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Francesco Amenta: Midtown Walk
by Edward Blanco
Italian-born, New York-based tenor saxophonist Francesco Amenta presents his American debut recording Midtown Walk, his second project as leader, offering seven original compositions and a cover tune ("Come Sunday") from Duke Ellington whose music he admires. Now an international recording artist, Amenta paid his dues performing in Italy and attended the Royal Conservatory in The Hague, ...
Jonatan Piña Duluc: Soundtrack Vol. I, Secuencia
by Chris M. Slawecki
Multi-instrumentalist Jonatan Piña Duluc seems to rarely stand still—or even move in one single direction— in his Dominican Republic homeland, where he leads an Afro-Dominican jazz quartet and a hard rock band, and solo projects such as Soundtrack Vol. I -Secuencia, his third independent (completely) solo release. On one hand, Piña Duluc has already ...
Hendrik Lasure, Manolo Cabras, Mathieu Calleja: Orange Moon
by Neri Pollastri
Formazione paritetica nata in Belgio, Orange Moon unisce l'esperienza del contrabbassista italiano Manolo Cabras e del batterista francese Mathieu Calleja con la freschezza del giovanissimo pianista belga Hendrik Lasure, inoltrandosi con libertà nell'esplorazione del piano trio. Il lavoro, poco più di quaranta minuti, si compone di undici brani, composti due a testa (uno in ...
Ike Sturm - Jesse Lewis: Alive in the Wilderness
by Angelo Leonardi
Sono trascorsi più di 50 anni da quando Paul Horn pubblicò Inside the Taj Mahal registrando sotto la cupola del famoso tempio indiano. All'alba degli anni settanta nacquero di Oregon e nella metà di quel decennio William Ackerman fondò a Palo Alto l'etichetta Windham Hill, dando vita a un filone che avrà molte diramazioni e un'infinità ...
Who Do You Think We Are?
by John Kelman
Trying to find a distinct definition of what has come to be known as “The Canterbury Sound" is as elusive as attempting to describe what, in the jazz world, has become an overused epithet for the German ECM Records label and “The ECM Sound." Attempts to do so usually fail short because, rather than being actual ...
Rodney Jordan and Christian Fabian: Conversations
by Jim Worsley
An endorsement from Ron Carter is worthy of attention. Two upright bassists playing duets for sure gets your attention, if only for such a rarity. Then there are the twelve songs that grasp your attention. Bassists Rodney Jordan and Christian Fabian join forces for Conversations that have much to say and are spoken eloquently with vocabularies ...
Antonio Adolfo: Jobim Forever
by Richard J Salvucci
Really, is there anyone who does not like Antonio Carlos Jobim (Tom)? Antonio Adolfo, the pianist, arranger, and producer behind this wonderful recording, seems to have lived in a parallel universe to many of us. He says, and it rings true, at the age of twelve, Jobim's music was “love at first sight" in Brazil. Well, ...
Deelee Dube: Trying Times
by Chris M. Slawecki
Five years ago, the annual Sarah Vaughan International Vocal Competition named Deelee Dubé its first British winner and (2016) Sassy Award recipient, landing Dubé a spot at the Montreal International Jazz Festival and recording contract for this Concord Records debut. Trying Times marks a major label debut, but Deelee Dubé is no artistic novice. ...
Mark Kavuma & The Banger Factory: Arashi No Oto
by Chris May
London-based trumpeter and composer Mark Kavuma was last seen in this parish in July 2019. At the start of that month, Kavuma released his second album with his nonet, The Banger Factory. A couple of weeks later, he led a quintet on the floor of the Barbican Art Gallery, performing Thelonious Monk's Brilliant Corners (Riverside, 1956) ...
Beverley Beirne: Dream Dancer
by Richard J Salvucci
Beverley Beirne may not be a familiar name to many American readers. Maybe she should be. While some jazz writers have labelled her a “rising star," the Yorkshire, UK, singer has been around for a decade. Her first recording was entitled, promisingly enough, Jazz Just Wants to Have Fun (Self Produced, 2018). Sometimes ...
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