berklee College of Music in Boston. In his final year he got the call to audition for Ray Charles. Carr toured worldwide with Charles for ten years and played lead guitar for Charles' recordings Just Between Us (Sony, 1990) and Live at Montreux (Eagle Rock, 1997). Carr has enjoyed a ...


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