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Article: Album Review

The Baba Orchestra: Another Ride on the Elephant Slide

Read "Another Ride on the Elephant Slide" reviewed by Angelo Leonardi

by Angelo Leonardi

La lezione orchestrale della Jazz Composer's Orchestra di Carla Bley e Michael Mantler (e indietro nel tempo di Bob Graettinger) rivive e si rinnova in quest'album magistrale della Baba Orchestra. Un lavoro sorprendente che non è possibile trascurare anche se ci giunge in ritardo. Leader del progetto è la giovane violinista e compositrice ...

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Article: Album Review

Teodross Avery: After the Rain: A Night for Coltrane

Read "After the Rain: A Night for Coltrane" reviewed by Jakob Baekgaard

by Jakob Baekgaard

All modern saxophonists worth their salt relate to John Coltrane in one way or another. Coltrane pushed boundaries and showed new paths in music and never stopped searching. Fortunately, new generations have been ready to take over and pick up on the lessons Coltrane taught. One of them is saxophonist Dr. Teodross Avery. ...

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Article: Album Review

Charles Rumback: Cadillac Turns

Read "Cadillac Turns" reviewed by Troy Dostert

by Troy Dostert

Drummer Charles Rumback has cultivated his melodically-informed sensibility on a number of fine records. His 2017 release, Threes (ears&eyes) is a case in point, with plenty of vigor but softened with just the right amount of sentiment. The album at hand, Cadillac Turns, is much the same, although now in a quartet format with James Singleton ...

9

Article: Album Review

A Pride Of Lions: A Pride Of Lions

Read "A Pride Of Lions" reviewed by John Sharpe

by John Sharpe

Beneath the banner A Pride Of Lions, three American and two French musicians join forces for a cohesive off-the-wall encounter. The outfit merits a name as it's not a one-off. This live recording was culled from a ten-date tour in early 2016, under the auspices of The Bridge, which allowed them to build trust and understanding. ...

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Article: Album Review

Be-Bop Deluxe: Sunburst Finish

Read "Sunburst Finish" reviewed by Glenn Astarita

by Glenn Astarita

This is 1976 issued gem by the British band led by guitar virtuoso Bill Nelson, projects artsy, erotic and radiant cover art that was ahead of its time, but then again, this ensemble seamlessly merged progressive rock, straight-ahead rock, blues, reggae and fabricated pop music with a college education. This newly re-mastered and expanded 2-CD edition ...

4

Article: Album Review

Patrick Cornelius: This Should Be Fun

Read "This Should Be Fun" reviewed by David A. Orthmann

by David A. Orthmann

This Should Be Fun occupies middle ground between the various modes of experimentation that infuse present-day jazz, and a fealty to traditional practices. Alto saxophonist Patrick Cornelius and an exceptional band of peers haven't completely abandoned twentieth century jazz orthodoxy, yet their work doesn't flaunt or reference specific, easily recognizable influences. If you're looking for song ...

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Article: Album Review

Federico Ughi: Transoceanico

Read "Transoceanico" reviewed by Patrick Burnette

by Patrick Burnette

Dozens of jazz albums modeled on trumpeter Miles Davis's Miles Smiles (Columbia, 1966) or saxophonist John Coltrane's Crescent (Impulse!, 1964) get released each year, but a record reminiscent of Albert Ayler's Spiritual Unity (ESP-Disc, 1964) is less common. Drummer Federico Ughi's Transoceanico nods vigorously in Ayler's direction, even as it marks Ughi's twentieth anniversary as a ...

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Article: Album Review

Pete Seeger: Pete Seeger: The Smithsonian Folkways Collection

Read "Pete Seeger: The Smithsonian Folkways Collection" reviewed by Jakob Baekgaard

by Jakob Baekgaard

It is no coincidence that folk singer, songwriter and social activist Pete Seeger (1919-2014) turns up as one of the important voices on the recently released Smithsonian Folkways box set The Social Power of Music (Smithsonian Folkways, 2019). Seeger, one of the towering figures of American folk music, believed in songs as tools that could transform ...

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Article: Album Review

King Crimson: Live in Newcastle, December 8, 1972

Read "Live in Newcastle, December 8, 1972" reviewed by John Kelman

by John Kelman

"Never say never," or so the old adage goes. When it comes to music, there are two more that should be added: “farewell tour" and, most certainly as it relates to King Crimson's Live in Newcastle, December 8, 1972, “the complete recordings." This, the 48th in the veteran group's King Crimson Collector's Club series of archival ...

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Article: Album Review

Howard University Jazz Ensemble: HUJE 2018

Read "HUJE 2018" reviewed by Jack Bowers

by Jack Bowers

One sure sign of spring is the arrival of the latest yearly recording by the superb Howard University Jazz Ensemble, a tradition that dates without pause from the days of vinyl in 1976, one year after the ensemble was formed by its first and only music director, Fred Irby III. For archivists and numbers-crunchers, that's forty-four ...


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