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Whit Dickey Quartet: Astral Long Form: Staircase In Space
by Alberto Bazzurro
Al suo secondo album in veste di leader per i tipi della Tao Forms dopo l'eccellente Village Mothership, in trio con Matthew Shipp e William Parker (estensore delle note di copertina di questo nuovo capitolo, inciso nel febbraio 2021), Whit Dickey coglie altrettanto felicemente (e, diremmo, naturalmente) nel segno alla testa di questo quartetto (tutti suoi ...
Dave Brubeck Quartet: Debut In The Netherlands 1958: The Lost Recordings
by Chris May
For some people, the Dave Brubeck Quartet's catalogue starts with 1959's Time Out (Columbia) and ends with Time Further Out (Columbia) two years later. Verily, they know not what they are missing. The band was burning from 1951, when Brubeck and alto saxophonist Paul Desmond founded it, until 1967 and the breakup of the “classic" lineup. ...
Dave Liebman: Dave Liebman: Live at Smalls
by Mike Jurkovic
A brief, charged commencement by Dave Liebman and trumpeter Peter Evans (Mostly Other People Do the Killing, Mary Halvorson) launches Dave Liebman: Live at Smalls and from there the nocturne reaches out like a rhizome—laterally, vertically, horizontally—thriving into your consciousness, taking root, expanding . . . Free jazz is and will always be a ...
Okay Temiz: Okay Temiz’s Oriental Wind Live at Montreux Jazz Festival 1982
by Matthew Hutchison
The six-plus decade resume of Okay Temiz is a landscape snapshot of someone who made the most of their professional opportunities from different angles. A sliver of the performance side has brought him partnerships with American jazz giants Don Cherry, Dexter Gordon, Art Taylor and Clark Terry, along with an array of established European and South ...
Spanish Harlem Orchestra: Imagenes Latinas
by Angelo Leonardi
L'ottavo album della Spanish Harlem Orchestra celebra il secondo decennio della formazione e colleziona un'altra nomination al Grammy, dopo averne vinti tre. Guidata dal pianista e compositore Oscar Hernández, la big band è una delle voci più acclamate del latin jazz, e si pone sulla scia dei leggendari Manny Oquendo, Barry Rogers, Andy e Jerry Gonzalez ...
Simona Premazzi: Wave In Gravity
by Dan McClenaghan
What do we listen for in a solo piano project? Technical proficiency. Heart. Body. Soul. A vulnerability versus strength dynamic. The ability to surrender to the sounds, to take them where they want to go. In other words, we look for how well the artist articulates their humanity. Simona Premazzi displays all these attributes ...
Adam Berenson: Songs from the Garret
by Karl Ackermann
Adam Berenson's Songs from the Garret is a two-CD solo collection but the essence of other composers prowl in the shadows. The lofty album title pays tribute to particular compositions from Steve Swallow, Carla Bley, Michael Gibbs, Chick Corea and a host of others. Berenson, a well-versed composer/keyboardist, takes the unusual approach (for him) of focusing ...
Judith Wegmann, Marlies Debacker, Lukas Briner, Nicolas Wolf: Things in Between
by Alberto Bazzurro
Alternando in maniera molto svizzera (tre dei quattro musicisti coinvolti sono in effetti elvetici, con l'eccezione della sola Marlies Debacker, belga) brani per due pianoforti (i pari, con prefisso 2) ad altri con l'aggiunta di due batterie (brani dispari, prefisso 4), i primi in mani femminili, le seconde maschili, questo singolare quartetto ci regala un album ...
Jesse Davis: Live at Smalls Jazz Club
by Jack Bowers
Alto saxophone master Sonny Stitt always chafed when he was called “little Bird," a reference to the greatest alto of them all, Charlie Parker. “I'm not a little Bird," he would say, “I'm me; Sonny Stitt." In similar fashion, Jesse Davis would probably shrug off any comparison to another of the instrument's esteemed patriarchs, the late ...
Jo Harrop & Paul Edis: When Winter Turns to Spring
by John Eyles
Although Jo Harrop had previously released albums such as Songs for the Late Hours (Lateralize, 2019) and Weathering the Storm (Lateralize, 2020), the release of The Heart Waits (Lateralize, 2021) was a quantum leap forward for the Durham-born vocalist, not least because the album included fewer covers and far more original material than before. Harrop has ...
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