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Joan Hutton & Sue Orfield: Take That Back
by Dan McClenaghan
Joan Hutton and Sue Orfield's Take that Back opens with the smooth dark chocolate crooning of Hutton's bass clarinet. The tune is “Dirty Secret," a Hutton-penned, mid-tempo gem. And initially what comes to mind is (Bennie Maupin and Eric Dolphy aside) how rarely we hear the bass clarinet on a jazz album. Then Orfield's tenor sax ...
Eric Goletz: A New Light
by Richard J Salvucci
Eric Goletz is a virtuoso trombonist who also writes and arranges. On first hearing, his core band may put some in mind of Chase, Bill Chase's high-flying group that featured both vocals and technically demanding trumpet. Goletz has something similar going on. The music opens with “Prelude: Before the Light" and “A New Light," with a ...
Eric Person: Blue Vision
by Mike Jurkovic
A veteran of Chico Hamilton, Dave Holland, and The World Saxophone Quartet, saxophonist Eric Person knows a sweet gig when he plays one. This well earned and hard earned knowledge unequivocally guarantees that Blue Vision, Person's soulful homage to late night organ trios, church, and sax legendHouston Person, is about as cool a blue session that ...
Bremer/McCoy: Natten
by Geno Thackara
There is no need to read their bios to hear that these are two friends who have been working and playing together for a good while (nearly a decade at the time of this recording). For a start, the mere fact of playing as a duo inevitably puts any pair's chemistry right out in the open; ...
Tyler Mitchell: Dancing Shadows
by Mike Jurkovic
There's a buzz to Dancing Shadows that is akin to the first time one stumbled upon a late 1950s to late 1960s Blue Note, Riverside, Verve, Impulse! or Prestige recording and time just stopped and the music took you places you were eager to go whether you knew where you were going or not. You stared ...
Bridge Of Flowers: A Soft Day's Night
by Mark Corroto
Go back to a time when music genre categories were not in effect, and listeners were open to crossing borders. Miles Davis was invited to play at rock concerts and Carlos Santana could cover a John Coltrane composition. Some might recall that the innovative free jazz label ESP Disk, started in 1963 by Bernard Stollman, put ...
The Larry Douglas Alltet: Dedications
by Jack Bowers
An Alltet is apparently two groups, one with eleven musicians, the other with six. At least that is the case on trumpeter Larry Douglas' reissued debut album, Dedications, on the first half of which he leads a tentet (and auxiliary percussionist), on the second half a sextet. The dedications, Douglas writes, are to his late son, ...
Angelika Niescier & Alexander Hawkins: Soul In Plain Sight
by John Sharpe
Some of pianist British Alexander Hawkins' most potent outings have been in the intimate duo setting. Think, for example, of Leaps In Leicester (Clean Feed, 2016) with Evan Parker or Shards And Constellations (Intakt, 2020) with cellist Tomeka Reid. To that list can be added this richly-detailed double act with the Polish-born, German-resident saxophonist Angelika Niescier. ...
Nick Mazzarella / Ingebrigt Håker Flaten / Avreeayl Ra: What You Seek Is Seeking You
by Mark Corroto
In a trio format, listeners have come to expect alto saxophonist Nick Mazzarella to lead and write all the compositions. He introduced himself to the world with Aviary (Thought To Sound Records, 2010), and followed up with three more trio releases with bassist Anton Hatwich and drummer Frank Rosaly, four if we count Triangulum (Clean Feed, ...
Andrea Massaria: New Needs Need New Techniques
by Maurizio Comandini
Andrea Massaria giunge ad una svolta importante della sua carriera artistica con un ottimo album di sola chitarra elettrica pubblicato dalla ben nota etichetta inglese Leo Records. L'occasione di poter entrare nel catalogo dell'etichetta specializzata in proposte di assoluta avanguardia, era davvero troppo ghiotta per lasciarsela sfuggire e Massaria decide di andare per la ...
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