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Carn Davidson 9: The History of Us
by Jack Bowers
From north of the U.S. border comes The History of Us, a warm-hearted album by the Carn Davidson 9, a Toronto-based nonet co-led by trombonist William Carn and saxophonist Tara Davidson. The album consists of a pair of three-part suites, one by Carn, the other by Davidson, separated by Carn's amiable composition, “Goodbye Old Friend," a ...
John Russell / John Butcher / Dominic Lash: But Everything Now Left Before It Arrived
by John Eyles
Released towards the end of 2021, the year of guitarist John Russell's death, this recording dates from December 2010, a time before Russell was seriously ill and needed heart surgery. As such, this recording is very welcome as it recalls happier times. The album's five tracks, totalling about forty-one minutes, were recorded at the Glasgow Improvisers ...
Brad Felt: The Dana Sessions
by Kyle Simpler
Although jazz music continuously evolves, many of its performers stick to a fairly traditional set of instruments. There are plenty of recordings featuring saxophones, trumpets, pianos, or guitars, but how often do you see a jazz record featuring a euphonium? Brad Felt's The Dana Sessions: Duets With John Dana, showcases the possibilities of this often overlooked ...
Adam Fairhall / Johnny Hunter: Winifred Atwell Revisited
by Chris May
Winifred Atwell was a gifted pianist, born in Trinidad, who came to Britain to study classical music at the Royal Academy of Music in 1946. By the early 1950s, a combination of talent and a husband who knew his way around British popular entertainment had established Atwell as a bill-topping theatrical and recording star.
Eric Goletz: A New Light
by Jack Bowers
Trombonist Eric Goletz, an in-demand studio musician and sideman in New York City for three decades, released his first album as leader of his own ensemble in March 2021, and quickly followed with the second, A New Light, wherein his core octet is bolstered by three trumpets, half a dozen horns and a five-member string section. ...
Collin Sherman: Suitable Benchmarks of Reform
by Dan McClenaghan
Multi-reedist Colin Sherman's thirteenth album, Suitable Benchmarks Of Reform, was made from the same template from which his previous twelve releases came into being—recording alone in his New York City apartment, recording the individual parts then layering each onto the next to make an ensemble sound. This, in the time of the arrival of the Covid ...
Skúli Sverrisson With Bill Frisell: Strata
by Ian Patterson
A meeting of minds, of hearts and of souls. Strata may be the first recording of the duo of Icelandic bassist Skuli Sverrisson and guitarist Bill Frisell, but so attuned are the musicians to each other's wavelengths, and so spellbinding their common language, that you could be forgiven for thinking they had played in this format ...
Georg Riedel: Dance Music: Georg Riedel Meets Ekdahl/Bagge Big Band
by Jack Bowers
Czech-born, Swedish-bred bassist Georg Riedel, best known as a composer of ten or more film scores, returns to his first love, big-band jazz, to conduct an evening of Dance Music with Sweden's world-class Ekdahl/Bagge Big Band, recorded in June 2019 at Fasching Jazz Club in Stockholm. Before arriving at “Dance Music," the hour-long ...
Earl MacDonald: Consecrated
by Dan Bilawsky
The searching spirit that drives the work of composer and pianist Earl MacDonald is both a reflection on musical curiosity and, to a deeper extent, a statement of faith. Bringing both of those identity-shaping aspects to the fore like never before, MacDonald uses Consecrated to work toward a higher purpose. Reshaping and resetting a series of ...
Pat Bianchi: Something to Say: The Music of Stevie Wonder
by Jack Bowers
When considering pop artists whose music might readily lend itself to a jazz milieu, Stevie Wonder's name isn't one that springs readily to mind. Organist Pat Bianchi, however, felt that Wonder had Something to Say in a jazz context, so he set about canvassing Wonder's art and reimagining it in terms of an organ trio, accentuating ...
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