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The Nu Band: In Memory of Mark Whitecage: The Nu Band Live At The Bopshop
by Mike Jurkovic
The fearless improvised legacy of veteran, free bop sax man Mark Whitecage may not hold a prominent place in the immediate lexicon of upstarts and legends, but the man could blow his horn. Whitecage could dice and slice a piece of music, solemn or otherwise, to shreds with his sharp metallic, testosterone tone then reassemble it ...
Bob James Trio: Feel Like Making Live!
by Dan McClenaghan
Bob James--keyboardist, pianist, composer and arranger--opens Feel Like Making Live! with his original tune, Angela (Theme From 'Taxi')." Everyone has heard it--that is what exposure from a popular television show can do. That series ran from 1978 to 1983. Taxi music, along with his albums on Creed Taylor's CTI Records during this time, in addition to ...
Sylvie Courvoisier / Mary Halvorson: Searching for the Disappeared Hour
by Jerome Wilson
Here pianist Sylvie Courvoisier and guitarist Mary Halvorson come together for the second time on record in a set of amorphous, ever-changing music that combines their two distinctive approaches into something unique. The musicians' individual sounds are very complimentary as Halvorson's strums and swoops interlock tightly with Courvoisier's precise notes. Together they show a ...
Pete Malinverni: On the Town: Pete Malinverni Plays Leonard Bernstein
by Pierre Giroux
The presumptive title of this release is On The Town, but in reality it covers more than just the music from that titled 1944 Leonard Bernstein Broadway musical. The ever thoughtful and vivid pianist Pete Malinverni along with his savvy and accomplished companions bassist Ugonna Okegwo and drummer Jeff Hamilton have made this release an oeuvre ...
Nathan Borton: Each Step
by Dan McClenaghan
The 1960s were fine and formative times for jazz guitar. Wes Montgomery was there. So was Grant Green. The pair led the pack, and still do, to an extent. Guitarist Nathan Borton, with his debut recording, Each Step, embraces the traditions of these two influences. Borton's sound comes directly out of the straight ahead ...
Darrell Katz & OddSong: Galeanthropolgy
by Jerome Wilson
OddSong is a chamber ensemble led by composer Darrell Katz, and distilled from the membership of the larger JCA Orchestra. It features vibraphone, violin, saxophones and voice, on music which veers between art songs and bluesy sax-led jazz tunes. Most of Katz's original compositions on this album feature poems by his late wife, poet Paula Tatarunis, ...
This Is It!: Mosaic
by John Sharpe
Fittingly for an artist as relentlessly exploratory as pianist Satoko Fujii, on Mosaic she pushes at the boundaries of recording technology, as well as the music, and comes up trumps. For the second release from the trio This Is It! lack of physical proximity proved no obstacle. Confined to base during the pandemic, Fujii and husband ...
The Matt Gordy Jazz Tonite Sextet: Be With Me
by Jack Bowers
In 2006, drummer Matt Gordy heeded the mandate to go west, young man," moving from Boston to Los Angeles, while he was still young at heart," and quickly becoming a mainstay of the local scene, after years of success as a jazz and classical drummer in New England, and even with the Maracaibo, Venezuela, Symphony Orchestra, ...
Lao Dan / Deng Boyu: TuTu Duo
by John Sharpe
The profile of jazz and improvisation from China rates roughly the same as the chances of keeping global warming below 1.5 degrees Celsius, or an anti-vaxxer's feel for community (if neither of those comparisons sits comfortably, just make up your own)vanishingly small. So the release of TuTu Duo by reedman Lao Dan and percussionist Deng Boyu, ...
Matthew Whitaker: Connections
by La-Faithia White
Multi-instrumentalist Matthew Whitaker opens up and shares some personal moments on Connections. The journey begins with the light, suave Journey Uptown." The tune grabs attention right away with an energetic upbeat feel which takes one on a magical journey of percussion and piano. Bye-Ya" features Jon Batiste on piano. Written by Thelonious Monk, ...

