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Mark Dresser: Ain't Nothing But a Cyber Coup & You
by Dan McClenaghan
Bassist Mark Dresser played on saxophonist Joe Lovano's Flights Of Fancy: Trio Fascination, Edition 2 (Blue Note, 2001), and he sat in with soprano saxophonist Jane Ira Bloom on her Like Silver, Like Song (Artist Share, 2005) and Chasing Paint (Arabesque, 2002); and he and drummer Jim Black filled in as trio mates on pianist Satoko ...
Soundscape Orchestra: Nexus
by Jakob Baekgaard
The big city is a place of wonder and estrangement. It has its own pulse and sound. Individuals disappear into crowds, and yet the city is also the scene of individual freedom, a potential theatre of endless roles and masks which are carried with conviction as people move through a technological landscape that seems to change ...
Marco Colonna: The Second Coming
by Daniel Barbiero
In improvised music no less than in composed classical music, the period from the 1950s forward has seen the invention and development of new and expansive instrumental techniques. Along with the expansion of technical resources has come a corresponding evolution of musical poetics grounded in the idea that performance techniques and gestures, when engaged with a ...
Frame Trio: Luminária
by John Sharpe
With freely improvised music, you have to trust that the performers will take you somewhere you want to go and that the journey itself will be as worthwhile as the destination, if not more so. Those expectations are more than met by the Frame Trio on Luminária, the first album by the collective of trumpeter Luís ...
Moppa Elliott: Jazz Band/Rock Band/Dance Band
by Jerome Wilson
Bassist Moppa Elliott is best known as the leader of the surrealistic jazz group, Mostly Other People Do The Killing, but his musical universe, encompassing work with symphony orchestras and new music ensembles, stretches much farther than that band's frantic music. This is reflected in this 2 CD set of Elliott leading three different types of ...
Paul Bley / Gary Peacock / Paul Motian: When Will The Blues Leave
by Karl Ackermann
Had Paul Bley, Gary Peacock and Paul Motian recorded together more consistently, they would have been considered among the best piano trios in modern jazz history. The three first recorded on the ECM collection Paul Bley with Gary Peacock (1970), a compilation from the 1960s where three of the eight tracks had Billy Elgart on drums. ...
Domas Žeromskas: Infinite Itinerant
by Geno Thackara
A title like Infinite Itinerant may seem like a premature (or even pretentious) statement coming from a player in his late teens, but Domas Žeromskas' sparkling debut shows that he's got enough ambition to back it up. The young leader's piano work smartly builds on past decades of swing and bop alongside contemporary hipness, and the ...
Nicoló Ricci: Pulcino
by Nicholas F. Mondello
With Pulcino saxophonist Nicoló Ricci bravely sets off on a musical excursion with only bassist Giuseppe Romagnoli and drummer Andreu Pitarch along for the adventure. The result is a fascinating portrait of an artist and players willing to forego the keyboard's harmonic support and cast improvisational fate to their own superior creativity. The ...
Judy Wexler: Crowded Heart
by Dan Bilawsky
For her fifth album, Judy Wexler has embraced a concept that's oddly foreign in the jazz vocal realm. Instead of walking her way down the all-too-familiar avenues for singersclassic Broadway-cum-jazz material, canonical works written by revered jazz figures, pop tunes reshaped with harmonic facelifts, self-penned originalsshe takes the road less traveled by focusing on the work ...
David Janeway: Hastings Jazz Collective/Shadow Dances
by Dan McClenaghan
Sail twenty miles up the Hudson River from New York City and you find Hastings-On-The-Hudson, a vibrant artists' colony situated on the river's shore. Among the town's artists you'll find jazz pianist David Janeway, a New York City transplant via Detroit, Michigan. The Hastings Jazz Collective is Janeway's brainchild. He presents the all-star group's debut with ...


