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Alister Spence / Satoko Fujii: Intelsat
by Neri Pollastri
Registrato dal vivo in Giappone, al jazzclub dal quale prende il nome, Intelsat è il nono dei dodici album usciti nel 2018 per festeggiare i sessant'anni di Satoko Fujii. La pianista è all'opera in duo con Alister Spence, pianista e tastierista elettrico con il quale collabora attivamente da oltre dieci anni e che qui è impegnato ...
Leslie Pintchik: You Eat My Food, You Drink My Wine, You Steal My Girl!
by Angelo Leonardi
Anche in quest'album la sensibile pianista e compositrice di New York, ripropone l'organico degli ultimi due dischi con l'aggiunta del fisarmonicista Shoko Nagai. E nuovamente si rinnova la fragranza delle sue composizioni, dove la tensione jazzistica si alimenta di suggestioni latine o lascia spazio a intime melodie. Dopo essersi esibita professionalmente per un ventennio ...
Pureum Jin: The Real Blue
by Jack Bowers
Although alto saxophonist Pureum Jin would no doubt shrug her shoulders and ask “what's the big deal," the fact remains that she is a South Korean woman playing American jazz and doing so in a way that affirms conclusively that the country's inbred art form is not only universal but gender-neutral. On her debut album, the ...
Dan McCarthy: City Abstract
by Dan Bilawsky
The concept of homecoming is inextricably linked to the music that Dan McCarthy presents on City Abstract. Recorded in May of 2019, shortly after he had returned to his native Toronto after fifteen years in New York, this date finds the vibraphonist bowing to two of his biggest influences: pianist Carla Bley and vibraphonist Gary Burton. ...
Hiromi: Spectrum
by Mike Jurkovic
A beacon for jazz to come, since her adrenaline-pumped debut Another Mind (Telarc, 2003), pianist-composer Hiromi Uehara launches herself into her fourth decade with Spectrum, her second album alone at her Yamaha. The music, she hopes, celebrates the closing of one decade and the opening of the next and, without pause, it does, brimming ...
Calvin Weston and The Phoenix Orchestra: Dust and Ash
by Claudio Bonomi
Calvin Weston, classe 1959, è un veterano della scena jazz-funk americana. Batterista nato, si racconta che ha cominciato a tambureggiare in tenerissima età, ha messo il suo talento al servizio di innumerevoli celebrità. A soli 17 anni, si unisce all'Ornette Coleman Prime Time Band e dove aver registrato ben quattro album con la ...
Dave Holland, Zakir Hussain, Chris Potter: Good Hope
by Emmanuel Di Tommaso
Un frammento di mare aperto increspato dalle correnti e attraversato, al centro, da una successione di lettere che compongono il titolo del disco, Good Hope, e i nomi dei suoi autori: Dave Holland, Zakir Hussain e Chris Potter, membri componenti del Crosscurrents Trio. Fin dall'immagine di copertina, il disco esprime un senso di libertà selvaggia, di ...
Keith Jarrett: Munich 2016
by Karl Ackermann
The second coming of Keith Jarrett—post-Chronic Fatigue Syndrome—was well behind him by the time he performed in Munich, Germany in 2016. The piano prodigy is captured in ECM's home town at a Philharmonic Hall solo concert at the end of his European tour. His improvisational skills in top form, he displays his genius across twelve extemporaneous ...
Per Mathisen: Sounds of 3 Edition 2
by Geno Thackara
The power of three indeed proved to be a magic charm for Per Mathisen on the first Sounds of 3 (Losen, 2016), so it's probably only natural that he'd revisit the format sooner or later. What's more of a surprise, perhaps, is how things change. Where that recording was a loud and brash slice of jazz-rock, ...
lisa liu: Introducing...Lisa Liu
by Daniel Lehner
Lisa Liu's Introducing...“ is a great example of one of the subtly exciting things about “vintage" styles: that, no matter how observant, studious and sometimes even intentionally conservative the endeavor can be, human nature ends up evolving them anyway. Liu's general genre is called many things--trad jazz, gypsy jazz, et. al.—but the album is not merely ...
