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The Baba Orchestra: Another Ride on the Elephant Slide
by Angelo Leonardi
La lezione orchestrale della Jazz Composer's Orchestra di Carla Bley e Michael Mantler (e indietro nel tempo di Bob Graettinger) rivive e si rinnova in quest'album magistrale della Baba Orchestra. Un lavoro sorprendente che non è possibile trascurare anche se ci giunge in ritardo. Leader del progetto è la giovane violinista e compositrice ...
Teodross Avery: After the Rain: A Night for Coltrane
by Jakob Baekgaard
All modern saxophonists worth their salt relate to John Coltrane in one way or another. Coltrane pushed boundaries and showed new paths in music and never stopped searching. Fortunately, new generations have been ready to take over and pick up on the lessons Coltrane taught. One of them is saxophonist Dr. Teodross Avery. ...
Charles Rumback: Cadillac Turns
by Troy Dostert
Drummer Charles Rumback has cultivated his melodically-informed sensibility on a number of fine records. His 2017 release, Threes (ears&eyes) is a case in point, with plenty of vigor but softened with just the right amount of sentiment. The album at hand, Cadillac Turns, is much the same, although now in a quartet format with James Singleton ...
A Pride Of Lions: A Pride Of Lions
by John Sharpe
Beneath the banner A Pride Of Lions, three American and two French musicians join forces for a cohesive off-the-wall encounter. The outfit merits a name as it's not a one-off. This live recording was culled from a ten-date tour in early 2016, under the auspices of The Bridge, which allowed them to build trust and understanding. ...
Be-Bop Deluxe: Sunburst Finish
by Glenn Astarita
This is 1976 issued gem by the British band led by guitar virtuoso Bill Nelson, projects artsy, erotic and radiant cover art that was ahead of its time, but then again, this ensemble seamlessly merged progressive rock, straight-ahead rock, blues, reggae and fabricated pop music with a college education. This newly re-mastered and expanded 2-CD edition ...
Patrick Cornelius: This Should Be Fun
by David A. Orthmann
This Should Be Fun occupies middle ground between the various modes of experimentation that infuse present-day jazz, and a fealty to traditional practices. Alto saxophonist Patrick Cornelius and an exceptional band of peers haven't completely abandoned twentieth century jazz orthodoxy, yet their work doesn't flaunt or reference specific, easily recognizable influences. If you're looking for song ...
Federico Ughi: Transoceanico
by Patrick Burnette
Dozens of jazz albums modeled on trumpeter Miles Davis's Miles Smiles (Columbia, 1966) or saxophonist John Coltrane's Crescent (Impulse!, 1964) get released each year, but a record reminiscent of Albert Ayler's Spiritual Unity (ESP-Disc, 1964) is less common. Drummer Federico Ughi's Transoceanico nods vigorously in Ayler's direction, even as it marks Ughi's twentieth anniversary as a ...
Pete Seeger: Pete Seeger: The Smithsonian Folkways Collection
by Jakob Baekgaard
It is no coincidence that folk singer, songwriter and social activist Pete Seeger (1919-2014) turns up as one of the important voices on the recently released Smithsonian Folkways box set The Social Power of Music (Smithsonian Folkways, 2019). Seeger, one of the towering figures of American folk music, believed in songs as tools that could transform ...
King Crimson: Live in Newcastle, December 8, 1972
by John Kelman
"Never say never," or so the old adage goes. When it comes to music, there are two more that should be added: farewell tour" and, most certainly as it relates to King Crimson's Live in Newcastle, December 8, 1972, the complete recordings." This, the 48th in the veteran group's King Crimson Collector's Club series of archival ...
Howard University Jazz Ensemble: HUJE 2018
by Jack Bowers
One sure sign of spring is the arrival of the latest yearly recording by the superb Howard University Jazz Ensemble, a tradition that dates without pause from the days of vinyl in 1976, one year after the ensemble was formed by its first and only music director, Fred Irby III. For archivists and numbers-crunchers, that's forty-four ...


