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Jill McCarron Trio with Will Anderson: Jazz Motif
by Jack Bowers
Pianist Jill McCarron's latest recording, Jazz Motif, gets off to a flying start with Will Anderson's irrepressible alto saxophone setting the pace on a fiery rendition of “All God's Chillun Got Rhythm" and his radiant flute showcased on John Lewis' groovy “Concorde." Alas, Anderson isn't heard again until Tracks 7 (Clare Fischer's “Ontem a Noite") and ...
Robert Castelli: Party at One World Plaza
by Chris M. Slawecki
Third-generation drummer Robert Castelli demonstrates the different aspects of great jazz drumming as he leads his live ensemble through his own compositions in this energetic, bouncy and thoroughly lively Party at One World Plaza. A New York State native based in Barcelona (after living for several years in Austria), Castelli throws this collective BOOM ...
Unscientific Italians: Play The Music Of Bill Frisell Vol. 1
by Ian Patterson
Few would argue against Bill Frisell's status as one of the most singular and influential guitarists/composers since around 1980. And yet, the Baltimore-born musician remains something of an enigma: easy to admire but a tad more difficult to pin down. Instantly recognizable from just a handful of notes, Frisell is, at the same time, a musical ...
Franco Ambrosetti: Lost Within You
by Chris M. Slawecki
Lost Within You is a masterpiece of smoldering passion and beauty ignited by the exquisite trumpet and flugelhorn melodies of Franco Ambrosetti. Ambrosetti assembled an enviable ensemble: bassist Scott Colley and drummer Jack DeJohnette in the rhythm section, plus guitarist John Scofield, and Renee Rosnes and Uri Caine switching turns as pianist. But the ...
Will Lyle: L.A. Source Codes
by Kyle Simpler
For computer programmers, a source code is a piece of computer language, which they are able to read and transfer and put to use in a practical way. With his debut album, L.A. Source Codes, bassist Will Lyle makes a connection between this concept and jazz. As with computer programming, jazz has its own language, and ...
Albare: Plays Jobim Vol. 2
by Chris M. Slawecki
"I was 14 when I first heard the music of Tom Jobim," recalls Albare, nom de guerre of guitarist Albert Dadon. “I already had six years of guitar learning under my belt. When I first heard those bossa chords, my ears were opened in a whole new way. A musical seed was planted in my brain ...
Young Pilgrims: We're Young Pilgrims
by Gareth Thompson
Based in Birmingham, England, the record company Stoney Lane is named after a street where soccer team West Bromwich Albion once played. Thus, each of the label's releases is numbered with a glory year from the club's past, whether a promotion or a cup win. However, so often have West Brom yo-yoed between England's top leagues ...
Doug MacDonald: Live in Hawaii
by Jack Bowers
Here is a guitar-led quartet with a couple of fresh angles. First, instead of using a piano, guitarist Doug MacDonald has enlisted vibraphonist Noel Okimoto to provide the harmonic counterpoint; and second, Philadelphia-born MacDonald has temporarily forsaken his decades-long base in Southern California to return “home" to Hawaii, where he began his professional career performing with ...
Kristin Callahan: Lost in a Dream
by C. Michael Bailey
The body of compositions known as “jazz standards" has proved to be as durable as it is long lived. These musical pieces, partially provided by the “Great American Songbook" and partially by composing jazz practitioners, have afforded artists a veritable bottomless pit of material with which to apply their own unique vision. One-hundred-plus years of recording ...
Tobias Meinhart: The Painter
by Friedrich Kunzmann
During the past decade of working the jazz clubs of New York, German tenor saxophonist Tobias Meinhart has soaked up every inch of the musical tradition he started pursuing as a drummer in Bavaria in his early teens. A keen ear for melodic development, a gift for harmonic oversight and the whims for rhythmic intricacy already ...
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