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10

Article: Album Review

Itamar Borochov: Arba

Read "Arba" reviewed by Jerome Wilson

by Jerome Wilson

Trumpeter Itamar Borochov is originally from the Middle East but is part of the New York jazz scene. He plays a quarter-tone trumpet which helps bring an unusual expressiveness and calm to his sound, This is well-suited to the music he plays which is steeped in the chords and scales of the Mediterranean area where he ...

18

Article: Album Review

Kirk Lightsey: Live At Smalls Jazz Club

Read "Live At Smalls Jazz Club" reviewed by Richard J Salvucci

by Richard J Salvucci

The genesis of this brief (in terms of tracks; the Spotify version differs slightly) but satisfying recording merits some comment. During the salad days of the pandemic, Smalls Jazz Club in New York (and many other venues) were shuttered. Many artists were forced to improvise (in more ways than one) both to find a place to ...

38

Article: Album Review

Barry Deister: Hemispheres

Read "Hemispheres" reviewed by Jack Bowers

by Jack Bowers

Tenor saxophonist Barry Deister labels his sextet on Hemispheres a Collective, and for good reason--two of the musicians on Deister's fourth album are from the U.S., the others from Melbourne, Australia. Although the way they managed to work that magic isn't spelled out in the album's notes, the group performs seamlessly on seven of Deister's original ...

10

Article: Album Review

Transatlantic Five: Transitions

Read "Transitions" reviewed by Mark Corroto

by Mark Corroto

There is an expression in meditation for when an individual is concentrating on their breath, “it's a simple practice, but not easy." A similar statement might be made about Transitions by the Transatlantic Five. The music is not simple, but it is easy. Easy, at least for this quintet. The American duo of Ken ...

Article: Album Review

Idris Ackamoor: Afro Futuristic Dreams

Read "Afro Futuristic Dreams" reviewed by Angelo Leonardi

by Angelo Leonardi

Uno dei meriti dell'Afrofuturismo (e delle sue diramazioni musicali che includono Afrobeat, Spiritual jazz ed altro) è quello d'aver fatto conoscere, oltre i confini delle comunità afroamericane, artisti come Idris Ackamoor, leader da cinquant'anni del collettivo Pyramids. Com'è noto Chicago, San Francisco e Londra sono i poli di produzione musicale del movimento ed ...

8

Article: Album Review

JC Sanford with Anthony Cox and Michael Cain: New Past

Read "New Past" reviewed by Troy Dostert

by Troy Dostert

Although he has shown himself to be adept in crafting big-band releases such as Views from the Inside (Whirlwind, 2014), trombonist JC Sanford usually works in a pared-down setting, such as his quartet release Keratoconus (Shifting Paradigm, 2019) or, more recently, the two volumes of his trio-based Imminent Standards (Shifting Paradigm, 2021 and 2022). Here he ...

22

Article: Album Review

Thelonious Monk: Brilliant Corners

Read "Brilliant Corners" reviewed by Richard J Salvucci

by Richard J Salvucci

Writing about being “lost for words" is not the ideal way of starting a review, but it may be the plain truth. Perhaps Thelonious Monk is an acquired taste. Perhaps not. Whatever the case, this particular release of Brilliant Corners is just that--brilliant.The whole package is superb and really defines Craft Recordings “Small Batch" ...

35

Article: Album Review

Diva Jazz Orchestra: "30": Live at Dizzy's Club

Read ""30": Live at Dizzy's Club" reviewed by Jack Bowers

by Jack Bowers

The “30" in the title of the superlative all-woman Diva Jazz Orchestra's latest album stands for 30 years, which, believe it or not, is how long the orchestra and its remarkable drummer and leader, Sherrie Maricle, have been up and running and making beautiful music at home and abroad. Among U.S.-based big bands, it would seem ...

36

Article: Album Review

Richard Baratta: Off The Charts

Read "Off The Charts" reviewed by Jack Bowers

by Jack Bowers

Drummer Richard Baratta's third album, Off the Charts, is a play on words, as he and his bandmates have taken lesser- known themes from a number of jazz masters that flew under the radar--in other words, were “off the charts"--and given them a fresh coat of paint, so to speak, to help redeem them from what ...

3

Article: Album Review

Seamus Cater: A History of Musical Pitch

Read "A History of Musical Pitch" reviewed by John Eyles

by John Eyles

Seamus Cater is a British-born musician whose parents were active folk revivalists in London in the '60s, meaning that folk and singing permeated his early music experiences. He learned to play harmonica when he was 19. It was only when he was 23 that he attended an Access course for mature students, playing improvised music and ...


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