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Szun Waves: Earth Patterns
by Gareth Thompson
The second Szun Waves album, New Hymn To Freedom (The Leaf Label, 2018), was a critical smash that united fans of Radiohead and Pharoah Sanders alike. Media types drowned in a torrent of adjectives such as gleaming, sparkling and rippling, as if the combo of brass and electronics could produce anything else. Unless, of course, it ...
Springbok: Involutions
by Jack Bowers
Involutions is the fifth recording by Springbok, a quartet based in France and led by organist Matthieu Marthouret. Its other members are trumpeter Julien Alour, saxophonist Robby Marshall and drummer Thomas Delor. According to Marthouret, the reunion embodies and amplifies elements of its previous albums: the fun of playing, optimism, a sense of collectivism, the notion ...
John Yao: Off-Kilter
by Mark Corroto
In all great ensemble recordings one pays no attention to the compositions and arrangements. The music just seems to dance without inhibitions and flow over the ears. Correction: excellent ensemble performances compel one to recognize and appreciate the compositions and arrangements. With composer, arranger, trombonist John Yao both statements are true and both are in opposition ...
Lucio Capece, Katie Porter: Phase to Phase
by John Eyles
It seems highly likely that the Covid lockdown period will be remembered for the many recordings created because of it, made by musicians collaborating from afar, each confined but able to communicate and swap music using the internet. A range of such recordings has already been released, with a steady trickle still emerging. One such is ...
Kokoroko: Could We Be More
by Chris May
One of the features of the 2022 alternative London jazz scene is the incorporation of musical styles originating in Africa and the Caribbean, from whence a high proportion of prominent musicians on that scene trace their heritage. Not every band shares this African and/or Caribbean dimension but the majority do and it is one of the ...
Steve Knight: Persistence
by Richard J Salvucci
Readers have surely heard of a “sniff test." It is an informal assessment that something, particularly in finance, just does not look right. It is usually intuitive rather than formal. But many analysts employ one before turning to more elaborate kinds of examinations to verify their suspicions. Music has no sniff test, but it ...
Bobby Bradford and Friends: Stealin' Home: Jackie Robinson Suite
by Chuck Koton
Born in Mississippi in 1934 and raised in Dallas, Texas, cornet master and composer Bobby Bradford knows racism and segregation. When asked if Texas was completely segregated, Bradford said, “If there's a word stronger than 'completely,' that was Texas." In spite of the hate and discrimination of everyday life in the Jim Crow South, Bradford and ...
John Mayall: The First Generation 1965-1974
by Maurizio Comandini
Se gli inglesi hanno soprannominato “The Godfather of the British Blues" l'imperturbabile John Mayall una ragione ci sarà... La malavita non c'entra nulla, per fortuna, ma c'entra tantissimo la buona musica e la capacità di organizzarla partendo da zero, o quasi. John Mayall è nato a Macclesfield, il 29 novembre del 1933. ...
Hermon Mehari, Alessandro Lanzoni: Arc Fiction
by Neri Pollastri
Dopo aver lavorato assieme in altri contesti--per esempio nel progetto di Michelangelo Scandroglio In the Eyes of Whales--Alessandro Lanzoni e Hermon Mehari registrano un lavoro in duo, undici brani originali (solo “Donna Lee" di Charlie Parker è un omaggio alla tradizione) e in larga misura improvvisati. Il disco ha inevitabilmente un'andamento cameristico, ma la varietà stilistica, ...
RedGreenBlue: The End And The Beginning
by Chris May
RedGreenBlue sound like they have emerged from the same synapse-snapping dope bunker that La Monte Young and Jon Hassell exited with their Theatre Of Eternal Music in the 1970s, whacked out on opium, hashish and mescaline, dazed but not confused. RedGreenBlue may or may not indulge in the same psychotropic self-medication as their Lower East Side ...
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