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Tord Gustavsen Trio: Opening
by David Bruggink
After 2018's stellar The Other Side, Tord Gustavsen again graces listeners with a trio format. On this outing, ecologically-minded double bassist Sigurd Hole is replaced by ECM newcomer Steinar Raknes. A prolific recording artist with everything from dusky alt-country and americana to post-bop and free jazz to his name, Raknes introduces new flavors to the trio's palette. Gustavsen, ...
Cameron Graves: Live From the Seven Spheres
by Mike Jurkovic
Since bursting on to the scene full-birthed as part of the West Coast Get Down collective spotlighted on Kamasi Washington's truly epic debut, The Epic (Brainfeeder, 2015), fire-balling pianist Cameron Graves, even when entertaining his inner Chopin, comes at the listener with a force and fury that blows the doors in, windows out, senses to smithereens. ...
Joe McPhee, Michael Bisio, Fred Lonberg-Holm, Juma Sultan: The Sweet Spot
by John Sharpe
Making music with one's neighbors was one way of getting by during the pandemic. Of course, it helps if your colleagues are all of the caliber of the foursome assembled on The Sweet Spot, all of whom reside in the Hudson Valley, a couple of hours north of NYC. But it is not just geographic proximity ...
Ches Smith: Interpret It Well
by Troy Dostert
Ches Smith is a drummer who can make an immediate impact in a number of ways. His work as a sideman with everyone from John Zorn to Ben Goldberg to Tim Berne is ample evidence of his rhythmic range. But his own projects are just as inventive, from the punkish mania of Hammered (Clean Feed, 2013) ...
Michael Bisio Quartet: MBefore
by Karl Ackermann
In the dark days of Covid and the lingering return to normality, only a handful of musicians managed to be prolific. Fewer remained relevant. Bassist & composer Michael Bisio is among the more productive artists, with half a dozen releases during the pandemic. Add to that collection MBefore, with the bassist's new namesake quartet. The album ...
Drori Mondlak and Karolina Strassmayer: Freescapes
by Hrayr Attarian
During twenty plus years of collaboration, drummer Drori Mondlak and saxophonist / flutist Karolina Strassmayer have perfected their creative chemistry. Their highly individual styles are, nevertheless, seamlessly complementary resulting in a unique sound that marks their superb releases. Their eighth, the haunting Freescapes, is an absorbing work with an undercurrent of subtle mysticism that showcases this ...
Ornette Coleman: Genesis of Genius: The Contemporary Albums
by Jeff Kaliss
For many an Ornette Coleman devotee, devotion was pledged with the singular saxophonist's The Shape of Jazz to Come (Atlantic). It was recorded in May and released in November of 1959, and it's a matter of when in our life we caught up with it. For some of us, that's when we first felt liberated by ...
John Beasley, Magnus Lindgren, SWR Big Band: Bird Lives
by Jim Worsley
Round about 2017 there was a meeting of the minds. Composers and musicians John Beasley and Magnus Lindgren evolved as kindred spirits, and chose to work together on a project engulfing their shared appreciation of Charlie Parker. This tribute to the man who came to be known simply as Bird, had trouble taking flight. Obstacles, none ...
Cory Weeds Quartet: Just Coolin'
by Edward Blanco
Owner of the Cellar Music Group label, Canadian music producer and veteran jazz saxophonist Cory Weeds unveils another superb session of hard bop with the exceptionally bright Just Coolin', featuring a host of sizzling standards as well as a couple of low temperature classics for balance. The album became more a labor of love than a ...
Fabian Willman Trio: Balance
by Doug Collette
Based solely on over ten years playing with the brilliant pianist/composer Brad Mehldau, drummer Jeff Ballard brings a certain cachet with him. Aiding in no small measure to retain a purity that mirrors the cover graphics (by Doris Reimann) as much as this album title, he lends as much (more?) distinction to his work on Fabian ...

