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Article: Album Review

A Spirale & Chris Cogburn: Autocannibalism

Read "Autocannibalism" reviewed by John Eyles


The Italian duo A Spirale, comprising electric guitarist Maurizio Argenziano and saxophonist Mario Gabola, was formed in 2002 when it also included drummer Massimo Spezzaferro; the trio version appeared on the ten-disc compilation Musica Improvvisa (die Schactel, 2010). Since then, Spezzaferro has not recorded with A Spirale, and the duo has collaborated with guest players. Autocannibilism ...

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Article: Album Review

Nerija: Blume

Read "Blume" reviewed by Chris May


Nérija is a collective comprising seven of the brightest stars on London's alternative jazz scene—alto saxophonist Cassie Kinoshi and tenor saxophonist Nubya Garcia, trumpeter Sheila Maurice-Grey, trombonist Rosie Turton, guitarist Shirley Tetteh, bassist Rio Kai and drummer Lizy Exell. All are bandleaders in their own right. You would expect such a line-up to deliver the goods ...

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Article: Album Review

Simon Lasky Group: About The Moment

Read "About The Moment" reviewed by Geno Thackara


Which moment could this title be referring to? There's no shortage of beautifully striking ones scattered throughout the Simon Lasky Group's second outing: dynamic lifts and swells, chord changes that step through sophisticated sequences as smoothly as descending stairs, little heads or melody lines that pack a special hit because they're placed at just the right ...

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Article: Album Review

Ståhls trio: Källtorp Sessions, Volume One

Read "Källtorp Sessions, Volume One" reviewed by Mark Corroto


In a more perfect world, jazz would be found on jukeboxes. Better still, how about adventurist jazz on jukeboxes? Mattias Ståhl's trio brings this thought to mind. His Källtorp Sessions, Volume One is comprised of nine tracks averaging 3¾ minutes, perfect for those 45 rpm singles. The Stähls Trio of Mattias Ståhl (vibraphone), Joe ...

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Article: Album Review

Gregg Belisle-Chi: Book of Hours

Read "Book of Hours" reviewed by Friedrich Kunzmann


"If it is art, it is not for all, and if it is for all, it is not art." This opinion, from Arnold Schönberg, comes to mind when confronted with the first couple of minutes of New York-based guitarist Gregg Belisle-Chi's third outing as a leader. Structure and tonality are absent from the get-go. The careful ...

Article: Album Review

Satoko Fujii, Joe Fonda: Mizu

Read "Mizu" reviewed by Neri Pollastri


Nel 2017 la Long Song Records aveva avuto modo di pubblicare un disco in duo della prolifica pianista giapponese Satoko Fujii con il contrabbassista statunitense Joe Fonda, Duet. Lo stesso anno e il successivo i due musicisti hanno attraversato l'Europa in tour, registrando assieme a Gianni Mimmo l'ottimo Triad, pubblicato dalla medesima etichetta italiana, che adesso ...

Article: Album Review

Jason Palmer: Rhyme And Reason

Read "Rhyme And Reason" reviewed by Angelo Leonardi


Trombettista rigoroso e dalla tecnica scintillante, tra i migliori della sua generazione, Jason Palmer non gode della popolarità che merita. Una causa può essere la collocazione appartata di insegnante al Berklee College of Music e al New England Conservatory. Nello stile ricorda Clifford Brown, che ha rappresentato la sua massima influenza formativa, e ...

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Article: Album Review

Jon Batiste: Anatomy of Angels

Read "Anatomy of Angels" reviewed by Chris May


As the bandleader and musical director on CBS TV's The Late Show with Stephen Colbert, pianist Jon Batiste will be known to many AAJ readers in the US. Here on the other side of the pond his name rings fewer bells. So before discussing Batiste's piano trio + octet album Anatomy of Angels, some background for ...

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Article: Album Review

Mark Alban Lotz: The Wroclaw Sessions

Read "The Wroclaw Sessions" reviewed by Don Phipps


Mark Alban Lotz has infused his album The Wroclaw Sessions with a collection of standards, classics and four originals (three of which he co-wrote) that explore a wide range of musical styles. Aided by bassist Grzegorz Piasecki and drummer Wojciech Buliński, Lotz easily makes transitions over a diverse musical terrain, which includes numbers such as Sam ...

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Article: Album Review

Horace Tapscott with the Pan Afrikan Peoples Arkestra and the Great Voice of UGMAA: Why Don't You Listen? - Live at LACMA, 1998

Read "Why Don't You Listen? - Live at LACMA, 1998" reviewed by Mark Corroto


In every decade since the 1960s, dedicated listeners have called for the world to get hip to the music of Horace Tapscott. In 1963 he formed the Pan-Afrikan Peoples Arkestra in Los Angeles. Like Chicago's Association For The Advancement Of Creative Musicians (AACM) and St. Louis' Black Artists Group (BAG), Tapscott's collective was formed to serve ...


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